Cluster 0413 — BG-11.35 — Sañjaya-narrator-frame returns: Arjuna trembling-trembling, choked-throat, bowing-again

Sanskrit śloka (BG-11.35): sañjaya uvāca — etac chrutvā vacanam keśavasya kṛtāñjalir vepamānaḥ kirīṭī — namaskṛtvā bhūya evāha kṛṣṇam sa-gadgadam bhīta-bhītaḥ praṇamya

"Sañjaya spoke: Having HEARD Keśava's word — KIRĪṬĪ (Arjuna), with folded-hands, TREMBLING — having BOWED AGAIN, he spoke to Kṛṣṇa with CHOKED-VOICE, DOUBLY-FEARFUL, bowing-forward."

After the Lord's 3-śloka authoritative-self-revelation (BG-11.32 kālo'smi + BG-11.33 uttiṣṭha-yaśo-labhasva + BG-11.34 named-already-killed), Sañjaya now RESUMES his third-person external-narrative-frame to characterize ARJUNA-THE-LISTENER's body-and-voice state before Arjuna's stuti-words begin at BG-11.36. The iconic compounds sa-gadgadam (choked-voice) + bhīta-bhītaḥ (doubly-fearful) mark the affective-overwhelm; kṛtāñjaliḥ + namaskṛtvā bhūyaḥ + praṇamya mark the reverential body-posture. Jñāneśvar's 9-ovi treatment is architecturally-extensive: the precise Sañjaya-tells-Kurunātha frame with the rare self-naming jñānadevō mhaṇē; the iconic THREE-SIMILES for the Lord's-voice (Gangā from Satyaloka + monsoon-clouds + Mandara churning the Kṣīra-sāgara); the precise affective AMBIGUITY sukha kīm bhaya duṇāvalēm (joy-OR-fear-doubled) named as open; the vivid gaḷā bujālā-ci ṭhāyē (throat-blocked-in-place) for sa-gadgadam; the precise bhēṇabhēṇa (Marathi reduplication preserving Sanskrit bhīta-bhītaḥ); and the rare META-TEXTUAL commentary-on-self miyām padāmvarūni dēkhilēm ślōkīmciyā (I-saw-this from-the-VERSE'S-PADA).