संत साहित्य · Dāsabodha · Dashak 9
Dashak 9 · Samāsa 2
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जें जें कांहीं साकार दिसे । तें तें कल्पांतीं नासे ।
स्वरूप तें असतचि असे । सर्वकाळ
jem jem kāmhīm sākāra dise | tem tem kalpāmtīm nāse |
svarūpa tem asataci ase | sarvakāḷa
Whatever is seen with form (sākāra), all that at kalpānta perishes. / Svarūpa — that exists-as-such, for all time.
The samāsa opens with the core distinction the rest of the argument depends on: whatever has sākāra (visible form) will perish at kalpānta (cosmic dissolution), but svarūpa — one's true essential nature, identified with the Absolute — exists as itself for all time, unaffected by that dissolution.
Sort what you are invested in today into 'form that will pass' and 'what remains regardless' — spend proportionately more care on the latter.
जें सकळांमधें सार । मिथ्या नव्हे तें साचार ।
जें कां नित्य निरंतर । संचले असे
jem sakaḷāmmadhem sāra | mithyā navhe tem sācāra |
jem kām nitya niramtara | samcale ase
What is the essence among all, not false — the actual; / what is nitya, nirantara — always pervaded.
Rāmdās restates the same point from the angle of value: the sāra (essence) among all things is the sācāra (the truly real, not false); it is nitya (eternal) and nirantara (unbroken), pervading everything continuously — building directly on 9.2.001's claim that svarūpa alone endures.
When weighing two competing priorities, ask which one is closer to what is essential and continuous in your life, and let that guide your choice.
तें भगवंताचें निजरूप । त्यासि बोलिजे स्वरूप ।
याहि वेगळे अमूप । नामें तयाचीं
tem bhagavamtācem nijarūpa | tyāsi bolije svarūpa |
yāhi vegaḷe amūpa | nāmem tayācīm
That is Bhagavant's nija-rūpa (own-form); that is called svarūpa. / Besides this, its names are countless.
That enduring essence is identified as Bhagavant's own true form (nija-rūpa), which is what 'svarūpa' names; beyond this one word, it carries countless other names in scripture and tradition — the name changes, but what is named does not.
Do not get attached to any single tradition's vocabulary for the sacred; recognize the same essential reality however it is named.
त्यास नामाचा संकेत । कळावया हा दृष्टांत ।
परी तें स्वरूप नामातीत । असतचि असे
tyāsa nāmācā samketa | kaḷāvayā hā dṛṣṭāmta |
parī tem svarūpa nāmātīta | asataci ase
For it, the convention of name — for it to be known is this dṛṣṭānta. / But that svarūpa is beyond name — it exists-as-such.
Naming itself is only a convention (saṅketa) — a dṛṣṭānta (illustrative device) used so the unnamed can be pointed at and known — but the svarūpa itself is nāmātīta, beyond any name, and simply exists as itself regardless of what word is used.
Use words and concepts as pointers when you explain something sacred to another person, but remind them — and yourself — not to mistake the pointer for the thing itself.
दृश्यसबाह्य संचलें । परी तें विश्वास चोरले ।
जवळिच नाहीसें जालें । असतचि कैसें
dṛśyasabāhya samcalem | parī tem viśvāsa corale |
javaḷica nāhīsem jālem | asataci kaisem
Pervading inside-and-outside the dṛśya, yet hidden to the world; / close-at-hand, yet not-being — how does it exist?
Rāmdās now voices the paradox that will drive the rest of the samāsa: this reality pervades both inside and outside everything seen (dṛśya), yet it stays hidden from ordinary awareness — close at hand, yet seeming as if it were not there at all. How can something be both everywhere and unfindable?
The next time you search anxiously for meaning 'out there,' pause and consider that what you are looking for may already be as close as your own immediate awareness.
ऐसा ऐकोनियां देव । उठे दृष्टीचा भाव ।
पाहों जातां दिसे सर्व । दृश्यचि आवघें
aisā aikoniyām deva | uṭhe dṛṣṭīcā bhāva |
pāhom jātām dise sarva | dṛśyaci āvaghem
Hearing such about the Deva, the gaze-disposition arises. / Looking, one sees all — the whole is dṛśya.
Hearing such descriptions of the Deva, the disciple's habitual response is to look with the outward gaze (dṛṣṭi) — but looking this way, all that appears is the dṛśya, the seen world entirely, nothing beyond it. The very organ used to search cannot find what is being sought.
When you go looking for ultimate answers, notice whether you are only using the outward-looking part of your mind — the part built to see objects — and not the deeper awareness behind it.
दृष्टीचा विषयो दृश्य । तोचि जालिया सादृश्य ।
तेणें दृष्टी पावे संतोष । परी तें देखणें नव्हे
dṛṣṭīcā viṣayo dṛśya | toci jāliyā sādṛśya |
teṇem dṛṣṭī pāve samtoṣa | parī tem dekhaṇem navhe
The object of sight is the dṛśya; when it becomes a likeness, / by that, the eye attains satisfaction — but that is not [true] seeing.
The eye's proper object is the dṛśya (the seen); when a likeness (sādṛśya) forms, the eye feels satisfied — but Rāmdās insists that satisfaction is not true seeing (dekhaṇem) of the Real. Sensory pleasure in an image is mistaken for insight.
Distinguish the comfort of a familiar mental picture from actual understanding — do not let a satisfying image substitute for real insight.
दृष्टीस दिसे तें नासे । येतद्विषईं श्रुति असे ।
म्हणौन जें दृष्टीस दिसे । तें स्वरूप नव्हे
dṛṣṭīsa dise tem nāse | yetadviṣaīm śruti ase |
mhaṇauna jem dṛṣṭīsa dise | tem svarūpa navhe
What the eye sees, perishes — on this, there is Śruti. / Therefore what the eye sees is not svarūpa.
He grounds this in Śruti: whatever the eye sees, perishes; therefore what is seen by the eye cannot be svarūpa, since svarūpa was already established (9.2.001) as what alone does not perish. This closes the loop: sight, by definition, cannot reach the eternal.
When evaluating what truly matters in your life, weight permanence, not visibility — the most important things are often the least showy.
स्वरूप तें निराभास । आणी दृश्य भासलें साभास ।
भासास बोलिलें नास । वेदांतशास्त्रीं
svarūpa tem nirābhāsa | āṇī dṛśya bhāsalem sābhāsa |
bhāsāsa bolilem nāsa | vedāmtaśāstrīm
Svarūpa is nirābhāsa (non-appearance), and the dṛśya appears with appearance. / To appearance is ascribed destruction — in Vedānta-śāstra.
Svarūpa is nirābhāsa — without even the appearance of a thing — while the dṛśya appears sābhāsa, with semblance. Vedānta-śāstra teaches that whatever has mere appearance (bhāsa) is subject to destruction (nāsa) — reinforcing 9.2.008's conclusion from the side of doctrine rather than direct testimony.
Ask of anything that impresses you whether it has real substance or is only making an appearance — appearances alone do not last.
आणी पाहातां दृश्यचि भासे । वस्तु दृश्यावेगळी असे ।
स्वान्य्भवें पाहातां दिसे । तें दृश्यासबाह्य
āṇī pāhātām dṛśyaci bhāse | vastu dṛśyāvegaḷī ase |
svānybhavem pāhātām dise | tem dṛśyāsabāhya
Yet on looking, the dṛśya appears; vastu is separate from dṛśya. / On looking by svānubhava, it is seen — that is within-and-outside dṛśya.
Yet on looking, the dṛśya keeps appearing regardless — so Rāmdās clarifies: vastu (the real substance) is simply separate from the dṛśya, not opposed to seeing altogether. Through svānubhava (direct self-experience, not sense-perception) one comes to see what pervades both within and beyond the seen.
Do not try to reject the visible world outright; instead, cultivate the kind of inward attention that recognizes what underlies it without denying that it appears.
जें निराभास निर्गुण । त्याची काये सांगावी खूण ।
परी तें स्वरूप जाण । सन्निधचि असें
jem nirābhāsa nirguṇa | tyācī kāye sāmgāvī khūṇa |
parī tem svarūpa jāṇa | sannidhaci asem
That which is nirābhāsa-nirguṇa — what sign of it can be told? / Yet know that svarūpa — it is close-at-hand.
That which is nirābhāsa-nirguṇa (without appearance, without qualities) has, strictly speaking, no describable sign — yet Rāmdās insists it should be known as sannidha, close at hand, not remote. Absence of describable features does not mean absence of presence.
Recognize that the most important things in your life — trust, presence, love — often have no describable sign you can point to, yet you know when they are near.
जैसा आकाशीं भासला भास । आणी सकळांमध्यें आकाश ।
तैसा जाणिजे जगदीश । सबाह्य अभ्यांतरीं
jaisā ākāśīm bhāsalā bhāsa | āṇī sakaḷāmmadhyem ākāśa |
taisā jāṇije jagadīśa | sabāhya abhyāmtarīm
As in the sky an appearance appeared, yet in all, the sky is; / likewise know the jagad-īśa — within-and-outside, and in the interior.
The analogy: as an appearance (bhāsa, e.g. a cloud) shows up within the sky, while the sky itself equally pervades everything else, so should one know the Jagadīśa (Lord of the World) — pervading within, without, and in the very interior of all things, unlike the fleeting appearances within it.
When something impermanent captures your attention — a mood, an event, a possession — remember the steadier awareness in which it merely arises, the way clouds arise in an unmoved sky.
उदकामधें परी भिजेना । पृथ्वीमधें परी झिजेना ।
वन्हीमधें परी सिजेना । स्वरूप देवाचें
udakāmadhem parī bhijenā | pṛthvīmadhem parī jhijenā |
vanhīmadhem parī sijenā | svarūpa devācem
In water, yet not wetted; in earth, yet not worn; / in fire, yet not cooked — [such is] the svarūpa of the Deva.
A run of elemental analogies begins: svarūpa is present in water yet never wetted, in earth yet never worn down, in fire yet never cooked — immanent in every element while remaining wholly unaffected by it.
Stay engaged fully with a difficult situation while keeping a part of yourself untouched by it — presence without being consumed.
तें रेंद्यामधें परी बुडेना । तें वायोमधें परी उडेना ।
सुवर्णीं असे परी घडेना । सुवर्णासारिखें
tem remdyāmadhem parī buḍenā | tem vāyomadhem parī uḍenā |
suvarṇīm ase parī ghaḍenā | suvarṇāsārikhem
In mud, yet not sunk; in wind, yet not blown; / in gold-itself, yet not shaped — like gold [being fashioned].
The analogies continue: present in mud yet never sunk, in wind yet never blown about, and — like gold within an unworked lump — present in gold yet not yet 'shaped' into an ornament. Each image reinforces that the Real is immanent in matter without being altered or limited by it.
In the middle of chaos or pressure, notice the part of you that stays unshaken, unmoved by the turbulence around it, just as gold remains gold whether or not it is shaped.
ऐसें जें संचलें सर्वदा । परी ते आकळेना कदा ।
अभेदामाजीं वाढवी भेदा । ते हे अहंता
aisem jem samcalem sarvadā | parī te ākaḷenā kadā |
abhedāmājīm vāḍhavī bhedā | te he ahamtā
Such, pervading always, yet never grasped. / In the non-different, that which grows the different — this is ahamtā (I-ness).
Turning point: this reality pervades everything always, yet it is never grasped. What actually grows difference within that which is fundamentally undivided (abheda) is ahaṁtā, I-ness — the samāsa now shifts from describing svarūpa to diagnosing the ego that obscures it.
The next time you feel separate from someone or something, notice that the sense of separateness itself is being manufactured by your own I-ness, not by reality.
तिच्या स्वरूपाची खूण । सांगों कांहीं वोळखण ।
अहंतेचें निरूपण । सावध ऐका
ticyā svarūpācī khūṇa | sāmgom kāmhīm voḷakhaṇa |
ahamtecem nirūpaṇa | sāvadha aikā
Of her (ahamtā's) svarūpa, the sign — let me tell some recognition. / The nirūpaṇa of ahamtā — attentively hear.
Rāmdās signals the shift explicitly: having described svarūpa's sign, he will now describe ahaṁtā's — the disciple is told to listen attentively (sāvadha), because understanding the ego's own structure is what makes recognizing svarūpa possible.
Before trying harder to find the divine, spend equal effort studying how your own sense of 'I' actually operates — the obstacle deserves as much attention as the goal.
जे स्वरूपाकडे पावे । अनुभवासवें झेंपावे ।
अनुभवाचे शब्द आघवे । बोलोन दावी
je svarūpākaḍe pāve | anubhavāsavem jhempāve |
anubhavāce śabda āghave | bolona dāvī
She who goes toward svarūpa, leaps with anubhava; / the words of anubhava — all she speaks forth.
Ahaṁtā, when it moves toward svarūpa, does so by leaping together with anubhava (direct experience) — and speaks forth all the words that anubhava supplies. Even genuine spiritual language, then, is still voiced through the I-sense, not apart from it.
When you describe a profound experience to others, notice that the very act of narrating it is still your ego at work — hold your own testimony a little more lightly.
म्हणे आतां मीच स्वरूप । तेंचि अहंतेचें रूप ।
निराकारीं आपे ंआप । वेगळी पडे
mhaṇe ātām mīca svarūpa | temci ahamtecem rūpa |
nirākārīm āpe māpa | vegaḷī paḍe
Says, 'Now I myself am svarūpa' — that itself is the form of ahamtā. / In the Nirākāra, the I-form itself falls aside.
The ego's subtlest move: it says 'now I myself am svarūpa' — and that very declaration, Rāmdās warns, is itself still the form ahaṁtā takes, not a transcendence of it. In the truly Formless (nirākāra), even this I-form falls away entirely.
Be suspicious of the thought 'I have realized it' — the pride of having arrived is often the ego's cleverest disguise, and it too must be let go.
स्वयें मीच आहे ब्रह्म । ऐसा अहंतेचा भ्रम ।
ऐसियें सूक्ष्मीं सूक्ष्म । पाहातां दिसे
svayem mīca āhe brahma | aisā ahamtecā bhrama |
aisiyem sūkṣmīm sūkṣma | pāhātām dise
'I myself am Brahma' — such is the delusion of ahamtā. / In such subtle-within-subtle, on looking, it is seen.
'I myself am Brahma' is named outright as ahaṁtecā bhrama — the delusion of I-ness — and Rāmdās says that on looking closely, this shows up at the most subtle level of all, more refined than any grosser ego-claim.
The more spiritually confident a claim about yourself feels, the more carefully you should examine it for a hidden trace of ego.
कल्पना आकळी हेत । वस्तु कल्पनातीत ।
म्हणौन नाकळे अंत । अनंताचा
kalpanā ākaḷī heta | vastu kalpanātīta |
mhaṇauna nākaḷe amta | anamtācā
Kalpanā seizes a hetu (reason); vastu is beyond kalpanā. / Hence the end of the Endless is not grasped.
Kalpanā (thought-construction) can only seize a hetu — a finite reason or cause — while vastu, the Real, is beyond kalpanā altogether; hence the 'end' of the Endless can never be grasped by thinking about it, no matter how refined the thought.
When you notice yourself trying to think your way to a final, complete answer about something ultimate, recognize the limit of thinking itself and let the question rest.
अन्वये आणि वीतरेक । हा शब्द कोणीयेक ।
निशब्दाच अंतरविवेक । शोधिला पाहिजे
anvaye āṇi vītareka | hā śabda koṇīyeka |
niśabdāca amtaraviveka | śodhilā pāhije
Anvaya and vyatireka — which word is this? / The inner-vivek of the wordless — it must be searched.
Rāmdās raises the technical method of anvaya-vyatireka (positive and negative concomitance, a standard tool of textual reasoning) and asks: which word could possibly apply to that which is wordless? The inner discernment (viveka) of the wordless itself must still be sought out, even though ordinary reasoning tools fall short.
When words fail to capture something true you have experienced, do not abandon the inquiry — keep discerning quietly, even without new words to hold it.
आधीं घेईजे वाच्यंश । मग वोळखिजे लक्ष्यांश ।
लक्ष्यांशीं पाहातां वाच्यांश । असेल कैंचा
ādhīm gheīje vācyamśa | maga voḷakhije lakṣyāmśa |
lakṣyāmśīm pāhātām vācyāmśa | asela kaimcā
First take the vācyāmśa (explicit-meaning); then recognize the lakṣyāmśa (implied-meaning). / On looking at lakṣyāmśa, whence would vācyāmśa be?
He now gives the actual method for using scripture: first grasp the vācyāṁśa (the explicit, literal meaning of a statement), then recognize the lakṣyāṁśa (the meaning it is pointing toward). Once the lakṣyāṁśa is seen, the literal words that led there no longer matter in the same way.
When learning from a teaching or text, use its literal words as a ladder — climb them to grasp the point being made, then stop clinging to the ladder itself.
सर्वब्रह्म आणी विमळब्रह्म । हा वाच्यांशाचा अनुक्रम ।
शोधितां लक्ष्यांशाचें वर्म । वाच्यांश नसे
sarvabrahma āṇī vimaḷabrahma | hā vācyāmśācā anukrama |
śodhitām lakṣyāmśācem varma | vācyāmśa nase
Sarva-brahma and vimala-brahma — this is the sequence of vācyāmśa. / Searching the secret of lakṣyāmśa, there is no vācyāmśa.
Example: 'sarva-brahma' (all is Brahman) and 'vimala-brahma' (pure Brahman) are given as the sequence of vācyāṁśa — the literal formulations. But when one searches out the real secret (varma) of the lakṣyāṁśa behind them, the literal formulation itself is no longer found there; the pointer dissolves once the destination is reached.
Once you truly understand what a teacher's phrase was pointing you toward, stop repeating the phrase mechanically — live from the understanding instead.
सर्व विमळ दोनी पक्ष । वाच्यांशीं आटती प्रत्यक्ष ।
लक्ष्यांशी लावीता लक्ष । पक्षपात घडे
sarva vimaḷa donī pakṣa | vācyāmśīm āṭatī pratyakṣa |
lakṣyāmśī lāvītā lakṣa | pakṣapāta ghaḍe
Sarva and vimala — two sides; in vācyāmśa, both are actively present. / If you apply lakṣya by lakṣyāmśa, partisan-leaning occurs.
'Sarva' and 'vimala' are two sides (pakṣa) both actively present within the literal statement (vācyāṁśa); but if you fix your aim (lakṣya) on lakṣyāṁśa as belonging to just one of these sides, pakṣapāta — partisanship or bias — results. The teaching warns against turning the two formulations into rival camps.
When two respected teachings seem to disagree, resist picking a side to defend — look instead for the single understanding both are gesturing toward.
हें लक्ष्यांशें अनुभवणें । येथें नाहीं वाच्यांश बोलणे ।
मुख्य अनुभवाचे खुणे । वाचारंभ कैंचा
hem lakṣyāmśem anubhavaṇem | yethem nāhīm vācyāmśa bolaṇe |
mukhya anubhavāce khuṇe | vācārambha kaimcā
This lakṣyāmśa is to be experienced; here there is no vācyāmśa-speech. / At the chief mark of anubhava, whence the beginning of speech?
The lakṣyāṁśa is meant to be directly experienced (anubhavaṇem), not spoken as vācyāṁśa; at the essential mark (mukhya khūṇa) of anubhava, there is no longer any room even for the beginning of speech (vācārambha).
At the point where real understanding has actually landed in you, let it show in how you live rather than in how much you talk about it.
परा पश्यंती मधेमां वैखरी । जेथें वोसरती च्यारी ।
तेथें शब्द कळाकुंसरी । कोण काज
parā paśyamtī madhemām vaikharī | jethem vosaratī cyārī |
tethem śabda kaḷākumsarī | koṇa kāja
Parā, Paśyantī, Madhyamā, Vaikharī — where the four recede, / there, artifacts of word — what business?
The four traditional levels of speech — Parā, Paśyantī, Madhyamā, Vaikharī (from the subtlest impulse of speech to its spoken form) — all recede at this point; where all four withdraw, the artifice and craft of words has no further business.
In your deepest moments of understanding or connection, let go of the urge to keep refining how you would phrase it — some things are complete before language reaches them.
शब्द बोलतां सवेंच नासे । तेथें शाश्वतता कोठें असे ।
प्रत्यक्षास प्रमाण नसे । बरें पाहा । २७ ॥
शब्द प्रत्यक्ष नासिवंत । म्हणोन घडे पक्षपात ।
सर्व विमळ ऐसा हेत । अनुभवीं नाहीं
śabda bolatām savemca nāse | tethem śāśvatatā koṭhem ase |
pratyakṣāsa pramāṇa nase | barem pāhā | 27 ||
śabda pratyakṣa nāsivamta | mhaṇona ghaḍe pakṣapāta |
sarva vimaḷa aisā heta | anubhavīm nāhīm
Word spoken, immediately perishes; there where is eternality? / Direct experience has no [need of] proof — see well. / Word directly is perishable; hence partiality arises. / 'Sarva or vimala' — such intent is not in anubhava.
A spoken word perishes the instant it is uttered, so where would permanence be found in it? Direct experience needs no further proof — see this clearly. Since the spoken word is itself perishable, clinging to it produces partisanship (echoing 9.2.024); the intent to pick between 'sarva' and 'vimala' has no place within genuine anubhava.
Trust a direct, lived insight over an argument built purely from quoted words — words wear out; the experience behind them does not.
ऐक अनुभवाचें लक्षण । अनुभव म्हणिजे अनन्य जाण ।
ऐक अनन्याचें लक्षण । ऐसें असे
aika anubhavācem lakṣaṇa | anubhava mhaṇije ananya jāṇa |
aika ananyācem lakṣaṇa | aisem ase
Hear the mark of anubhava — anubhava means know as ananya (non-other). / Hear the mark of ananya — it is thus.
Rāmdās now defines his key term precisely: anubhava means knowing as ananya — 'not other,' undivided from what is known. He asks the disciple to next hear what ananya itself means, since the whole teaching hinges on that word.
Test whether your understanding of something is real by asking whether you still feel separate from it — genuine understanding closes the gap between knower and known.
अनन्य म्हणिजे अन्य नसे । आत्मनिवेदन जैसें ।
संगभंगें असतचि असे । आत्मा आत्मपणें
ananya mhaṇije anya nase | ātmanivedana jaisem |
samgabhamgem asataci ase | ātmā ātmapaṇem
Ananya means: another is not, like ātma-nivedana. / On snapping of association, existing-as-such — ātman as ātman-alone.
Ananya means there is no 'other' at all — comparable to ātma-nivedana, total self-offering. When the very bond of association (saṅga) is snapped, what remains is the Ātman existing purely as itself, in its own Ātman-ness, with nothing left to be related to.
In your closest relationships, practice moments where you drop the sense of 'me relating to you' altogether and simply act from shared, undivided care.
आत्म्यास नाहीं आत्मपण । हेंचि निःसंगाचें लक्षण ।
हें वाच्यांशें बोलिले जाण । कळावया कारणें
ātmyāsa nāhīm ātmapaṇa | hemci niḥsamgācem lakṣaṇa |
hem vācyāmśem bolile jāṇa | kaḷāvayā kāraṇem
For the Ātman, there is no ātman-ness — this itself is the mark of niḥsanga. / This was said in vācyāmśa — for the sake of knowing.
The Ātman itself has no 'selfhood' — no sense of being a self-as-object — and this very absence is the mark of niḥsaṅga, freedom from attachment. Rāmdās notes this was stated in vācyāṁśa (explicit words) only as a teaching device, so it could be understood — not as the final truth in itself (recalling 9.2.022–025's method).
Hold even your best description of your own inner freedom loosely — treat it as a stepping stone toward the experience, not the experience itself.
येरवीं लक्ष्यांश तो वाच्यांशें । सांगिजेल हें घडे कैसें ।
वाक्य विवरणें अपैसें । कळों लागे
yeravīm lakṣyāmśa to vācyāmśem | sāmgijela hem ghaḍe kaisem |
vākya vivaraṇem apaisem | kaḷom lāge
Otherwise, lakṣyāmśa — how is it told by vācyāmśa? / By exposition of sentence, it becomes known spontaneously.
He anticipates an objection: otherwise, how could lakṣyāṁśa (the implied truth) ever be conveyed through vācyāṁśa (mere words) at all? His answer: through careful exposition (vivaraṇa) of the sentence, the implied meaning becomes known on its own, spontaneously (apaisem).
When explaining something subtle to another person, trust that careful, patient unpacking of your words will let understanding dawn in them naturally — you cannot force it directly.
करावें तत्वविवरण । शोधावें ब्रह्म निर्गुण ।
पाहावें आपणास आपण । म्हणिजे कळे
karāvem tatvavivaraṇa | śodhāvem brahma nirguṇa |
pāhāvem āpaṇāsa āpaṇa | mhaṇije kaḷe
Do tattva-vivaraṇa; search for Brahma-nirguṇa; / see oneself by oneself — then it becomes known.
The practical instruction is now given plainly: undertake tattva-vivaraṇa (investigation of the underlying principles), search out nirguṇa Brahma (Brahman without qualities), and see the self by the self — through this threefold discipline, understanding comes.
Set aside real time to investigate your own experience directly rather than only reading or hearing about it secondhand — insight comes from your own looking.
हें न बोलतांच विवरिजे । विवरोन विरोन राहिजे ।
मग अबोलणेंचि साजे । माहापुरुषीं
hem na bolatāmca vivarije | vivarona virona rāhije |
maga abolaṇemci sāje | māhāpuruṣīm
Even unspoken, do the exposition; after exposition, remaining as That. / Then unspeaking itself is fitting — for the mahāpuruṣa.
Even without speaking, carry out this investigation inwardly; having investigated, dissolve (virona) and simply remain as That. Only then does true wordlessness become fitting for the mahāpuruṣa — the great soul who has actually arrived there, not one merely performing silence.
Distinguish real inner stillness, earned through honest self-investigation, from the mere outward performance of staying quiet.
शब्दचि निशब्द होती । श्रुति नेति नेति नेति म्हणती ।
हें तों आलें आत्मप्रचिती । प्रत्यक्ष आतां
śabdaci niśabda hotī | śruti neti neti neti mhaṇatī |
hem tom ālem ātmapracitī | pratyakṣa ātām
Words become wordless; Śruti says 'neti neti neti.' / This has come to ātma-pratīti — directly, now.
Words themselves eventually become wordless; Śruti's own teaching method culminates in neti neti neti — 'not this, not this, not this.' Rāmdās says this has now arrived at ātma-pratīti, direct self-realization, immediately and presently — not as a future promise.
Rather than adding one more description of ultimate truth, practice progressively letting go of descriptions — negation can bring you closer than addition.
प्रचित आलियां अनुमान । हा तों प्रत्यक्ष दुराभिमान ।
तरी आतां मी अज्ञान । मज कांहींच न कळे
pracita āliyām anumāna | hā tom pratyakṣa durābhimāna |
tarī ātām mī ajñāna | maja kāmhīmca na kaḷe
When pratīti has come, [further] inference — that itself is direct self-conceit. / Therefore now I am ajñāna; to me nothing is known.
But a crucial warning follows: once pratīti (realization) has genuinely come, any further inference built on top of it is itself a subtle self-conceit (durābhimāna) disguised as direct knowledge. The right response instead is humility: 'now I am ajñāna — ignorant; nothing at all is known to me.'
After any moment of real insight, resist the urge to build theories or claims on top of it — let genuine not-knowing be your next honest posture.
मी लटिका माझें बोलणें लटिकें । मी लटिका माझें चालणें लटिकें ।
मी माझें अवघेंचि लटिकें । काल्पनिक
mī laṭikā mājhem bolaṇem laṭikem | mī laṭikā mājhem cālaṇem laṭikem |
mī mājhem avaghemci laṭikem | kālpanika
I am false, my speech is false; I am false, my walking is false; / I-and-mine — entirely false, kalpanika.
Rāmdās voices this humility as a direct confession: 'I am false, my speech is false; I am false, my walking is false; I-and-mine are entirely false, merely kālpanika — constructed by imagination.' This is not despair but the logical conclusion of everything argued since 9.2.015 about ahaṁtā.
Practice, at least once today, silently questioning the solidity of your own 'I' and 'mine' in a small decision — notice how much of it is habit and self-image rather than necessity.
मज मुळींच नाहीं ठाव । माझे बोलणें अवघेंचि वाव ।
हा प्रकृतीचा स्वभाव । प्रकृती लटिकी
maja muḷīmca nāhīm ṭhāva | mājhe bolaṇem avaghemci vāva |
hā prakṛtīcā svabhāva | prakṛtī laṭikī
I have no place at root; my speech is entirely void. / This is the svabhāva of prakṛti — prakṛti is false.
He pushes further: 'I have no place at root at all; my speech is entirely void.' This, he says, is simply the svabhāva (inherent nature) of prakṛti (nature/matter) — prakṛti itself, not just the individual ego, is ultimately false when measured against svarūpa.
When you feel your identity threatened by circumstance, remember that even the ground you think you are standing on was never as solid as it appeared.
प्रकृती आणी पुरुष । यां दोहींस जेथें निरास ।
तें मीपण विशेष । हें केवि घडे
prakṛtī āṇī puruṣa | yām dohīmsa jethem nirāsa |
tem mīpaṇa viśeṣa | hem kevi ghaḍe
Prakṛti and puruṣa — where both are negated, / there 'I-ness' is special — how does it occur?
A sharp question follows: prakṛti and puruṣa (nature and consciousness, the two classical categories) — where both are negated, how could any special 'I-ness' (mīpaṇa) still occur? If the very frameworks that could support an 'I' are dissolved, the I-claim has nowhere left to stand.
Trace a strong sense of 'I am special in this situation' back to its supports — you will usually find it resting on categories that are themselves not ultimate.
जेथें सर्व हि अशेष जालें । तेथें विशेष कैंचे आलें ।
मी मौनी म्हणतां भंगलें । मौन्य जैसें
jethem sarva hi aśeṣa jālem | tethem viśeṣa kaimce ālem |
mī maunī mhaṇatām bhamgalem | maunya jaisem
Where all is remaining-less, there whence comes 'special'? / 'I am silent' — on saying, silence is broken — likewise.
Where everything, without remainder, has become non-existent (aśeṣa), from where could anything 'special' (viśeṣa) possibly arise? And just as saying 'I am silent' breaks the very silence it claims, any assertion of a final attainment undoes itself by being asserted.
Notice the irony of announcing your own humility or silence — the announcement itself often betrays the very thing it claims.
आतां मौन्य न भंगावें । करून कांहींच न करावें ।
असोन निशेष नसावें । विवेकबळें
ātām maunya na bhamgāvem | karūna kāmhīmca na karāvem |
asona niśeṣa nasāvem | vivekabaḷem
Now silence should not be broken; having done, doing nothing; / being, be without remainder — by the power of vivek.
The samāsa closes with the positive discipline this whole argument has been building toward: now silence should not be broken — not even by claiming it. Act, yet as though not acting (naiṣkarmya); exist, yet remain without residue, entirely through the strength of viveka, discernment — the practical fruit of everything reasoned from 9.2.015 onward.
Do your work fully today, but practice releasing the sense of 'I did this' the moment it is finished — let discernment, not self-reference, carry you through the rest of the day.