संत साहित्य
Work in progress. Translations and commentary are AI-generated and may contain inaccuracies or hallucinations — please use your own judgement and check against the original sources.

Dashak 6 · Samāsa 5

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श्रीराम ॥ श्रोते पुसती ऐसें । मायाब्रह्म तें कैसें । श्रोत्या वक्‌त्याचे मिषें । निरूपण ऐका
śrīrāma || śrote pusatī aisem | māyābrahma tem kaisem | śrotyā vaktyāce miṣem | nirūpaṇa aikā
Śrīrāma. The listeners ask: what is māyā-and-brahma? In the pretext of listener-and-speaker, hear the exposition.
The samāsa opens as a staged dialogue: the śrotā (listener) asks Rāmdās to explain māyā-brahma — how the illusory-changeable and the absolute-unchanging relate. Rāmdās signals that the whole exposition to follow (6.5.002 onward) will unfold through this question-and-answer frame.
Before judging any situation, first ask the plain question 'what here is passing appearance, and what here is the unchanging fact?' Let that question, not your first reaction, set the frame for how you look further.
ब्रह्म निर्गुण निराकार । माया सगुण साकार । ब्रह्मासि नाहीं पारावार । मायेसि आहे
brahma nirguṇa nirākāra | māyā saguṇa sākāra | brahmāsi nāhīm pārāvāra | māyesi āhe
Brahman is nirguṇa, nirākāra; māyā is saguṇa, sākāra; Brahman has no limit; māyā has.
The first defining contrast: Brahman is nirguṇa (without attributes) and nirākāra (without form), while māyā is saguṇa (possessing attributes) and sākāra (possessing form). Brahman is limitless (pārāvāra — 'far shore,' i.e. boundary); māyā has boundaries. This sets the template every following verse will repeat with a new pair of qualities.
When you notice yourself gripped by a mood, opinion, or role, ask whether it is a fixed quality of you or a passing form moving through you — and hold the distinction instead of collapsing into the passing form.
ब्रह्म निर्मळ निश्चळ । माया चंचळ चपळ । ब्रह्म निरुपाधि केवळ । माया उपाधिरूप
brahma nirmaḷa niścaḷa | māyā camcaḷa capaḷa | brahma nirupādhi kevaḷa | māyā upādhirūpa
Brahman is pure, unmoving; māyā is restless, fickle; Brahman is pure without limiting-condition; māyā is limiting-condition-form.
Brahman is nirmaḷa (pure) and niścaḷa (unmoving); māyā is cañcaḷa and capaḷa — restless and fickle. Brahman is nirupādhi — free of any upādhi (limiting condition or attached label); māyā is nothing but upādhi-forms, i.e. it exists only as conditioned appearances.
Notice how many of your daily identities — job title, mood, role in an argument — are labels (upādhis) you have picked up rather than what you actually are. Practice setting one label down for an hour and observe what remains steady underneath.
माया दिसे ब्रह्म दिसेना । माया भासे ब्रह्म भासेना । माया नासे ब्रह्म नासेना । कल्पांतकाळीं
māyā dise brahma disenā | māyā bhāse brahma bhāsenā | māyā nāse brahma nāsenā | kalpāmtakāḷīm
Māyā appears, Brahman does not appear; māyā reflects, Brahman does not reflect; māyā perishes, Brahman does not perish — at kalpānta.
Māyā appears and reflects to the senses, but Brahman does not 'appear' at all, since appearance itself belongs to māyā's domain. Even at kalpānta — the dissolution of the universe at the end of a cosmic cycle — māyā perishes while Brahman remains unaffected, because Brahman was never within time's cycle to begin with.
When something you built or valued eventually falls apart, notice that the falling-apart itself proves it belonged to the changeable, not to you as the awareness watching it. Let the loss teach the distinction instead of only causing grief.
माया रचे ब्रह्म रचेना । माया खचे ब्रह्म खचेना । माया रुचे ब्रह्म रुचेना । अज्ञानासी
māyā race brahma racenā | māyā khace brahma khacenā | māyā ruce brahma rucenā | ajñānāsī
Māyā composes, Brahman does not compose; māyā subsides, Brahman does not subside; māyā is liked, Brahman is not liked — by the ignorant.
Māyā composes and subsides — arising and settling like waves — while Brahman does neither, being beyond process. Crucially, it is ajñāna (ignorance) that finds māyā appealing (ruce); Brahman does not appeal to the ignorant precisely because it offers no graspable form to like or dislike.
When you catch yourself drawn only to what is showy, changing, and eventful, recognize that as the pull of ignorance toward surface variety — and deliberately give some attention instead to what is plain, steady, and unchanging in your day.
माया उपजे ब्रह्म उपजेना । माया मरे ब्रह्म मरेना । माया धरे ब्रह्म धरेना । धारणेसी
māyā upaje brahma upajenā | māyā mare brahma marenā | māyā dhare brahma dharenā | dhāraṇesī
Māyā arises, Brahman does not arise; māyā dies, Brahman does not die; māyā is grasped, Brahman is not grasped — by holding.
Māyā arises and dies, and it can be seized through dhāraṇā — concentrated holding or grasping (a technical term for fixed mental focus). Brahman does none of this: it cannot be born, cannot die, and cannot be held as an object of concentration, because it is the very awareness doing the holding.
In meditation or focused work, notice that you can fix attention on any object — but the awareness that is doing the fixing cannot itself be grasped as an object. Rest attention there rather than only on what it holds.
माया फुटे ब्रह्म फुटेना । माया तुटे ब्रह्म तुटेना । माया विटे ब्रह्म विटेना । अविट तें
māyā phuṭe brahma phuṭenā | māyā tuṭe brahma tuṭenā | māyā viṭe brahma viṭenā | aviṭa tem
Māyā breaks, Brahman does not break; māyā is cut, Brahman is not cut; māyā ages, Brahman does not age — it is timeless.
Māyā breaks, is cut, and ages (viṭe — grows stale or worn); Brahman does none of these because it is aviṭa — literally 'unstaling,' beyond wear and decay. The verse extends the same breakage-imagery from 6.5.004–006 to physical damage and the passage of time.
When something you rely on wears out or breaks — a plan, a relationship phase, a possession — treat its aging as expected of anything made of parts, and locate your sense of self somewhere that does not wear out with it.
माया विकारी ब्रह्म निर्विकारी । माया सर्व करी ब्रह्म कांहींच न करी । माया नाना रूपें धरी । ब्रह्म तें अरूप
māyā vikārī brahma nirvikārī | māyā sarva karī brahma kāmhīmca na karī | māyā nānā rūpem dharī | brahma tem arūpa
Māyā is distorted, Brahman is un-distorted; māyā does all, Brahman does nothing; māyā takes many forms, Brahman is formless.
Māyā is vikārī (subject to distortion and change) and does everything — it is the active, doing principle — while Brahman is nirvikārī (undistorted) and does nothing at all. Māyā takes on countless forms (nānā rūpe); Brahman remains arūpa, formless, the silent ground beneath all that activity.
Separate the doer in you from the witness in you: notice how much of your day is ceaseless doing, and set aside even a few minutes where you simply observe without acting or changing anything.
माया पंचभौतिक अनेक । ब्रह्म तें शाश्वत एक । मायाब्रह्माचा विवेक । विवेकी जाणती
māyā pamcabhautika aneka | brahma tem śāśvata eka | māyābrahmācā viveka | vivekī jāṇatī
Māyā is five-elemental, many; Brahman is eternal, one; the discernment of māyā-and-brahma — the discerning know.
Māyā is pañcabhautika — composed of the five gross elements — and therefore multiple; Brahman is śāśvata (eternal) and eka (one, without a second). Rāmdās names the discipline itself: this discrimination between māyā and Brahman is viveka, and only the vivekī — those who practice discernment — actually grasp it, not merely those who hear the words.
Don't just read or hear a distinction like this — practice it: each time you sense a strong reaction, ask which part is a temporary combination of conditions and which part is the constant awareness noticing it.
माया लहान ब्रह्म थोर । माया असार ब्रह्म सार । माया अर्ति पारावार । ब्रह्मासि नाहीं
māyā lahāna brahma thora | māyā asāra brahma sāra | māyā arti pārāvāra | brahmāsi nāhīm
Māyā is small, Brahman is vast; māyā is non-essence, Brahman is essence; māyā has end and limit; Brahman has not.
Māyā is lahāna (small) and asāra (without essence, insubstantial); Brahman is thora (vast) and sāra (essence itself). Māyā has arti pārāvāra — an end and a far shore, that is, boundaries; Brahman has none. The verse restates 6.5.002's size-and-limit contrast with sharper terms: essence versus non-essence.
When ranking what matters in your life, ask which things carry real weight (sāra) and which are merely large in appearance but insubstantial — then invest your limited time according to essence, not size.
सकळ माया विस्तारली । ब्रह्मस्थिति आच्छादिली । परी ते निवडून घेतली । साधुजनीं
sakaḷa māyā vistāralī | brahmasthiti ācchādilī | parī te nivaḍūna ghetalī | sādhujanīm
All māyā has spread out; the Brahman-state is covered; yet it is extracted — by the sādhu-folk.
Māyā has spread over everything and covers over the underlying Brahman-state (brahmasthiti), so that ordinary people see only the covering. Yet the sādhu-jana — realized or striving practitioners — manage to extract (nivaḍūna ghetalī) the hidden Brahman from within that covering, the way one separates grain from husk.
When a situation looks completely covered by noise, drama, or distraction, deliberately search underneath it for the one steady fact worth keeping — the way you would sift useful material out of clutter.
गोंडाळ सांडून नीर घेइजे । नीर सांडून क्षीर सेविजे । माया सांडून अनुभविजे । परब्रह्म तैसें
gomḍāḷa sāmḍūna nīra gheije | nīra sāmḍūna kṣīra sevije | māyā sāmḍūna anubhavije | parabrahma taisem
Discard the lather and take water; discard water and drink milk; discard māyā and experience Parabrahman — likewise.
Three graded similes make the extraction of 6.5.011 concrete: discard the lather to get to the water beneath; discard the water (whey) to get to the milk; discard māyā entirely to arrive at direct experience (anubhava) of Parabrahman. Each step discards a coarser layer for something more essential — the method is progressive refinement, not a single leap.
Practice discarding in stages: first drop the surface noise of a problem, then drop your assumptions about it, and only then look directly at what is actually true — don't expect the clarity to arrive in one jump.
ब्रह्म आकाशा ऐसें निवळ । माया वसुंधरा डहुळ । ब्रह्म सूक्ष्म केवळ । माया स्थूळरूप
brahma ākāśā aisem nivaḷa | māyā vasumdharā ḍahuḷa | brahma sūkṣma kevaḷa | māyā sthūḷarūpa
Brahman is like the sky — clear; māyā is like the earth — muddied; Brahman is purely subtle; māyā is gross-form.
Brahman is likened to the clear sky (ākāśa); māyā to the muddied earth (vasundharā ḍahuḷa). Brahman is sūkṣma — purely subtle; māyā is sthūḷarūpa — gross in form. The sky-image recurs later (6.5.024) as the model for how the unattached self remains untouched even while surrounded by māyā.
When your mind feels 'muddy' with agitation, picture the clear sky above the weather passing through it: the weather is real and moving, but the clarity behind it never actually gets dirty.
ब्रह्म तें अप्रत्यक्ष असे । माया ते प्रत्यक्ष दिसे । ब्रह्म तें समचि असे । माया ते विषमरूप
brahma tem apratyakṣa ase | māyā te pratyakṣa dise | brahma tem samaci ase | māyā te viṣamarūpa
Brahman is not visible; māyā is visible; Brahman is even; māyā is uneven-form.
Brahman is apratyakṣa — not directly perceivable by the senses; māyā is pratyakṣa — directly visible. Brahman is sama, even and undifferentiated; māyā is viṣamarūpa, uneven, full of differences and inequalities. What can be seen and compared belongs to māyā; what is level and beyond comparison is Brahman.
Before trusting your eyes and comparisons completely, remember that everything comparable — better/worse, more/less — belongs to the changeable surface of things; look for what stays level across all your comparisons.
माया लक्ष्य ब्रह्म अलक्ष्य । माया साक्ष ब्रह्म असाक्ष । मायेमध्यें दोन्ही पक्ष । ब्रह्मीं पक्षचि नाहीं
māyā lakṣya brahma alakṣya | māyā sākṣa brahma asākṣa | māyemadhyem donhī pakṣa | brahmīm pakṣaci nāhīm
Māyā is marked (lakṣya); Brahman is un-markable (alakṣya); māyā has witness; Brahman is without-witness; in māyā there are two sides (pakṣa); in Brahman there is no side.
Māyā is lakṣya — a markable target, something that can be pointed at and witnessed (sākṣa); Brahman is alakṣya and asākṣa — beyond marking and beyond needing a witness. Māyā contains donhī pakṣa, both sides of any duality (this-or-that, right-or-wrong); Brahman has no side at all, since duality itself is māyā's structure.
Notice that any debate with two opposing sides is happening entirely within the realm of appearance; before taking a side, ask whether the deeper truth you're after actually needs one.
माया पूर्वपक्ष ब्रह्म सिद्धांत । माया असत् ब्रह्म सत् । ब्रह्मासि नाहीं करणें हित । मायेसि आहे
māyā pūrvapakṣa brahma siddhāmta | māyā asat brahma sat | brahmāsi nāhīm karaṇem hita | māyesi āhe
Māyā is pūrva-pakṣa; Brahman is siddhānta; māyā is asat; Brahman is sat; Brahman needs no welfare-action; māyā does.
In the language of formal debate, māyā is the pūrvapakṣa — the provisional position raised only to be examined and set aside — while Brahman is the siddhānta, the settled conclusion. Māyā is asat (not truly real, transient); Brahman is sat (real, existent). And because Brahman is already complete, it needs no hita — no corrective welfare-action performed upon it — while māyā, being incomplete, constantly needs such action.
Treat your first reflexive opinion on a matter as a position to be tested, not a conclusion to defend — hold it loosely until it either survives scrutiny or is replaced by something truer.
ब्रह्म अखंड घनदाट । माया पंचभौतिक पोंचट । ब्रह्म तें निरंतर निघोट । माया ते जुनी जर्जरी
brahma akhamḍa ghanadāṭa | māyā pamcabhautika pomcaṭa | brahma tem niramtara nighoṭa | māyā te junī jarjarī
Brahman is unbroken, densely thick; māyā is five-elemental, hollow; Brahman is continuously pure; māyā is old, worn-out.
Brahman is akhaṇḍa (unbroken) and ghanadāṭa — densely solid, with no gaps; māyā, though built of the five elements, is pōñcaṭa — hollow, insubstantial. Brahman is continuously pure (nirantara nighoṭa); māyā is junī jarjarī — old and worn-out, decaying with time even as it looks solid from outside.
Test what feels 'solid' in your life by whether it holds up over time or slowly wears thin — genuine substance doesn't need to be constantly patched, propped up, or renewed.
माया घडे ब्रह्म घडेना । माया पडे ब्रह्म पडेना । माया विघडे ब्रह्म विघडेना । जैसें तैसें
māyā ghaḍe brahma ghaḍenā | māyā paḍe brahma paḍenā | māyā vighaḍe brahma vighaḍenā | jaisem taisem
Māyā is formed, Brahman is not formed; māyā falls, Brahman does not fall; māyā breaks, Brahman does not break — as it is.
Māyā is formed, falls, and breaks apart; Brahman undergoes none of this — it remains jaise taise, exactly as it is, regardless of what forms rise and fall within māyā. This repeats the refrain pattern from 6.5.004–007 with construction-and-collapse imagery specifically.
When a project or structure you built eventually collapses or needs rebuilding, don't let its instability shake your own sense of steadiness — let the structure fall while you remain 'as you are.'
ब्रह्म असतचि असे । माया निरसितांच निरसे । ब्रह्मास कल्पांत नसे । मायेसि असे
brahma asataci ase | māyā nirasitāmca nirase | brahmāsa kalpāmta nase | māyesi ase
Brahman just is; māyā is dissolved by denying; Brahman has no kalpānta; māyā has.
Brahman simply is (asataci ase) — its being requires no support. Māyā, by contrast, is dissolved specifically through negation (nirasitām nirase) — the practice of saying 'not this, not this' (neti neti) is what makes māyā's unreality evident. Brahman has no kalpānta (cosmic end); māyā does.
When trying to see through a false belief or illusion about yourself, actively negate it — say 'not this' to each layer you catch — rather than waiting for the illusion to fade on its own.
माया कठिण ब्रह्म कोमळ । माया अल्प ब्रह्म विशाळ । माया नसे सर्वकाळ । ब्रह्मचि असे
māyā kaṭhiṇa brahma komaḷa | māyā alpa brahma viśāḷa | māyā nase sarvakāḷa | brahmaci ase
Māyā is hard, Brahman is soft; māyā is small, Brahman is vast; māyā does not exist always; Brahman alone exists.
Māyā is kaṭhiṇa (hard, harsh) while Brahman is komaḷa (soft, gentle); māyā is alpa (small) while Brahman is viśāḷa (vast). Māyā does not exist sarvakāḷa — at all times — while Brahman alone exists always. The verse gathers the size-and-permanence threads from 6.5.002, 010, and 013 into a final compact statement before the argument shifts register (6.5.021 onward).
When something in your life feels harsh and constricting, remember that harshness is a mark of the temporary and small — look for what in your situation is instead spacious and gentle, and lean toward that.
वस्तु नव्हे बोलिजे ऐशी । माया जैशी बोलिजे तैशी । काळ पावेना वस्तूसी । मायेसी झडपी
vastu navhe bolije aiśī | māyā jaiśī bolije taiśī | kāḷa pāvenā vastūsī | māyesī jhaḍapī
The substance is not what is spoken of; māyā is whatever is spoken; Time does not reach the substance; it seizes māyā.
Here Rāmdās makes a subtler point: the true substance (vastu, i.e. Brahman) is never identical with any description of it — words always fall short. Māyā, conversely, is exactly whatever gets spoken and described, since it is the realm of name and form. And kāḷa (Time) cannot touch the substance at all; Time only has power over māyā, seizing (jhaḍapī) it.
When you catch yourself fully believing a description — a label, a story, a definition — of something important, remember the description is not the thing itself; keep some attention on the undescribed reality behind your own words.
नाना रूप नाना रंग । तितुका मायेचा प्रसंग । माया भंगे ब्रह्म अभंग । जैसें तैसें
nānā rūpa nānā ramga | titukā māyecā prasamga | māyā bhamge brahma abhamga | jaisem taisem
Many forms, many colors — all that is the affair of māyā; māyā breaks, Brahman is unbreakable — as it is.
All the diversity of forms and colors in the world is simply māyā's domain of activity (prasaṅga) — its business, so to speak. Māyā breaks; Brahman is abhaṅga — unbreakable — remaining jaise taise, exactly as it is. This closes the long series of paired contrasts (6.5.002–022) with the same refrain used throughout.
When overwhelmed by the sheer variety of things demanding your attention, remind yourself that variety itself is the signature of the passing and changeable — and consciously return to whatever in you does not vary.
आतां असो हा विस्तार । चालत जातें सचराचर । तितुकी माया परमेश्वर । सबाह्य अभ्यंतरीं
ātām aso hā vistāra | cālata jātem sacarācara | titukī māyā parameśvara | sabāhya abhyamtarīm
Enough this extent; moving-and-unmoving passes on; whatever is māyā, Parameśvara is within-and-without it.
Rāmdās calls a halt to the systematic listing — 'enough of this elaboration' — and shifts to a summary teaching: all moving and unmoving things (sacarācara, the whole universe) continue on their course, but wherever māyā exists, Parameśvara (God) pervades it from within and without (sabāhya abhyantarīm). This reframes the entire māyā/Brahman contrast: it is not that māyā is separate from God, but that God is present as its inner and outer reality.
Stop treating the busy, changing world as something separate from what is sacred — instead, in the middle of ordinary activity, look for the presence that holds it from both inside and outside, rather than waiting to find stillness only elsewhere.
सकळ उपाधींवेगळा । तो परमात्मा निराळा । जळीं असोन नातळे जळा । आकाश जैसें
sakaḷa upādhīmvegaḷā | to paramātmā nirāḷā | jaḷīm asona nātaḷe jaḷā | ākāśa jaisem
Separate from all limiting-conditions, that Paramātmā is apart; being in water, does not touch water — like the sky.
The Paramātmā — the supreme Self — stands apart from every upādhi (limiting condition), utterly nirāḷā (distinct, separate). The verse gives the classic analogy also implied by 6.5.013's sky-image: like ākāśa (space) that is present within water yet never gets wet by it, the Self remains present within all conditions without ever being touched or altered by them.
In the middle of a role, relationship, or circumstance that surrounds you completely, practice noticing the part of your awareness that stays untouched by it — present within the situation the way space is present within water, without becoming wet.
मायाब्रह्मांचें विवरण । करितां चुके जन्ममरण । संतांसि गेलिया शरण । मोक्ष लाभे
māyābrahmāmcem vivaraṇa | karitām cuke janmamaraṇa | samtāmsi geliyā śaraṇa | mokṣa lābhe
Expounding māyā and Brahman, birth-and-death is escaped; going in refuge to the saints, mokṣa is obtained.
Rāmdās gives the payoff of this whole exposition (vivaraṇa) of māyā and Brahman: understanding it breaks the cycle of janma-maraṇa (birth and death). But he adds a crucial second condition — this liberation (mokṣa) is obtained specifically by going śaraṇa (in refuge) to the saints, not by intellectual understanding alone. This sets up the closing praise of saints in 6.5.026.
Don't treat philosophical understanding as sufficient by itself — pair whatever insight you gain with genuine reliance on trustworthy guides or mentors who already live what you are only beginning to understand.
अरे या संतांचा महिमा । बोलावया नाहीं सीमा । जयांचेनि जगदात्मा । अंतरींच होय
are yā samtāmcā mahimā | bolāvayā nāhīm sīmā | jayāmceni jagadātmā | amtarīmca hoya
Ah — the greatness of these saints — to speak, there is no boundary; by whom Jagadātmā becomes — within [one's heart].
The samāsa closes on an exclamation of wonder: the greatness of the saints has no boundary that words can capture, because through them Jagadātmā — the Self of the whole universe, the same Brahman discussed throughout — comes to be realized within a person's own heart (antarīm). The entire māyā-Brahman teaching, in other words, is not complete as doctrine; it becomes real only through the saints who make it inward experience.
Seek out people whose presence actually changes how you experience yourself, not just those who can explain ideas well — let their example, not only their words, do the teaching.