संत साहित्य
Work in progress. Translations and commentary are AI-generated and may contain inaccuracies or hallucinations — please use your own judgement and check against the original sources.

Dashak 7 · Samāsa 1

62 ovis

विद्यावंतांचा पूर्वजू । गजानन एकद्विजू । त्रिनयन चतुर्भुजू । परशुपाणि
vidyāvamtāmcā pūrvajū | gajānana ekadvijū | trinayana caturbhujū | paraśupāṇi
The elder of the learned — Gajānana, single-tusked; three-eyed, four-armed; axe-handed.
Rāmdās opens dashak 7 the traditional way: invoking Gaṇapati, the elder of all learned ones, described through his familiar iconography — single-tusked, three-eyed, four-armed, axe in hand. Each physical attribute is understood to encode a quality: the broken tusk, the eyes that see past, present, and future, the arms suited to multiple simultaneous tasks.
Before starting serious work or study, pause and set an intention — a brief moment of humility clears the mind for what follows.
कुबेरापासून अर्थ । वेदांपासून परमार्थ । लक्ष्मीपासून समर्थ । भाग्यासी आले
kuberāpāsūna artha | vedāmpāsūna paramārtha | lakṣmīpāsūna samartha | bhāgyāsī āle
From Kubera, wealth; from Vedas, paramārtha; from Lakṣmī, capability — fortune came.
Continuing the invocation, Rāmdās notes that Gaṇapati's good fortune (bhāgya) is composite: wealth from Kubera (lord of riches), ultimate truth (paramārtha) from the Vedas, and capability (sāmarthya) from Lakṣmī. No single source suffices — true fortune blends material means, scriptural truth, and competence.
Notice which of your own strengths come from resources, which from knowledge, and which from sheer capability, and cultivate all three rather than leaning on one.
तैशी मंगळमूर्ती आद्या । तियेपासून झाल्या सकळ विद्या । तेणें कवि लाघवगद्या । सत्पात्रें जाहलीं
taiśī mamgaḷamūrtī ādyā | tiyepāsūna jhālyā sakaḷa vidyā | teṇem kavi lāghavagadyā | satpātrem jāhalīm
Such is the Mangala-mūrti, the primordial one; from her all sciences came; by whom poets became capable vessels.
Rāmdās turns to Śāradā as the Mangala-mūrti (auspicious form), the primal source from which all sciences (vidyā) arose. It is through her that poets become fit vessels (satpātre) for skillful, graceful speech — talent is received, not self-generated.
When you speak or write well, credit the tradition and teachers that shaped your ability rather than claiming sole ownership of the gift.
जैशीं समर्थाचीं लेकुरें । नाना अलंकारीं सुंदरें । मूळपुरुषाचेनि द्वारें । तैसे कवी
jaiśīm samarthācīm lekurem | nānā alamkārīm sumdarem | mūḷapuruṣāceni dvārem | taise kavī
Like the children of a mighty one, beautiful in many ornaments; through the gateway of the primordial Person — such are the poets.
Poets are compared to the children of a mighty one, adorned with many ornaments — their gifts of expression pass through the gateway of the mūlapuruṣa, the primordial Person. The image reinforces 7.1.003: eloquence is a family likeness passed down from the source, not self-made.
Trace your own skills back to their lineage — teachers, family, tradition — and use them in a way that honors where they came from.
नमूं ऐशिया गणेंद्रा । विद्याप्रकाशपूर्णचंद्रा । जयाचेनि बोधसमुद्रा । भरतें दाटे बळें
namūm aiśiyā gaṇemdrā | vidyāprakāśapūrṇacamdrā | jayāceni bodhasamudrā | bharatem dāṭe baḷem
I salute such a Gaṇa-indra; the full-moon of knowledge-light; by whose bodha-ocean high tides surge strongly.
Rāmdās formally bows to Gaṇapati as Gaṇendra, the full moon (pūrṇacandra) whose light is knowledge itself, and whose ocean of understanding (bodhasamudra) rises in powerful tides. The image links illumination with abundance — real knowledge is not a trickle but a flood.
When you gain real understanding of something, let it overflow into how you act rather than hoarding it as private information.
जो कर्तृत्वास आरंभ । मूळपुरुष मूळारंभ । जो परात्पर स्वयंभ । आदि अंतीं
jo kartṛtvāsa ārambha | mūḷapuruṣa mūḷārambha | jo parātpara svayambha | ādi amtīm
The first of agency, the primordial person, the primal beginning; who is beyond the beyond, self-born, at beginning and end.
The verse names the ultimate source behind Gaṇapati and Śāradā: the mūlapuruṣa, the one who initiates all doing, self-existent (svayambhū), present at both the start and the close of everything. This is the ground from which the deities already praised themselves arise.
Before crediting any single cause for your circumstances, remember there is always a deeper source behind every beginning — stay humble about what you think you originated yourself.
तयापासून प्रमदा । इच्छाकुमारी शारदा । आदित्यापासून गोदा । मृगजळ वाहे
tayāpāsūna pramadā | icchākumārī śāradā | ādityāpāsūna godā | mṛgajaḷa vāhe
From Him the damsel: the desire-daughter Śāradā; from the sun, Godāvarī; the mirage flows.
From the primordial Person comes Śāradā, called his 'desire-daughter' (icchākumārī) — born of will rather than physical birth. The comparison to the Godāvarī flowing from the sun, and to a mirage that only appears to flow, hints that this generation is subtle rather than literal, a manifestation of intention.
When you produce something valuable — an idea, a piece of writing — recognize it as an expression of clear intention, not an accident.
जे मिथ्या म्हणतांच गोंवी । मायिकपणें लाघवी । वक्तयास वेढा लावी । वेगळेपणें
je mithyā mhaṇatāmca gomvī | māyikapaṇem lāghavī | vaktayāsa veḍhā lāvī | vegaḷepaṇem
She who entangles the moment one calls it false, illusory-skillful; throws the speaker into a whirl — by separateness.
Rāmdās pivots here: the moment someone calls Śāradā/māyā 'false' (mithyā), they get entangled in her again — the illusion is 'skillful in illusion' and traps the speaker in confusion through the very sense of separateness (vegaḷepaṇem) their denial assumes. Denouncing illusion from within duality is still caught in duality.
Notice that arguing 'this doesn't matter' about something often keeps your attention fixed on it — real freedom from a preoccupation comes from letting it go, not from declaring it false.
जे द्वैताची जननी । कीं ते अद्वैताची खाणी । मूळमाया गवसणी । अनंत ब्रह्मांडांची
je dvaitācī jananī | kīm te advaitācī khāṇī | mūḷamāyā gavasaṇī | anamta brahmāmḍāmcī
She is the mother of duality — or the mine of advaita; the root-māyā — the covering of endless brahmāṇḍas.
This verse holds two faces of the same power in tension: she is the mother of duality (dvaita) yet also the mine of non-duality (advaita) — the root-māyā that veils countless universes. She is described paradoxically as both the origin of separation and, rightly understood, the doorway to unity.
When something in life seems to divide you from truth, look again — the same difficulty, examined closely, is often exactly what teaches you unity.
कीं ते अवडंबरी वल्ली । अनंत ब्रह्मांडें लगडली । मूळपुरुषाची माउली । दुहितारूपें ॥ १० । वंदूं ऐशी वेदमाता । आदिपुरुषाची जे सत्ता । आतां आठवीन समर्था । सद्गुरूसी
kīm te avaḍambarī vallī | anamta brahmāmḍem lagaḍalī | mūḷapuruṣācī māulī | duhitārūpem || 10 | vamdūm aiśī vedamātā | ādipuruṣācī je sattā | ātām āṭhavīna samarthā | sadgurūsī
Or a spread-creeper — innumerable universes cling; mother of the Primal Person in daughter-form. I salute such Veda-mātā — the authority of the primal Person; now I remember the capable Sadguru.
The image shifts to a vine (vallī) spreading so wide that countless universes cling to it — she is the mother of the mūlapuruṣa yet appears in daughter-form, a further paradox of generation. Having saluted this Veda-mātā, Rāmdās now turns to invoke the third figure in his opening sequence: the capable Sadguru.
After honoring the source of your knowledge and your gifts, also remember and honor the specific teacher or guide who made that knowledge accessible to you.
जयाचेनि कृपादृष्टी । होय आनंदाची वृष्टी । तेणें गुणें सर्व सृष्टी । आनंदमय
jayāceni kṛpādṛṣṭī | hoya ānamdācī vṛṣṭī | teṇem guṇem sarva sṛṣṭī | ānamdamaya
By whose grace-glance, a rain of bliss comes; by that virtue, all sṛṣṭi becomes bliss-full.
Rāmdās begins praising the Sadguru: a single glance of his grace (kṛpādṛṣṭi) brings a rain of bliss, and by that quality the entire creation becomes suffused with joy. The guru's inner state is described as transforming the very world perceived around him.
Spend time with people whose presence genuinely uplifts those around them, and notice how their steadiness changes the mood of a room — try to bring that same quality to others.
कीं तो आनंदाचा जनक । सायुज्यमुक्तीचा नायक । कैवल्यपददायक । अनाथबन्धू
kīm to ānamdācā janaka | sāyujyamuktīcā nāyaka | kaivalyapadadāyaka | anāthabandhū
Or he is the father of ānanda; the leader of sāyujya-mukti; the giver of kaivalya-pada; the friend of the orphaned.
The Sadguru is called the father of bliss (ānandācā janaka), the leader toward union-liberation (sāyujyamukti), the giver of the state of absolute aloneness-in-truth (kaivalyapada), and — most tenderly — the friend of the orphaned, the one with no other refuge.
Be the steady presence for someone who has no one else to turn to — that kind of reliable friendship matters more than any grand gesture.
मुमुक्षचातकीं सुस्वर । करुणां पाहिजे अंबर । वोळे कृपेचा जलधर । साधकांवरी
mumukṣacātakīm susvara | karuṇām pāhije ambara | voḷe kṛpecā jaladhara | sādhakāmvarī
To the cātaka-seeker in sweet voice, with compassion, the sky is needed; the grace-cloud pours on the seekers.
Rāmdās uses the classic image of the cātaka bird, which by legend drinks only rainwater and cries out for the clouds: the earnest seeker (mumukṣu) calls out sweetly, and the guru's compassion is the cloud that pours grace down on those who seek it.
Ask clearly and sincerely for the guidance you need — genuine, humble asking is often what opens the door to receiving help.
कीं तें भवार्णवींचें तारूं । बोधें पाववी पैलपारू । महाआवर्तीं आधारू । भाविकांसी
kīm tem bhavārṇavīmcem tārūm | bodhem pāvavī pailapārū | mahāāvartīm ādhārū | bhāvikāmsī
Or he is the boat in the ocean of becoming; by his teaching one reaches the far shore; the support in the great whirlpool — for the faithful.
The guru is now the boat (tārū) crossing the ocean of worldly existence (bhavārṇava); his teaching (bodha) is what actually gets a person across, and he is the anchor in the great whirlpool of samsāra for those who have faith (bhāvika).
When you feel pulled under by circumstances, seek out reliable guidance rather than trying to swim the current alone — asking for help is not weakness.
कीं तो काळाचा नियंता । नाना संकटीं सोडविता । कीं ते भाविकाची माता । परम स्नेहाळ
kīm to kāḷācā niyamtā | nānā samkaṭīm soḍavitā | kīm te bhāvikācī mātā | parama snehāḷa
Or he is the regulator of Time, the rescuer in many calamities; or he is the mother of the faithful — supremely affectionate.
Two more faces of the guru appear: he governs even Time itself (kāḷācā niyantā) and rescues from every kind of calamity, yet he is equally a supremely affectionate mother to those with faith — power and tenderness held together.
In a crisis, look for the person who combines calm competence with genuine warmth — that combination, not authority alone, is what actually steadies people.
कीं तो परत्रींचा आधारू । कीं तो विश्रांतीचा थारू । नातरी सुखाचें माहेरू । सुखरूप
kīm to paratrīmcā ādhārū | kīm to viśrāmtīcā thārū | nātarī sukhācem māherū | sukharūpa
Or he is the support of the other world; or the rest-place of the weary; or the maternal-home of happiness — pure-happiness.
The praise closes with images of rest: the guru supports one even beyond this life (paratra), is the resting place for the weary, and is the maternal home — the place one returns to for comfort — of happiness itself.
Cultivate at least one relationship or practice that functions as your 'maternal home' — a place you can return to and simply rest, without performance.
ऐसा सद्गुरु पूर्णपणीं । तुटे भेदाची कडसणी । देहेंविण लोटांगणीं । तया प्रभूसी
aisā sadguru pūrṇapaṇīm | tuṭe bhedācī kaḍasaṇī | dehemviṇa loṭāmgaṇīm | tayā prabhūsī
Such is the Sadguru in fullness; before whom the edge of difference is cut; I salute that Master — prostrating beyond the body.
Rāmdās sums up: such is the Sadguru in his fullness, before whom the sharp edge of felt separateness (bhedācī kaḍasaṇī) is severed. His prostration is described as beyond the body — an inward surrender, not merely a physical bow.
When you show respect to someone who has genuinely helped you grow, let it be more than a formality — mean it inwardly, not just outwardly.
साधु संत आणि सज्जन । वंदूनियां श्रोतेजन । आतां कथानुसंधान । सावध ऐका
sādhu samta āṇi sajjana | vamdūniyām śrotejana | ātām kathānusamdhāna | sāvadha aikā
Saluting sādhus, saints, noble, and listeners — now attend the narrative attentively.
The invocation closes conventionally with salutations to sādhus, saints, and the assembly of good people, including the listeners themselves. Rāmdās then signals the transition: full attention is now called for, because the actual teaching is about to begin.
Before starting any serious conversation or study session, take a moment to settle your attention fully rather than half-listening.
संसार हाचि दीर्घ स्वप्न । लोभें वोसणती जन । माझी कांता माझें धन । कन्या पुत्र माझे
samsāra hāci dīrgha svapna | lobhem vosaṇatī jana | mājhī kāmtā mājhem dhana | kanyā putra mājhe
Samsāra itself is a long dream; by greed people moan: 'my wife, my wealth, daughter, son — mine.'
The teaching proper opens with a stark claim: worldly life (saṃsāra) itself is one long dream, and within it people cry out in their sleep from greed (lobha) — 'my wife, my wealth, my son, my daughter.' The grammar of possession, 'mine, mine,' is presented as the very mutter of someone talking in their sleep.
Notice how often your inner speech uses the word 'mine' about people and things — that habit of claiming ownership is worth questioning, not indulging.
ज्ञानसूर्य मावळला । तेणें प्रकाश लोपला । अंधकारें पूर्ण झाला । ब्रह्मगोळ अवघा
jñānasūrya māvaḷalā | teṇem prakāśa lopalā | amdhakārem pūrṇa jhālā | brahmagoḷa avaghā
The jñāna-sun has set; by that, light has faded; the whole brahma-sphere has filled with darkness.
Rāmdās extends the dream-metaphor: the sun of knowledge (jñānasūrya) has set, its light has faded, and the entire cosmos has filled with darkness. This is not a claim about the physical world but about the state of unillumined minds living inside it.
When your own thinking feels murky or confused, treat it as a signal to seek clarity actively rather than assuming the darkness is simply how things are.
नाहीं सत्वाचें चांदणें । कांहीं मार्ग दिसे जेणें । सर्व भ्रांतीचेनि गुणें । आपेंआप न दिसे
nāhīm satvācem cāmdaṇem | kāmhīm mārga dise jeṇem | sarva bhrāmtīceni guṇem | āpemāpa na dise
There is no sattva-moonlight by which some path can be seen; by the quality of complete delusion — oneself is not seen.
Without even the moonlight of sattva — the clear, steady quality of mind — no path can be discerned; total delusion (bhrāntī) is so complete that a person cannot even see their own self. The darkness of 7.1.020 is now specified: it is a loss of self-clarity, not literal blindness.
Build habits — quiet reflection, honest self-examination — that function like moonlight: enough steady clarity to see your own next step, even in difficulty.
देहबुद्धिअहंकारे । निजले घोरती घोरे । दुःखें आक्रंदती थोरे । विषयसुखाकारणें
dehabuddhiahamkāre | nijale ghoratī ghore | duḥkhem ākramdatī thore | viṣayasukhākāraṇem
By body-intellect-ego, the asleep snore loudly; they cry out in sorrow — for sense-pleasures.
Identification with body, intellect, and ego (dehabuddhi-ahaṃkāra) is the loud snoring of the spiritually asleep; their cries of sorrow are chased in pursuit of sensory pleasure, which never actually satisfies the craving that produces it.
When you notice yourself chasing a pleasure that never quite satisfies, ask what deeper need you're actually trying to meet, and address that instead.
निजले असतांचि मेले । पुनः उपजतांच निजले । ऐसे आले आणि गेले । बहुत लोक
nijale asatāmci mele | punaḥ upajatāmca nijale | aise āle āṇi gele | bahuta loka
While sleeping they died; on waking they fell asleep again; thus many people came and went.
Rāmdās compresses whole lifetimes into this couplet: people die while still 'asleep,' unrealized, and are born again only to fall back asleep — an endless cycle in which countless people have simply come and gone without waking up.
Ask yourself, honestly, whether today was lived with any real awareness or simply passed in habit — that single check-in is how the cycle starts to break.
निदसुरेपणेंचि सैरावैरा । बहुतीं केल्या येरझारा । नेणोनियां परमेश्वरा । भोगिले कष्ट
nidasurepaṇemci sairāvairā | bahutīm kelyā yerajhārā | neṇoniyām parameśvarā | bhogile kaṣṭa
In sleep-walking state, wandering everywhere, many have done rounds of births; not knowing Parameśvara, they have suffered.
The 'sleepwalking' continues across many births, an aimless wandering; the underlying cause of the suffering endured is simply not knowing the Supreme (Parameśvara) — ignorance, not fate, is named as the root of the suffering.
When you find yourself repeating the same painful pattern, look for the underlying misunderstanding driving it rather than blaming circumstance.
त्या कष्टांचें निरसन । व्हावया पाहिजे आत्मज्ञान । म्हणोनि हें निरूपण । अध्यात्मग्रंथीं
tyā kaṣṭāmcem nirasana | vhāvayā pāhije ātmajñāna | mhaṇoni hem nirūpaṇa | adhyātmagramthīm
To remove those sufferings, ātma-jñāna is required; therefore this exposition — in the adhyātma-granthas.
Having diagnosed the problem — ignorance-driven suffering, as in 7.1.019 through 7.1.024 — Rāmdās now states the remedy: self-knowledge (ātmajñāna) alone removes it, which is exactly why texts of spiritual instruction, including this one, exist.
When facing recurring suffering, seek out real understanding of its root cause rather than settling for temporary distraction or relief.
सकळ विद्यामध्यें सार । अध्यात्मविद्येचा विचार । दशमाध्यायीं शाङ्‌र्गधर । भगवद्गीतेंत बोलिला
sakaḷa vidyāmadhyem sāra | adhyātmavidyecā vicāra | daśamādhyāyīm śānrgadhara | bhagavadgītemta bolilā
Of all sciences, the essence is adhyātma-vidyā's reasoning; in the 10th chapter of the Gītā, Śārnga-dhara spoke.
Rāmdās grounds his claim in scripture: among all branches of knowledge, self-knowledge (adhyātmavidyā) is the essence, as Kṛṣṇa (Śārṅgadhara, 'bow-holder') himself declares in the tenth chapter of the Bhagavad Gītā.
When ranking what deserves your limited study time, give priority to understanding your own mind and nature over accumulating unrelated information.
अध्यात्मविद्या विद्यानां वादः प्रवदतामहम् ॥ याकारणें अद्वैतग्रंथ । अध्यात्मविद्येचा परमार्थ । पावावया तोचि समर्थ । जो सर्वांगें श्रोता
adhyātmavidyā vidyānām vādaḥ pravadatāmaham || yākāraṇem advaitagramtha | adhyātmavidyecā paramārtha | pāvāvayā toci samartha | jo sarvāmgem śrotā
[Śloka] 'adhyātma-vidyā vidyānām vādaḥ pravadatām aham' — therefore the advaita-grantha is paramārtha of adhyātma-vidyā; the one who truly listens with full attention is capable.
The Sanskrit verse quoted, echoing Gītā 10.32, has Kṛṣṇa say that among sciences he is the science of the self. Rāmdās draws the conclusion: this non-dual text carries the highest truth of that science, but only one who listens with complete, undivided attention is capable of receiving it.
When you want to actually absorb something important, give it your whole attention rather than half-listening while distracted.
जयाचें चंचळ हृदय । तेणें ग्रंथ सोडूंचि नये । सोडितां अलभ्य होय । अर्थ येथींचा
jayācem camcaḷa hṛdaya | teṇem gramtha soḍūmci naye | soḍitām alabhya hoya | artha yethīmcā
One with a fickle heart should not even open this book; opening it, the meaning becomes unobtainable.
Rāmdās issues a direct warning: someone with an unsteady, fickle heart should not even open this text — approaching it carelessly makes its real meaning unobtainable, however much is read.
Before starting serious spiritual reading, check your own state of mind; if you're too scattered to give it care, wait until you can approach it steadily.
जयास जोडला परमार्थ । तेणें पहावा हा ग्रंथ । अर्थ शोधितां परमार्थ । निश्चयो बाणे
jayāsa joḍalā paramārtha | teṇem pahāvā hā gramtha | artha śodhitām paramārtha | niścayo bāṇe
One who has attained paramārtha — he should look at this book; on seeking meaning — paramārtha-resolution is ingrained.
By contrast, one who already has some grounding in ultimate truth (paramārtha) is the right reader for this book — for such a person, seeking its meaning deepens and firms up the resolve they already carry.
Return to texts or teachings that once helped you at a deeper stage of your own understanding — rereading with more maturity often yields more than reading something new.
जयास नाहीं परमार्थ । तयास न कळे येथींचा अर्थ । नेत्रेंविण निधानस्वार्थ । अंधास न कळे
jayāsa nāhīm paramārtha | tayāsa na kaḷe yethīmcā artha | netremviṇa nidhānasvārtha | amdhāsa na kaḷe
To one without paramārtha, the meaning is not known; [as] a blind one cannot know treasure's value — without eyes.
Rāmdās repeats the point with a vivid image: a person lacking any grounding in ultimate truth cannot grasp this text's meaning, just as a blind person cannot judge the worth of a treasure — the deficiency isn't in the text or the treasure, but in the capacity to perceive it.
If a teaching seems meaningless to you, consider whether the gap is in your own readiness rather than assuming the teaching itself has nothing to offer.
एक म्हणती मराठें काये । हें तों भल्यानें ऐकों नये । तीं मूर्खें नेणती सोयें । अर्थान्वयांची
eka mhaṇatī marāṭhem kāye | hem tom bhalyānem aikom naye | tīm mūrkhem neṇatī soyem | arthānvayāmcī
Some say 'what is Marathi — a good person should not even listen'; those fools know not — the direction of meaning-connection.
Rāmdās anticipates an objection: some dismiss the text because it is written in Marathi rather than Sanskrit, saying a 'good' person shouldn't bother with it. He calls this attitude foolish — such critics miss how meaning actually connects to its expression, mistaking the vessel for the content.
Don't dismiss good advice or wisdom just because it comes in a plain or unfamiliar form — judge the content, not the packaging.
लोहाची मांदूस केली । नाना रत्नें सांठविलीं । तीं अभाग्यानें त्यागिलीं । लोखंड म्हणोनि
lohācī māmdūsa kelī | nānā ratnem sāmṭhavilīm | tīm abhāgyānem tyāgilīm | lokhamḍa mhaṇoni
An iron chest was made; many jewels stored in it; misfortune-people rejected it — calling [it] iron.
Rāmdās offers a parable: a chest made of ordinary iron held many precious jewels inside, yet unfortunate people rejected the whole chest simply because they saw only the iron exterior, missing the treasure it contained.
Before dismissing something as unworthy based on its plain exterior, check what it actually holds — appearances often hide the real value.
तैशी भाषा प्राकृत । अर्थ वेदांत आणि सिद्धांत । नेणोनि त्यागिती भ्रांत । मंदबुद्धीस्तव
taiśī bhāṣā prākṛta | artha vedāmta āṇi siddhāmta | neṇoni tyāgitī bhrāmta | mamdabuddhīstava
So the Prakrit (Marathi) language — [holding] meaning of Vedānta and siddhānta; ignorant deluded [people] reject — by dull intellect.
The parable is now applied directly: the Marathi language of this text is the 'iron chest,' while it carries within it the meaning of Vedānta and established doctrine, the 'jewels.' Those who reject it do so from dull intellect (mandabuddhi), not discernment.
Judge teaching by the depth of what it conveys, not the prestige of the language or format it arrives in.
अहाच सांपडतां धन । त्याग करणें मूर्खपण । द्रव्य घ्यावें सांठवण । पाहोंचि नये
ahāca sāmpaḍatām dhana | tyāga karaṇem mūrkhapaṇa | dravya ghyāvem sāmṭhavaṇa | pāhomci naye
If wealth is found easily, to reject it is foolishness; wealth should be taken; do not look at the receptacle.
Rāmdās drives the point home practically: if wealth is found easily, refusing it out of some scruple about its container is simply foolish. What matters is taking the wealth itself, not scrutinizing the vessel it arrived in.
When a genuine opportunity or piece of wisdom comes easily, take it — don't talk yourself out of it because of how or where it showed up.
परिस देखिला अंगणीं । मार्गीं सांपडला चिंतामणी । अव्हा वेल महागुणी । कूपामध्यें
parisa dekhilā amgaṇīm | mārgīm sāmpaḍalā cimtāmaṇī | avhā vela mahāguṇī | kūpāmadhyem
A parīsa seen in the yard; a cintāmaṇi found on the road; a fine-quality creeper in a well.
Three more images of unexpected treasure follow: a stone said to turn metal to gold found in one's own yard, a wish-fulfilling gem found on the road, a precious vine found in a well — all valuable things found in ordinary, unglamorous places.
Stay alert to valuable insight showing up in unremarkable settings — a casual conversation or everyday moment can carry as much worth as a formal lesson.
तैसें प्राकृतीं अद्वैत । सुगम आणि सप्रचीत । अध्यात्म लाभे अकस्मात । तरी अवश्य घ्यावें
taisem prākṛtīm advaita | sugama āṇi sapracīta | adhyātma lābhe akasmāta | tarī avaśya ghyāvem
So the advaita in Prakrit — easy and with direct-evidence; adhyātma suddenly gained — should necessarily be taken.
Just as those unlikely treasures should be taken when found, so too the non-dual teaching available in accessible Marathi is easy to grasp and directly verifiable through one's own experience — when self-knowledge comes within reach unexpectedly, it must be seized, not passed over.
When an accessible explanation of something deep suddenly makes sense to you, act on that understanding right away rather than waiting for a more 'proper' source to confirm it.
न करितां व्युत्पत्तीचा श्रम । सकळ शास्त्रार्थ होय सुगम । सत्समागमाचें वर्म । तें हें ऐसें असे
na karitām vyutpattīcā śrama | sakaḷa śāstrārtha hoya sugama | satsamāgamācem varma | tem hem aisem ase
Without the labor of learning-[Sanskrit], all śāstrārtha becomes easy; the secret of sat-samāgama — is thus.
Rāmdās names the real shortcut: without undergoing the arduous labor of formal Sanskrit scholarship, the meaning of all the śāstras can become accessible — and the secret to this shortcut is sat-samāgama, association with the good and the wise.
Seek out time with people of genuine wisdom and character; their company often teaches more, faster, than years of solitary study.
जें व्युत्पत्तीनें न कळे । तें सत्समागमें कळे । सकळ शास्त्रार्थ आकळे । स्वानुभवासी
jem vyutpattīnem na kaḷe | tem satsamāgamem kaḷe | sakaḷa śāstrārtha ākaḷe | svānubhavāsī
What learning cannot teach — by sat-samāgama it is known; all śāstrārtha is grasped — by sva-anubhava.
What formal scholarship fails to convey, association with the wise conveys; and ultimately all scriptural meaning is grasped not through secondhand learning but through svānubhava — direct, personal experience.
Don't settle for merely knowing about a truth intellectually — pursue situations and practices that let you experience it directly for yourself.
म्हणोनि कारण सत्समागम । तेथें नलगे व्युत्पत्तिश्रम । जन्मसार्थकाचें वर्म । वेगळेंचि असे
mhaṇoni kāraṇa satsamāgama | tethem nalage vyutpattiśrama | janmasārthakācem varma | vegaḷemci ase
Therefore the cause is sat-samāgama; there no learning-labor is needed; the secret of birth-fulfillment is separate.
Rāmdās concludes this thread: the true cause of understanding is sat-samāgama, requiring no scholarly labor at all — the secret to making one's birth worthwhile lies elsewhere than in erudition.
Measure a worthwhile life not by credentials accumulated but by the quality of the company you keep and what that company draws out of you.
भाषाभेदाश्च वर्तन्ते अर्थ एको न संशयः । पात्रद्वये यथा खाद्यं स्वादभेदो न विद्यते
bhāṣābhedāśca vartante artha eko na samśayaḥ | pātradvaye yathā khādyam svādabhedo na vidyate
[Sanskrit śloka] 'bhāṣā-bhedāś ca vartante artha eko na samśayaḥ; pātra-dvaye yathā khādyam svāda-bhedo na vidyate' — languages differ, meaning is one beyond doubt; as food in two vessels, taste does not differ.
A Sanskrit verse is cited to seal the argument: though languages differ, the meaning conveyed is one and beyond doubt, just as food served in two different vessels does not change its taste. Marathi and Sanskrit are simply different vessels for the same nourishment.
When comparing two explanations of the same truth given in different styles, taste them for their substance rather than judging by their outer presentation.
भाषापालटें कांहीं । अर्थ वाया जात नाहीं । कार्यसिद्धि ते सर्वही । अर्थाचपासीं
bhāṣāpālaṭem kāmhīm | artha vāyā jāta nāhīm | kāryasiddhi te sarvahī | arthācapāsīm
By language-change, meaning is not wasted; all task-accomplishment is with meaning.
Rāmdās restates plainly: changing the language does not waste or dilute the meaning; whatever needs to be accomplished depends on the meaning conveyed, not the linguistic vehicle carrying it.
Focus your effort on grasping and applying the substance of what you learn, not on the specific wording it was first given in.
तथापि प्राकृताकरितां । संस्कृताची सार्थकता । येऱ्हव्हीं त्या गुप्तार्था । कोण जाणे
tathāpi prākṛtākaritām | samskṛtācī sārthakatā | yeṟhavhīm tyā guptārthā | koṇa jāṇe
Nevertheless, because of Prakrit, the fulfillment of Sanskrit; otherwise — that hidden meaning — who knows?
Rāmdās adds a nuance: it is precisely because of Marathi's accessibility that Sanskrit's deeper meaning gets fulfilled in ordinary people's lives — without such translation and plain speech, the hidden meaning locked in Sanskrit would remain unknown to most.
Value plain explanations as fulfilling, not diminishing, the deeper tradition they draw from — a clear translation can complete the purpose of a difficult original.
आतां असो हें बोलणें । भाषा त्यागून अर्थ घेणें । उत्तम घेऊन त्याग करणें । सालीटरफलांचा
ātām aso hem bolaṇem | bhāṣā tyāgūna artha gheṇem | uttama gheūna tyāga karaṇem | sālīṭaraphalāmcā
Enough this talk; leaving language, take meaning; take the excellent and discard peel-husks.
Rāmdās closes the language debate: enough said, set language aside and take the meaning, the way one takes the good fruit and discards the peel and husk around it.
In any teaching or conversation, practice extracting the essential point and letting go of incidental wording or style.
अर्थ सार भाषा पोंचट । अभिमानें करवी खटपट । नाना अहंतेनें वाट । रोधिली मोक्षाची
artha sāra bhāṣā pomcaṭa | abhimānem karavī khaṭapaṭa | nānā ahamtenem vāṭa | rodhilī mokṣācī
Meaning is essence, language is hollow; by conceit [people] cause contention; by many egos, the path of mokṣa is blocked.
Rāmdās names the real obstacle behind the language debate: meaning is substance, language merely a hollow shell, yet conceit makes people quarrel over the shell, and it is precisely this egotism that blocks the path to liberation.
Watch for pride creeping into disagreements about form or method — that pride, more than the disagreement itself, is usually what's really in the way.
शोध घेतां लक्ष्यांशाचा । तेथें आधीं वाच्यांश कैंचा । अगाध महिमा भगवंताचा । कळला पाहिजे
śodha ghetām lakṣyāmśācā | tethem ādhīm vācyāmśa kaimcā | agādha mahimā bhagavamtācā | kaḷalā pāhije
On investigating the lakṣyāmśa, where does the vācyāmśa first come? The unfathomable glory of Bhagavān must be understood.
Rāmdās introduces a technical distinction between the literal, spoken sense of a word (vācyāṃśa) and its indicated, deeper sense (lakṣyāṃśa) — once one investigates the deeper indicated meaning, the merely literal sense recedes; the real goal is understanding the unfathomable glory of Bhagavān that the words point toward.
When reading or listening, look past the literal wording to what it's actually pointing at — the deeper intent matters more than the surface phrasing.
मुकेपणाचें बोलणें । हें जयाचें तोचि जाणें । स्वानुभवाचिये खुणें । स्वानुभवी पाहिजे
mukepaṇācem bolaṇem | hem jayācem toci jāṇem | svānubhavāciye khuṇem | svānubhavī pāhije
The speech of the mute — only the one who has it knows; the sva-anubhava-sign — the experiencer must be present.
Rāmdās uses the classic image of a mute person's experience of taste: only someone who has actually tasted something knows it, words cannot substitute. Similarly, the sign of direct experience (svānubhava) can only be recognized by one who has themselves had that experience.
Don't expect to fully convey a profound personal realization in words to someone who hasn't had a similar experience — some things can only be pointed toward, not transmitted directly.
अर्थ जाणे अध्यात्माचा । ऐसा श्रोता मिळेल कैंचा । जयासि बोलतां वाचेचा । हव्यासचि पुरे
artha jāṇe adhyātmācā | aisā śrotā miḷela kaimcā | jayāsi bolatām vācecā | havyāsaci pure
Where will a listener be found who knows the meaning of adhyātma? Whose speech-desire is satisfied by speaking?
Rāmdās voices a lament familiar to any real teacher: finding a listener who truly understands adhyātma is rare, and rarer still is finding a speaker whose own longing to express it is genuinely satisfied simply by having spoken.
When you share something you deeply understand, notice whether you're speaking to be truly heard or merely to relieve your own urge to talk — aim for the former.
परीक्षावंतापुढें रत्न । ठेवितां होय समाधान । तैसें ज्ञानियापुढें ज्ञान । बोलावें वाटे
parīkṣāvamtāpuḍhem ratna | ṭhevitām hoya samādhāna | taisem jñāniyāpuḍhem jñāna | bolāvem vāṭe
Placing a gem before an expert — composure results; similarly before a jñānī, jñāna — feels [right] to speak.
Just as showing a gem to a true expert brings satisfaction because it will be properly appreciated, speaking of jñāna, self-knowledge, in front of one who has it feels naturally right — the right audience makes the offering worthwhile.
Share your deepest insights with people capable of receiving them well, rather than casting them before those who can't yet appreciate their value.
मायाजाळें दुश्चित होय । तें निरूपणें कामा नये । संसारिका कळे काय । अर्थ येथींचा
māyājāḷem duścita hoya | tem nirūpaṇem kāmā naye | samsārikā kaḷe kāya | artha yethīmcā
The mind distracted by māyā's net — is of no use to exposition; what does the worldly one understand of the meaning here?
A mind still caught in the net of māyā — distracted, worldly-minded — cannot make use of spiritual exposition; Rāmdās asks pointedly what such a worldly person could possibly grasp of what is being taught here.
Before engaging with deep material, first settle your mind from whatever distractions are pulling at your attention — the teaching can't land on a scattered mind.
व्यवसायात्मिका बुद्धिरेकेह कुरुनंदन । बहुशाखा ह्यनंताश्च बुद्धयो । अव्यवसायिनाम्
vyavasāyātmikā buddhirekeha kurunamdana | bahuśākhā hyanamtāśca buddhayo | avyavasāyinām
[Śloka, BG 2.41] 'vyavasāyātmikā buddhir ekeha kuru-nandana | bahu-śākhā hy anantāś ca buddhayo 'vyavasāyinām'.
Rāmdās quotes Kṛṣṇa's famous line from the Gītā: the resolute mind has a single, unified intellect, while the irresolute mind's intellect branches endlessly in countless directions, never settling.
When you feel scattered between too many priorities, choose one clear direction and commit — that single-pointedness itself will steady your mind.
व्यवसायी जो मळिण । त्यासि न कळे निरूपण । येथें पाहिजे सावधपण । अतिशयेंसीं
vyavasāyī jo maḷiṇa | tyāsi na kaḷe nirūpaṇa | yethem pāhije sāvadhapaṇa | atiśayemsīm
The impure worldly one does not understand the exposition; here extreme attentiveness is needed.
Building on the Gītā quote, Rāmdās specifies: the person whose mind is impure and scattered cannot follow the exposition; what is needed here is attentiveness carried to an unusual degree.
Treat deep listening as an active discipline requiring real effort, not a passive state that happens automatically.
नाना रत्नें नाना नाणीं । दुश्चितपणें घेतां हानी । परीक्षा नेणतां प्राणी । ठकला तेथें
nānā ratnem nānā nāṇīm | duścitapaṇem ghetām hānī | parīkṣā neṇatām prāṇī | ṭhakalā tethem
Many gems, many coins — taken in distraction bring loss; unknowing of examination, the creature is cheated there.
Rāmdās gives a practical image: someone handling gems or coins while distracted ends up cheated, because they lack the discernment to examine what they're receiving — carelessness with valuables invites loss.
Slow down and examine important decisions carefully rather than rushing through them distracted — inattention with anything valuable invites being cheated, by others or by your own oversight.
तैसें निरूपणीं जाणा । आहाच पाहतां कळेना । मराठेंचि उमजेना । कांहीं केल्या
taisem nirūpaṇīm jāṇā | āhāca pāhatām kaḷenā | marāṭhemci umajenā | kāmhīm kelyā
So know in exposition; when looked at casually, it is not understood; even Marathi is not grasped — however attempted.
The same principle applies to spiritual exposition: looked at casually, it cannot be understood — even though it's written in plain Marathi, the meaning still won't be grasped without real, sustained effort.
Don't mistake familiarity of language for ease of understanding — give unfamiliar depth the sustained attention it needs even when the words themselves seem simple.
जेथें निरूपणाचे बोल । आणि अनुभवाची ओल । ते संस्कृतापरी सखोल । अध्यात्मश्रवण
jethem nirūpaṇāce bola | āṇi anubhavācī ola | te samskṛtāparī sakhola | adhyātmaśravaṇa
Where there are exposition-words and the moisture of anubhava; that is like Sanskrit in depth — adhyātma-śravaṇa.
Rāmdās describes the ideal condition for real teaching: where the words of exposition are joined with the living moisture of direct experience, that listening becomes as deep as any Sanskrit scripture, regardless of the surface language.
When you teach or share something, back your words with your own lived experience of it — that combination gives your words real depth, whatever language you use.
माया ब्रह्म वोळखावें । तयास अध्यात्म म्हणावें । तरी तें मायेचें जाणावें । स्वरूप आधीं
māyā brahma voḷakhāvem | tayāsa adhyātma mhaṇāvem | tarī tem māyecem jāṇāvem | svarūpa ādhīm
Recognize māyā and brahma; this is called adhyātma; therefore know the svarūpa of māyā — first.
Rāmdās now begins the substantive teaching: adhyātma, self-knowledge, is defined as recognizing both māyā and brahma clearly. But the proper order matters — one must first understand the true nature of māyā before brahma can be rightly grasped.
Before trying to understand higher truths, first get clear about the illusions and distortions currently shaping your perception — clear the obstruction before seeking the view.
माया सगुण साकार । माया सर्व विकार । माया जाणिजे विस्तार । पंचभूतांचा
māyā saguṇa sākāra | māyā sarva vikāra | māyā jāṇije vistāra | pamcabhūtāmcā
Māyā is saguṇa, sākāra; māyā is all distortion; know māyā as the extension of the five elements.
The description of māyā begins: she is saguṇa (possessing qualities) and sākāra (having form) — the source of all distortion, and understood as the vast extension of the five elements that make up the perceivable world.
Recognize that the material world of form and quality, everything you can point to and describe, is inherently changeable — don't mistake its solidity for permanence.
माया दृश्य दृष्टीस दिसे । मायाभास मनास भासे । माया क्षणभंगुर नासे । विवेकें पाहतां
māyā dṛśya dṛṣṭīsa dise | māyābhāsa manāsa bhāse | māyā kṣaṇabhamgura nāse | vivekem pāhatām
Māyā is visible, appears to sight; māyā-appearance reflects in mind; māyā is momentary, perishes on examination by viveka.
Māyā is what is seen — visible to the eyes and reflected as appearance in the mind — yet she is described as momentary and perishable: she dissolves the moment one examines her with discernment (viveka).
When an assumption or fear seems solid, hold it up to careful, honest examination — many such things dissolve the moment they're actually looked at closely.
माया अनेक विश्वरूप । माया विष्णूचें स्वरूप । मायेची सीमा अमूप । बोलिजे तितुकी थोडी
māyā aneka viśvarūpa | māyā viṣṇūcem svarūpa | māyecī sīmā amūpa | bolije titukī thoḍī
Māyā has many universe-forms; māyā is the form of Viṣṇu; māyā's limit is measureless — however much is spoken is little.
Māyā's scope is vast: she manifests as countless universe-forms and is even called the very form of Viṣṇu himself. Her extent is measureless — however much is said about her, it remains only a fraction of the whole.
Accept that no single explanation will ever fully capture how the world's appearances work — stay curious rather than assuming you've reached the final word on anything.
माया बहुरूप बहुरंग । माया ईश्वराचा संग । माया पाहतां अभंग । अखिल वाटे
māyā bahurūpa bahuramga | māyā īśvarācā samga | māyā pāhatām abhamga | akhila vāṭe
Māyā has many forms, many colors; māyā is the companion of Īśvara; māyā on examination — whole, seems unbroken.
Māyā appears in endless forms and colors, and is called the constant companion of Īśvara, God in his creative aspect — on close examination she even appears unbroken and whole, seamlessly integrated rather than a flaw to be excised.
Don't treat the world of change and variety as something to be rejected wholesale — it's woven seamlessly into how existence functions, and needs to be understood rather than merely opposed.
माया सृष्टीची रचना । माया आपली कल्पना । माया तोडितां तुटेना । ज्ञानेंविण
māyā sṛṣṭīcī racanā | māyā āpalī kalpanā | māyā toḍitām tuṭenā | jñānemviṇa
Māyā is the sṛṣṭi-composition; māyā is our imagination; on trying to cut māyā, it does not cut — without jñāna.
Māyā is the very composition of creation, yet also — pointedly — our own imagination. Rāmdās adds a crucial caution: trying to cut through māyā by force or willpower alone does not work; only jñāna, true knowledge, can actually sever it.
When trying to break free of a distorted belief, don't rely on sheer willpower alone — pursue genuine understanding of why the belief is false, since insight, not force, is what actually dissolves it.
ऐशी माया निरूपिली । स्वल्प संकेतें बोलिली । पुढें वृत्ति सावध केली । पाहिजे श्रोतीं
aiśī māyā nirūpilī | svalpa samketem bolilī | puḍhem vṛtti sāvadha kelī | pāhije śrotīm
Such māyā has been expounded — briefly, by signs; the listeners should make the disposition alert ahead.
Rāmdās closes this brief treatment of māyā, acknowledging it has only been sketched through indicative signs, not exhaustively. He signals that listeners should now sharpen their attentiveness for what comes next.
Treat a brief introduction to a difficult topic as an invitation to stay alert for deeper unfolding, not as the complete picture.
पुढें ब्रह्मनिरूपण । निरूपिलें ब्रह्मज्ञान । जेणें तुटे मायाभान । एकसरें
puḍhem brahmanirūpaṇa | nirūpilem brahmajñāna | jeṇem tuṭe māyābhāna | ekasarem
Next, brahma-nirūpaṇa — brahma-jñāna has been expounded; by which the māyā-appearance is cut — at once.
The samāsa closes by pointing forward: next comes the exposition of brahma itself, the knowledge of brahma that — unlike willpower, as noted in 7.1.060 — genuinely cuts through the appearance of māyā all at once.
When trying to overcome a persistent illusion or false belief, seek the deeper positive understanding that replaces it, not just repeated efforts to negate the illusion directly.