संत साहित्य
Work in progress. Translations and commentary are AI-generated and may contain inaccuracies or hallucinations — please use your own judgement and check against the original sources.

Dashak 20 · Samāsa 10

37 ovis

धरूं जातां धरितां न ये । टाकूं जातां टाकितां न ये । जेथें तेथें आहेच आहे । परब्रह्म तें
dharūm jātām dharitām na ye | ṭākūm jātām ṭākitām na ye | jethem tethem āheca āhe | parabrahma tem
On trying to hold, cannot be held; on trying to throw, cannot be thrown; / wherever, it always is — that para-brahma.
The final samāsa opens with a paradox: try to grasp para-brahma (the Supreme Reality) and it cannot be held; try to discard it and it cannot be thrown away. Wherever one looks, it simply already is. This sets the tone for the entire samāsa's meditation on the ungraspable, ever-present nature of ultimate reality, picking up directly from 20.9.030's closing instruction to hold onto the eternal.
Stop trying to either possess or reject the deepest truths in your life — notice instead that they are simply, quietly already there, whether you grasp at them or not.
जिकडे तिकडे जेथें तेथें । विन्मुख होतां सन्मुख होतें । सन्मुखपण चुकेना तें । कांहीं केल्या।
jikaḍe tikaḍe jethem tethem | vinmukha hotām sanmukha hotem | sanmukhapaṇa cukenā tem | kāmhīm kelyā |
Wherever, whenever; on becoming averse, it becomes facing; / that facing-ness cannot be missed — no matter what.
Wherever, whenever — even turning away from it, one ends up facing it again. This 'facing-ness' cannot be escaped by any effort; there is no direction in which the Supreme is not present.
When you try to avoid a difficult truth about yourself, notice how it keeps turning up anyway — save the energy you'd spend evading it and face it directly instead.
बैसलें माणूस उठोन गेलें । तेथें आकाशचि राहिलें । आकाश चहुंकडे पाहिलें । तरी सन्मुखचि आहे
baisalem māṇūsa uṭhona gelem | tethem ākāśaci rāhilem | ākāśa cahumkaḍe pāhilem | tarī sanmukhaci āhe
A person sat and rose and left; there the ākāśa itself remained; / ākāśa on all sides seen — yet is facing.
A concrete image: a person sits somewhere, then rises and leaves — but the ākāśa (space) they occupied remains exactly where it was. Looked at from any direction, that space is still 'facing' you. Ākāśa becomes Rāmdās's working analogy for the omnipresence of Brahman, developed through 20.10.009.
When someone or something leaves a space in your life, notice what quietly remains behind — presence doesn't only mean an occupied form.
जिकडेतिकडे प्राणी पळोन जातें । तिकडे आकाशचि भोवतें । बळें आकाशाबाहेर । कैसें जावें
jikaḍetikaḍe prāṇī paḷona jātem | tikaḍe ākāśaci bhovatem | baḷem ākāśābāhera | kaisem jāvem
Wherever the creature flees; around, ākāśa is; / forcibly, outside ākāśa — how to go?
Continuing the ākāśa analogy: wherever a creature flees, space surrounds it on every side. There is no forcing one's way 'outside' space — it is inescapable by definition, just as Brahman is inescapable.
Stop treating some situations as escapable and others as inescapable in an absolute sense — recognize what you truly cannot get outside of, and stop wasting effort trying.
जिकडेतिकडे प्राणी पाहे । तिकडे तें सन्मुखचि आहे । समस्तांचें मस्तकीं राहे । माध्यानीं मार्तंड जैसा
jikaḍetikaḍe prāṇī pāhe | tikaḍe tem sanmukhaci āhe | samastāmcem mastakīm rāhe | mādhyānīm mārtamḍa jaisā
Wherever the creature sees; there that is facing; / on all heads remains — like the sun at noon.
Wherever a creature looks, that direction is 'facing' — Brahman remains over every head, like the noonday sun directly overhead no matter where one stands. This develops the sun-analogy that the next verse will immediately qualify.
Notice how a guiding truth or value can feel like it's 'directly above you' no matter where you stand in life — orient by it rather than by shifting circumstances.
परी तो आहे येकदेसी । दृष्टांत न घडे वस्तुसी । कांहीं येक चमत्कारासी । देउनी पाहिलें
parī to āhe yekadesī | dṛṣṭāmta na ghaḍe vastusī | kāmhīm yeka camatkārāsī | deunī pāhilem
But that is localized; dṛṣṭānta does not fit Vastu; / some wonders — gave and saw.
Rāmdās immediately qualifies his own sun-analogy from 20.10.005: the sun is still localized in the sky, so the comparison doesn't perfectly fit Vastu (the ultimate Reality). He's showing his method — analogies illustrate but never fully capture the Absolute, and he flags the limit honestly.
When you use an analogy or model to explain something important, be upfront about where the comparison breaks down, rather than letting people mistake the illustration for the whole truth.
नाना तीर्थें नाना देसीं । कष्टत जावें पाहाव्यासी । तैसें न लगे परब्रह्मासी । बैसलें ठाईं
nānā tīrthem nānā desīm | kaṣṭata jāvem pāhāvyāsī | taisem na lage parabrahmāsī | baisalem ṭhāīm
Various tīrthas, various lands; should go suffering to see; / such is not needed for para-brahma — sitting at place.
Unlike pilgrimage — where one must travel with hardship to various sacred sites in various lands — para-brahma requires no such journey. It is present exactly where one is already sitting.
Before undertaking an elaborate search for meaning or peace somewhere else, check whether what you're seeking is actually already available right where you are.
प्राणी बैसोनीच राहातां । अथवा बहुत पळोन जातां । परब्रह्म तें तत्वतां । समागमें
prāṇī baisonīca rāhātām | athavā bahuta paḷona jātām | parabrahma tem tatvatām | samāgamem
Creature sitting still; or fleeing abundantly; / para-brahma is truly — companion-accompanying.
Whether a creature stays sitting still or runs far and wide, para-brahma truly remains its constant companion — presence is not contingent on stillness or movement.
Don't tie your sense of grounded presence to whether your life is calm or chaotic right now — carry your center with you through both.
पक्षी अंतराळीं गेलां । भोवतें आकाशचि तयाला । तैसे ब्रह्म प्राणीयाला । व्यापून आहे
pakṣī amtarāḷīm gelām | bhovatem ākāśaci tayālā | taise brahma prāṇīyālā | vyāpūna āhe
A bird went to the firmament; around it is only ākāśa; / likewise Brahma to the creature — pervading is.
A bird flies up into the open sky, and all around it is nothing but ākāśa; likewise Brahman pervades the creature completely. The ākāśa analogy begun at 20.10.003 here reaches its clearest statement of Brahman's all-encompassing pervasion.
The more freely you move or grow, the more you're still held within something larger — let that steady you rather than making you feel untethered.
परब्रह्म पोकळ घनदाट । ब्रह्म सेवटाचा सेवट । ज्यासी त्यासी ब्रह्म नीट । सर्वकाळ
parabrahma pokaḷa ghanadāṭa | brahma sevaṭācā sevaṭa | jyāsī tyāsī brahma nīṭa | sarvakāḷa
Para-brahma is hollow-dense; Brahma is the end-of-end; / to each, Brahma directly — at all times.
Para-brahma is described paradoxically as hollow yet dense — Brahma is the 'end of ends,' and to every single being, Brahma is directly present at all times, without exception.
Hold contradictory-seeming truths about your own deepest nature — both empty of fixed content and utterly full — without needing to resolve the paradox intellectually.
दृश्या सबाहे अंतरीं । ब्रह्म दाटलें ब्रह्मांडोदरीं । आरे त्या विमळाची सरी । कोणास द्यावी
dṛśyā sabāhe amtarīm | brahma dāṭalem brahmāmḍodarīm | āre tyā vimaḷācī sarī | koṇāsa dyāvī
Inside-outside dṛśya; Brahma is packed in brahmāṇḍa-womb; / O, to that vimala's comparison — whom to give?
Brahman fills the visible world both inside and outside, packed densely within the very womb of the cosmos. Rāmdās asks, almost tenderly, to what could this 'stainless one's' comparison possibly be given? — nothing else measures up.
Stop searching for a perfect comparison or metaphor to fully capture what matters most to you — accept that some things are beyond adequate comparison, and let that be enough.
वैकुंठकैळासस्वर्गलोकीं । इंद्रलोकीं चौदा लोकीं । पन्नगादिकपाताळलोकीं । तेथेंचि आहे
vaikumṭhakaiḷāsasvargalokīm | imdralokīm caudā lokīm | pannagādikapātāḷalokīm | tethemci āhe
Vaikuṇṭha, Kailāsa, svarga-loka; Indra-loka, fourteen lokas; / snake-etc. pātāla-lokas — there itself is.
Rāmdās runs through the mythic cosmology — Vaikuṇṭha, Kailāsa, the heavenly worlds, Indra's realm, all fourteen lokas (worlds), down to the serpent-inhabited netherworlds — Brahman is present in every one of them, without exception.
Whether you're in a high moment or a low one, recognize the same underlying reality present in both — don't treat elevated states as more real or sacred than difficult ones.
कासीपासून रामेश्वर । आवघें दाटलें अपार । परता परता पारावार । त्यास नाहीं
kāsīpāsūna rāmeśvara | āvaghem dāṭalem apāra | paratā paratā pārāvāra | tyāsa nāhīm
From Kāśī to Rāmeśvara; all packed endless; / beyond-beyond, shore — for it there is none.
From Kāśī to Rāmeśvara — the traditional north-to-south span of sacred India — everything is packed full without limit; there is no 'far shore' beyond which Brahman does not reach.
Extend the same regard you give sacred or special places to the whole of your ordinary geography — nothing you inhabit is genuinely outside what matters.
परब्रह्म तें येकलें । येकदांचि सकळांसी व्यापिले । सकळांस स्पर्शोन राहिलें । सकळां ठाईं
parabrahma tem yekalem | yekadāmci sakaḷāmsī vyāpile | sakaḷāmsa sparśona rāhilem | sakaḷām ṭhāīm
Para-brahma is alone; at once pervaded all; / touching all remained — in every place.
Para-brahma is singular and alone, yet at a single stroke pervaded everything — touching all things, it remains present in every single place simultaneously. The one and the many are not in tension here; oneness itself is what fills the many.
See the connections between seemingly separate people or situations in your life as expressions of one underlying reality, rather than isolated coincidences.
परब्रह्म पाउसें भिजेना । अथवा चिखलानें भरेना । पुरामधें परी वाहेना । पुरासमागमें
parabrahma pāusem bhijenā | athavā cikhalānem bharenā | purāmadhem parī vāhenā | purāsamāgamem
Para-brahma does not get wet from rain; or filled with mud; / in flood, yet does not flow — with flood.
Para-brahma is not wetted by rain nor filled up with mud; even present within a flood, it does not itself flow along with the flood. It remains unaffected while fully present within changing conditions.
Practice staying inwardly unaffected even while fully engaged in a turbulent situation — being present in the flood doesn't mean being swept away by it.
येकसरें सन्मुक विमुख । वाम सव्य दोहिंकडे येक । आर्धऊर्ध प्राणी सकळीक । व्यापून आहे
yekasarem sanmuka vimukha | vāma savya dohimkaḍe yeka | ārdhaūrdha prāṇī sakaḷīka | vyāpūna āhe
At once facing, averse; left, right — on both sides one; / down-up, all creatures — pervading is.
At once facing and averse, on the left and the right equally, above and below — Brahman pervades all creatures at once, transcending every directional or oppositional category humans use to locate things.
When you're torn between opposing views or feelings, remember that the deepest ground you're standing on doesn't actually take sides — let that reduce the anxiety of choosing.
आकाशाचा डोहो भरला । कदापी नाहीं उचंबळला । असंभाव्य पसरला । जिकडे तिकडे
ākāśācā ḍoho bharalā | kadāpī nāhīm ucambaḷalā | asambhāvya pasaralā | jikaḍe tikaḍe
A lake of ākāśa filled; never overflowed; / inconceivably spread — here and there.
A 'lake' of ākāśa is described as perpetually full yet never overflowing — inconceivably spread in every direction. Fullness here doesn't behave like ordinary fullness; it needs no boundary to contain it.
Notice that some kinds of abundance — attention, patience, love — don't run out the way material resources do; draw on them without fearing depletion.
येकजिनसि गगन उदास । जेथें नाहीं दृश्यभास । भासेंविण निराभास । परब्रह्म जाणावें
yekajinasi gagana udāsa | jethem nāhīm dṛśyabhāsa | bhāsemviṇa nirābhāsa | parabrahma jāṇāvem
One-form, sky detached; where no dṛśya-appearance; / without appearance, nirābhāsa — should be known as para-brahma.
The sky is described as uniform and detached, where no appearance of the visible world occurs at all. Without appearance, formless — this, Rāmdās says, is how para-brahma should be understood.
Practice noticing the difference between what appears to your senses and the underlying awareness in which appearances simply arise — don't mistake the display for the screen behind it.
संतसाधुमहानुभावां । देवदानवमानवां । ब्रह्म सकळांसी विसांवा । विश्रांतिठाव
samtasādhumahānubhāvām | devadānavamānavām | brahma sakaḷāmsī visāmvā | viśrāmtiṭhāva
Saints, sādhus, mahānubhāvas; devas, dānavas, mānavas; / Brahma is rest for all — the place of repose.
To saints, sādhus, and great souls, as well as to devas, dānavas (demons), and ordinary humans alike, Brahman is the ultimate rest — the place of repose for absolutely everyone, without distinction of spiritual rank.
Extend the same basic dignity and welcome to everyone you meet, high or low in your estimation — remember that the deepest rest is available equally to all.
कोणेकडे सेवटा जावें । कोणेकडे काये पाहावें । असंभाव्य तें नेमावें । काये म्हणोनी
koṇekaḍe sevaṭā jāvem | koṇekaḍe kāye pāhāvem | asambhāvya tem nemāvem | kāye mhaṇonī
Where to go to the end? Which side to see what? / Inconceivable, that to be fixed — what to say?
Rāmdās voices the natural bewilderment such teaching provokes: where does one go to reach the 'end'? Which direction should one even look? The inconceivable cannot be pinned down or fixed by ordinary description.
When you hit the limits of your ability to define or locate something important, let that confusion stand honestly rather than forcing a false, tidy answer.
स्थूळ नव्हे सूक्ष्म नव्हे । कांहीं येकासारिखें नव्हे । ज्ञानदृष्टीविण नव्हे समधान
sthūḷa navhe sūkṣma navhe | kāmhīm yekāsārikhem navhe | jñānadṛṣṭīviṇa navhe samadhāna
Not sthūla, not sūkṣma; not like anything; / without jñāna-vision, no samādhāna.
Para-brahma is neither gross nor subtle — not comparable to anything at all. Without the vision born of true knowledge, Rāmdās says, there is no samādhāna (settled peace) to be found.
Recognize that genuine peace of mind depends on real insight, not on acquiring more things or having more experiences — invest in understanding, not accumulation.
पिंडब्रह्मांडनिरास । मग तें ब्रह्म निराभास । येथून तेथवरी अवकास । भकासरूप
pimḍabrahmāmḍanirāsa | maga tem brahma nirābhāsa | yethūna tethavarī avakāsa | bhakāsarūpa
Piṇḍa-brahmāṇḍa-negation; then that Brahma is nirābhāsa; / from here to there is space — vacuous-form.
Through the negation of both the individual body and the cosmos, Brahman is revealed as formless — the space from 'here to there' becomes pure, vacuous form, empty of all content yet somehow whole.
Practice setting aside, even briefly, your sense of both your individual self and the wider world around you — notice what awareness remains when both are set down.
ब्रह्म व्यापक हें तो खरें । दृश्य आहे तों हें उत्तरें । व्यापेंविण कोण्या प्रकारें । व्यापक म्हणावें
brahma vyāpaka hem to kharem | dṛśya āhe tom hem uttarem | vyāpemviṇa koṇyā prakārem | vyāpaka mhaṇāvem
'Brahma is pervading' — this is true; these answers are while dṛśya is; / without vyāpa (spread), how — should 'pervading' be said?
Rāmdās acknowledges a subtlety: to say 'Brahma is pervading' is true, but such statements only make sense while the visible world exists to be pervaded. Without something to spread across, in what sense can 'pervading' even be spoken of? He is pointing past language itself, toward what description cannot ultimately reach, developed further at 20.10.024.
Notice when even your best descriptions of something profound are really just useful for ordinary purposes, not literal final truths — hold your concepts loosely.
ब्रह्मासी शब्दचि लागेना । कल्पना कल्पूं शकेना । कल्पनेतीत निरंजना । विवेकें वोळखावें
brahmāsī śabdaci lāgenā | kalpanā kalpūm śakenā | kalpanetīta niramjanā | vivekem voḷakhāvem
To Brahma, word does not attach; kalpanā cannot imagine; / beyond-kalpanā, nirañjana — should be recognized by vivek.
Words simply do not attach to Brahman; even imagination cannot conceive it. Beyond all imagining, the stainless, unconditioned reality should be recognized through viveka (discernment) rather than through concepts.
When facing what genuinely exceeds your ability to describe or picture, stop reaching for the perfect words and instead cultivate the quiet discernment that recognizes it directly.
शुद्ध सार श्रवण । शुद्ध प्रत्ययाचें मनन । विज्ञानी पावतां उन्मन । सहजचि होतें
śuddha sāra śravaṇa | śuddha pratyayācem manana | vijñānī pāvatām unmana | sahajaci hotem
Pure essence is śravaṇa; pure pratyaya's manana; / vijñānī on attaining unmana — naturally occurs.
The pure essence is śravaṇa (hearing/study), and pure is the reflection that follows from direct pratyaya (verified experience). When the truly wise attain a mind-transcending stillness beyond ordinary mental activity, it happens naturally, without forcing.
Trust the sequence — honest listening, then real reflection on your own verified experience — and let deeper realization arrive in its own time rather than trying to force it.
जालें साधनाचें फळ । संसार जाला सफळ । निर्गुण ब्रह्म तें निश्चळ । अंतरीं बिंबलें
jālem sādhanācem phaḷa | samsāra jālā saphaḷa | nirguṇa brahma tem niścaḷa | amtarīm bimbalem
Sādhana's fruit arose; samsāra became fruitful; / nirguṇa Brahma is niścala — reflected within.
The fruit of sādhana (spiritual practice) has ripened; saṃsāra (worldly life) itself has become fruitful, not something to be merely escaped. Nirguṇa Brahma (the quality-less Absolute), steady and unmoving, is now reflected within — practice bears fruit not by leaving the world but by realization dawning within it.
Don't wait to withdraw from your ordinary responsibilities to feel spiritually fulfilled — let sustained practice bear fruit right in the midst of your actual life.
हिसेब जाला मायेचा । जाला निवाडा तत्वांचा । साध्य होतां साधनाचा । ठाव नाहीं
hiseba jālā māyecā | jālā nivāḍā tatvāmcā | sādhya hotām sādhanācā | ṭhāva nāhīm
The accounting of māyā done; tattvas' decision happened; / on sādhya being attained, sādhana — has no place.
The 'accounting' of māyā is complete, the decision about the fundamental principles has been made — and once the goal is truly attained, the means itself no longer has a place. The ladder is discarded once the destination is reached.
Recognize when a method or practice has done its job and can be set down — don't cling to techniques past the point where they've served their purpose.
स्वप्नीं जें जें देखिलें । तें तें जागृतीस उडालें । सहजचि अनुर्वाच्य जालें । बोलतां न ये
svapnīm jem jem dekhilem | tem tem jāgṛtīsa uḍālem | sahajaci anurvācya jālem | bolatām na ye
What was seen in dream — flew off in jāgṛti; / naturally became inexpressible — cannot be spoken.
Whatever was seen in a dream vanishes on waking — it simply flies off. In the same natural way, the realized state becomes inexpressible — it cannot actually be spoken, only pointed toward, as this whole samāsa has been trying to do.
Accept that your deepest realizations may resist being fully put into words for others — don't force articulate certainty where genuine experience naturally exceeds language.
ऐसें हें विवेकें जाणावें । प्रत्ययें खुणेंसी बाणावें । जन्ममृत्याच्या नांवें । सुन्याकार
aisem hem vivekem jāṇāvem | pratyayem khuṇemsī bāṇāvem | janmamṛtyācyā nāmvem | sunyākāra
Such should be known by vivek; by pratyaya impressed on the mark; / in the name of birth-death — is śūnyākāra.
Rāmdās sums up: this should be known through viveka (discernment), and impressed firmly through pratyaya (direct experience) upon the inner mark. What we call birth and death, in this light, is really void-form, without independent, separate reality.
Meet your own recurring fears about beginnings and endings with steady discernment rather than raw anxiety — see change as movement within one continuous whole, not a series of separate losses.
भक्तांचेनि साभिमानें । कृपा केली दाशरथीनें । समर्थकृपेचीं वचनें । तो हा दासबोध
bhaktāmceni sābhimānem | kṛpā kelī dāśarathīnem | samarthakṛpecīm vacanem | to hā dāsabodha
By the self-pride of bhaktas — grace was done by Dāśarathi; / the words of Samartha's grace — this is the Dāsbodh.
This is the colophon verse: by the loving devotion of bhaktas, grace was granted by Dāśarathī (Rāma, son of Daśaratha); the words spoken by the grace of the Samartha (Rāmdās's own honorific, 'the capable one') are what constitute this — the Dāsbodh itself. Rāmdās names his own work directly, attributing it entirely to grace rather than personal authorship.
When you complete meaningful work, acknowledge honestly everything and everyone that made it possible rather than taking sole credit for what you produced.
वीस दशक दासबोध । श्रवणद्वारें घेतां शोध । मनकर्त्यास विशद । परमार्थ होतो
vīsa daśaka dāsabodha | śravaṇadvārem ghetām śodha | manakartyāsa viśada | paramārtha hoto
20-dashak Dāsbodh — on taking search by śravaṇa-door; / to the mind-maker is clear — paramārtha occurs.
Rāmdās describes the whole text: twenty dashaks (sections) of Dāsbodh, meant to be searched through the 'door' of śravaṇa (listening/study). For the one who applies the mind, it becomes clear — paramārtha (the highest spiritual goal) results from this sustained engagement.
Treat any substantial body of teaching you're working through as something to be searched actively with your mind, not skimmed passively — clarity comes from applied attention.
वीस दशक दोनीसें समास । साधकें पाहावें सावकास । विवरतं विशेषाविशेष । कळों लागे
vīsa daśaka donīsem samāsa | sādhakem pāhāvem sāvakāsa | vivaratam viśeṣāviśeṣa | kaḷom lāge
20 dashaks, 200 samāsas; the sādhaka should see leisurely; / examining, special-and-non-special — begins to be known.
He states the full scope precisely: twenty dashaks, two hundred samāsas — the sādhaka (practitioner) should study it at leisure. Through careful examination, what is special and what is ordinary gradually becomes distinguishable.
Give yourself permission to work through a large body of teaching or knowledge slowly, over time, rather than rushing — genuine discernment between what matters most and what doesn't needs unhurried attention.
ग्रंथाचें करावेंस्तवन । स्तवनाचें काये प्रयोजन । येथें प्रत्ययास कारण । प्रत्ययो पाहावा
gramthācem karāvemstavana | stavanācem kāye prayojana | yethem pratyayāsa kāraṇa | pratyayo pāhāvā
The grantha's praise should be done; what purpose of praise? / Here for pratyaya is the cause — pratyaya should be seen.
Rāmdās questions the very convention of praising one's own text: should the book be praised? And what is the purpose of such praise anyway? He redirects: the real cause here is pratyaya (direct verification) — that is what should actually be examined, not flattering words about the work.
Judge any teaching or claim by whether it holds up in your own tested experience, not by how eloquently or persuasively it praises itself.
देहे तंव पांचा भूतांचा । कर्ता आत्मा तेथींचा । आणी कवित्वप्रकार मनुशाचा । काशावरुनी
dehe tamva pāmcā bhūtāmcā | kartā ātmā tethīmcā | āṇī kavitvaprakāra manuśācā | kāśāvarunī
Body is of five elements; the kartā is Ātmā there; / and poetry-type is of man — from where?
A final philosophical turn: the body is made of the five elements, and the doer within it is the Ātmā. Rāmdās then poses a pointed question — where, then, does the human capacity for poetry actually come from?
When you create something — writing, art, any expression — ask honestly where that creative capacity actually originates, rather than assuming it's purely your own private possession.
सकळ करणें जगदीशाचें । आणी कवित्वचि काय मानुशाचें । ऐशा अप्रमाण बोलण्याचें काये घावें
sakaḷa karaṇem jagadīśācem | āṇī kavitvaci kāya mānuśācem | aiśā apramāṇa bolaṇyācem kāye ghāvem
All doing is of Jagadīśa; and poetry alone of man — how? / Such un-authoritative speech — what to take from?
Rāmdās answers his own question from 20.10.034: all doing belongs to Jagadīśa (Lord of the world) — so how could poetry alone belong purely to the human being? He dismisses as unfounded any claim that a person is the sole, independent author of their own creative work.
Hold your own achievements — including creative or intellectual work — with humility, recognizing the countless conditions and influences beyond yourself that made them possible.
सकळ देह्याचा झाडा केला । तत्वसमुदाव उडाला । तेथें कोण्या पदार्थाला । आपुलें म्हणावें
sakaḷa dehyācā jhāḍā kelā | tatvasamudāva uḍālā | tethem koṇyā padārthālā | āpulem mhaṇāvem
Whole body's inventory was made; tattva-community flew off; / there to what object — should one call 'mine'?
A final inventory: when the whole body is accounted for, the entire community of constituent elements simply disperses. Given that, Rāmdās asks, what object is actually left to call 'mine'?
Periodically take honest stock of what you're calling 'yours' — possessions, achievements, even your body — and notice how little of it survives close examination as truly, permanently your own.
ऐसीं हें विचाराचीं कामें । उगेंच भ्रमों नये भ्रमें । जगदेश्वरें अनुक्रमें । सकळ केलें
aisīm hem vicārācīm kāmem | ugemca bhramom naye bhramem | jagadeśvarem anukramem | sakaḷa kelem
Such are tasks of vicāra; should not uselessly wander in bhrama; / by Jagadeśvara in sequence — all was done.
The Dāsbodh's final verse: such are the proper tasks of vicāra (careful consideration) — one should not wander needlessly lost in delusion. Everything, in due sequence, was accomplished by Jagadeśvara (the Lord of the world) — the entire text closes by tracing all doing, and all credit, back to that single source.
End your own significant undertakings the way this text ends — with a clear-eyed accounting of what confusion to avoid going forward, and genuine gratitude for everything beyond your own effort that made the work possible.