संत साहित्य · Dāsabodha · Dashak 7
Dashak 7 · Samāsa 4
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श्रीराम ॥
ब्रह्म नभाहूनि निर्मळ । पाहतां तैसेंचि पोकळ ।
अरूप आणि विशाळ । मर्यादेवेगळें
śrīrāma ||
brahma nabhāhūni nirmaḷa | pāhatām taisemci pokaḷa |
arūpa āṇi viśāḷa | maryādevegaḷem
Śrīrāma. Brahman is purer than the sky; when looked at, equally hollow; formless and vast, beyond limit.
Ramdas opens by comparing Brahman to the sky, then pushes past it: Brahman is even purer than open space, and when examined it is like the sky — hollow (pokaḷa, void of any content), formless, immense, and beyond any boundary. This sets the samāsa's theme, vimala brahma — immaculate Brahman.
When you try to locate the deepest ground of your own awareness, do not look for an image or object — notice its spaciousness and its absence of limit.
एकवीस स्वर्गें सप्त पाताळ । मिळोन एक ब्रह्मगोळ ।
ऐसें अनंत तें निर्मळ । व्यापून असे
ekavīsa svargem sapta pātāḷa | miḷona eka brahmagoḷa |
aisem anamta tem nirmaḷa | vyāpūna ase
Twenty-one heavens, seven patālas — joined make one brahma-sphere; such endless [spheres] that pure [Brahman] — pervading.
He gives cosmological scale: all twenty-one heavenly worlds and the seven nether pātālas together form a single 'brahma-sphere,' and countless such spheres exist — yet all are pervaded by that one immaculate Brahman.
Before narrowing into daily practice, widen your sense of scale: recognize that whatever field you are working within is itself held by something vaster than it — do not mistake the local for the whole.
अनंत ब्रह्मांडांखालतें । अनंत ब्रह्मांडांवरुतें ।
तेणेंविण स्थळ रितें । अणुमात्र नाहीं
anamta brahmāmḍāmkhālatem | anamta brahmāmḍāmvarutem |
teṇemviṇa sthaḷa ritem | aṇumātra nāhīm
Below endless universes, above endless universes; without it no place is empty — not even an atom's worth.
Extending the point: infinite universes stretch below and infinite above, yet nowhere — not even the size of an atom — is empty of Brahman.
Treat no space, however small or seemingly insignificant, as outside the reach of care and attention; give full presence even to the smallest task.
जळीं स्थळीं काष्ठीं पाषाणीं । ऐशी वदे लोकवाणी ।
तेणेंविण रिता प्राणी । एकही नाहीं
jaḷīm sthaḷīm kāṣṭhīm pāṣāṇīm | aiśī vade lokavāṇī |
teṇemviṇa ritā prāṇī | ekahī nāhīm
In water, on land, in wood, in stone — so says the popular voice; no creature is without it — not one.
Even common wisdom affirms this: people say the divine is 'in water, on land, in wood, in stone'; no living being exists without it.
When you catch yourself dismissing an ordinary thing or person as unworthy of respect, remember nothing is exempt from that same underlying presence.
जळचरां जैसें जळ । बाह्य अभ्यंतरीं निखळ ।
तैसें ब्रह्म हें केवळ । जीवमात्रासी
jaḷacarām jaisem jaḷa | bāhya abhyamtarīm nikhaḷa |
taisem brahma hem kevaḷa | jīvamātrāsī
As water to water-creatures — outside, within, pure; so this Brahman itself is [pure] — to every living being.
The first sustained analogy: water surrounds and fills a fish, inside and out, without distinction; Brahman relates to every living being (jīvamātra) the same way.
Stop treating your inner life and your outer conduct as two separate zones with different rules; act with the same integrity in private as in public.
जळावेगळा ठाव आहे । ब्रह्माबाहेरी जातां न ये ।
म्हणोनि उपमा न साहे । जळाची तया
jaḷāvegaḷā ṭhāva āhe | brahmābāherī jātām na ye |
mhaṇoni upamā na sāhe | jaḷācī tayā
There is a place outside water [for fish]; but outside Brahman one cannot go; therefore the water-simile does not fit that.
He immediately qualifies the analogy: a fish can leave water for dry land, but nothing can step outside Brahman — so even the water-simile ultimately fails to capture it.
When a comparison that has helped you understand something starts to mislead you, drop it — do not cling to a useful analogy past its usefulness.
आकाशाबाहेरी पळों जातां । पुढें आकाशचि तत्त्वतां ।
तैसा तया अनंता । अंतचि नाहीं
ākāśābāherī paḷom jātām | puḍhem ākāśaci tattvatām |
taisā tayā anamtā | amtaci nāhīm
Going out of the sky [to flee], ahead is sky in truth; so for that Ananta there is no end.
A better analogy: try to flee outside the sky and you only find more sky ahead; likewise the Infinite (ananta) has no boundary that could ever be reached.
When you feel trapped and look for an 'outside' to escape to, notice that the same reality follows you everywhere — the way out is acceptance, not relocation.
परी जें अखंड भेटलें । सर्वांगास लिगडिलें ।
अति निकट परी चोरलें । सकळांसि जें
parī jem akhamḍa bheṭalem | sarvāmgāsa ligaḍilem |
ati nikaṭa parī coralem | sakaḷāmsi jem
But it is unbrokenly met; clings to every limb; extremely near yet stolen — from all.
Though it touches every limb of one's being without a break and is intensely close, Brahman is somehow 'stolen' — hidden — from everyone's awareness.
Notice how the most intimate, ever-present parts of your experience — breath, bare awareness — are exactly what you overlook; make a habit of returning attention to them.
तयामध्येंचि असिजे । परी तयासी नेणिजे ।
उपजे भास नुपजे । परब्रह्म तें
tayāmadhyemci asije | parī tayāsī neṇije |
upaje bhāsa nupaje | parabrahma tem
One is within it, yet does not know it; appearances arise, do not arise — Parabrahman is that.
One lives immersed in Brahman yet fails to recognize it; the world of appearances arises and passes within it, while Parabrahman itself remains untouched by that arising and ceasing.
Separate what merely appears and disappears in your experience — moods, events, passing thoughts — from the steady awareness in which they occur, and anchor yourself in the latter.
आकाशामध्यें आभाळ । तेणें आकाश वाटे डहुळ ।
परी तें मिथ्या निवळ । आकाशचि असे
ākāśāmadhyem ābhāḷa | teṇem ākāśa vāṭe ḍahuḷa |
parī tem mithyā nivaḷa | ākāśaci ase
In the sky there are clouds; by them the sky seems troubled; but that is false; clear — the sky itself is.
Clouds passing through the sky make it look disturbed, but this is illusory (mithyā); the sky itself stays perfectly clear regardless.
When turbulent moods or events seem to 'disturb' your mind, remember the disturbance belongs to what passes through, not to the awareness witnessing it.
नेहार देतां आकाशीं । चक्रें दिसती डोळ्यांसी ।
तैसें दृश्य ज्ञानियांसी । मिथ्यारूप
nehāra detām ākāśīm | cakrem disatī ḍoḷyāmsī |
taisem dṛśya jñāniyāmsī | mithyārūpa
Gazing up into the sky, circles appear to the eyes; so the visible to the jñānis — is of false-form.
Stare too long at the sky and the eyes conjure phantom discs; similarly, to those who have realized (jñānis), the entire visible world appears as an optical illusion, not ultimate reality.
Before reacting to what feels like solid fact, ask whether it might be a projection of a strained or conditioned way of looking, the way tired eyes invent shapes.
मिथ्याचि परी आभासे । निद्रितांसी स्वप्न जैसें ।
जागा झालिया आपैसें । बुझों लागे
mithyāci parī ābhāse | nidritāmsī svapna jaisem |
jāgā jhāliyā āpaisem | bujhom lāge
False, yet appears — as a dream to the sleeper; on waking, it naturally becomes known.
The appearance is false yet vivid, exactly as a dream feels completely real to the sleeper — only on waking does its unreality become obvious without any effort.
Treat a troubling conviction the way you would a bad dream once awake: do not argue with it, simply notice the shift in state that reveals it as unreal.
तैसें आपुलेनि अनुभवें । ज्ञानें जागृतीस यावें ।
मग मायिक स्वभावें । कळों लागे
taisem āpuleni anubhavem | jñānem jāgṛtīsa yāvem |
maga māyika svabhāvem | kaḷom lāge
So by one's own anubhava — by jñāna one must come to waking; then the illusion-nature naturally becomes known.
The remedy: one must 'wake up' through one's own direct experience (anubhava) and knowledge (jñāna); only then does the illusory nature of the world become self-evident (continuing from 7.4.012's dream image).
Do not settle for secondhand belief about your deeper nature — pursue direct, first-person verification through sustained practice until it becomes obvious to you, not merely accepted on authority.
आतां असो हें कुवाडें । जें ब्रह्मांडापैलीकडे ।
तेंचि आतां निवाडें । उमजोन दावूं
ātām aso hem kuvāḍem | jem brahmāmḍāpailīkaḍe |
temci ātām nivāḍem | umajona dāvūm
Enough this reasoning; what is beyond the universe — that very one we will now clearly show.
Ramdas signals a transition: having laid this preliminary reasoning, he will now turn to directly showing what lies beyond the visible universe.
Once you have laid the conceptual groundwork for a change, do not linger in theory — move toward direct demonstration or practice.
ब्रह्म ब्रह्मांडीं कालवलें । पदार्थमात्रासि व्यापून ठेलें ।
सर्वांमध्यें विस्तारलें । अंशमात्रें
brahma brahmāmḍīm kālavalem | padārthamātrāsi vyāpūna ṭhelem |
sarvāmmadhyem vistāralem | amśamātrem
Brahman is mingled in the universe; pervades every object; extends in all — in part (amśa-mātra).
He clarifies the mode of pervasion: Brahman is mixed throughout the universe and fills every object, but this manifest presence is only a 'portion' (aṁśamātra) of it, never the whole.
Recognize that whatever of the sacred or the deep you encounter in ordinary life is only a fragment of something larger; do not mistake a partial glimpse for the entire truth.
ब्रह्मामध्यें सृष्टी भासे । सृष्टीमध्यें ब्रह्म असे ।
अनुभव घेतां आभासे । अंशमात्रें
brahmāmadhyem sṛṣṭī bhāse | sṛṣṭīmadhyem brahma ase |
anubhava ghetām ābhāse | amśamātrem
In Brahman, sṛṣṭi appears; within sṛṣṭi, Brahman is; on taking anubhava, it appears — in part.
Creation (sṛṣṭi) appears within Brahman, and Brahman is present within creation; but as directly experienced, only a portion of it becomes apparent.
Hold your everyday experiences lightly, as partial windows onto something larger, rather than assuming they capture the whole of reality.
अंशमात्रें सृष्टीभीतरीं । बाहेरी मर्यादा कोण करी ।
सगळें ब्रह्म ब्रह्मांडोदरीं । माईल कैसें
amśamātrem sṛṣṭībhītarīm | bāherī maryādā koṇa karī |
sagaḷem brahma brahmāmḍodarīm | māīla kaisem
In part, within the sṛṣṭi; outside, who makes the limit? How would the whole Brahman — fit within the universe-belly?
He raises the puzzle himself: if only a part is within creation, who draws the boundary for what is 'outside'? And how could the entirety of Brahman possibly fit inside the belly of the universe?
When your own reasoning leads to a contradiction, do not suppress the question — sit with it as a doorway to deeper understanding, as Rāmdās does here before resolving it.
अमृतीमध्यें आकाश । सगळें सांठवतां प्रयास ।
म्हणोन तयाचा अंश । बोलिजे तो
amṛtīmadhyem ākāśa | sagaḷem sāmṭhavatām prayāsa |
mhaṇona tayācā amśa | bolije to
Storing the whole sky in amṛtī is effortful; therefore its part is spoken of.
He resolves it with an image: trying to store the entire sky inside a small vessel is impossibly laborious, so people speak only of 'the sky in the jar' as a convenient partial description — 'part' language about Brahman works the same way.
When you describe a vast truth in small, practical terms for convenience, remember the description is a working shorthand, not the full reality.
ब्रह्म तैसें कालवलें । परी तें नाहीं हालवलें ।
सर्वांत परी संचलें । संचलेपणें
brahma taisem kālavalem | parī tem nāhīm hālavalem |
sarvāmta parī samcalem | samcalepaṇem
Brahman is thus mingled; yet has not moved; in all, yet has remained — as saturated-ness.
Despite being described as mixed throughout everything, Brahman never actually moves or changes; it is present the way a substance is fully saturated through and through, without any activity.
Distinguish stillness of essence from busyness of involvement: stay engaged in every situation while keeping your inner ground unmoved.
पंचभूतीं असे मिश्रित । परंतु तें पंचभूतातीत ।
पंकीं आकाशीं अलिप्त । असोनि जैसें
pamcabhūtīm ase miśrita | paramtu tem pamcabhūtātīta |
pamkīm ākāśīm alipta | asoni jaisem
Mixed with the five elements, yet beyond the five elements; like the sky in mud — un-touched.
Brahman mixes with the five elements yet remains beyond them, the way the sky is present even within a lump of mud yet stays untouched by the mud's properties.
Stay involved with messy, material circumstances without letting them define or contaminate your inner clarity — be in the situation without being of it.
ब्रह्मास दृष्टांत न घडे । बुझावया देणें घडे ।
परी दृष्टांतीं साहित्य पडे । विचारितां आकाश
brahmāsa dṛṣṭāmta na ghaḍe | bujhāvayā deṇem ghaḍe |
parī dṛṣṭāmtīm sāhitya paḍe | vicāritām ākāśa
No example fits Brahman; yet to convey, one must give; in examples, the sky — when considered — has [most] affinity.
Rāmdās admits candidly that no analogy truly captures Brahman, but teaching requires giving one anyway; among all possible comparisons, the sky comes closest.
When explaining something ineffable to another person, use the best available comparison while being honest that it is only an approximation, not the thing itself.
खंब्रह्म ऐशी श्रुती । गगनसदृशं हे स्मृती ।
म्हणोन ब्रह्मास दृष्टांतीं । आकाश घडे
khambrahma aiśī śrutī | gaganasadṛśam he smṛtī |
mhaṇona brahmāsa dṛṣṭāmtīm | ākāśa ghaḍe
'Kha-brahma' — such is the śruti; 'gagana-sadṛśam' — is the smṛti; therefore to Brahman in example, the sky is fit.
He backs this with scripture: the śruti calls Brahman kha-brahma ('space-Brahman') and the smṛti calls it gagana-sadṛśam ('like the sky') — hence the sky-analogy is textually sanctioned, not his own invention.
When choosing which teachings or comparisons to trust, favor ones with a lineage of testing and consensus rather than novel private notions.
काळिमा नसतां पितळ । मग तें सोनेंचि केवळ ।
शून्यत्व नसतां निर्मळ । आकाश ब्रह्म
kāḷimā nasatām pitaḷa | maga tem sonemci kevaḷa |
śūnyatva nasatām nirmaḷa | ākāśa brahma
When blackness is absent, brass is purely gold; when voidness is absent, pure sky [becomes] Brahman.
A metallurgical image: remove the tarnish from brass and what remains is pure gold; strip 'voidness' (śūnyatva) from the sky and what remains, purified, is Brahman itself.
When assessing your own understanding or character, look past its surface flaws to find the genuine substance underneath, and work to remove what obscures it.
म्हणोन ब्रह्म जैसें गगन । आणि माया जैसा पवन ।
आढळे परी दर्शन । नव्हे त्याचें
mhaṇona brahma jaisem gagana | āṇi māyā jaisā pavana |
āḍhaḷe parī darśana | navhe tyācem
Therefore Brahman is like the sky, and māyā is like the wind; encountered, but its darśana is not [visible].
He pairs the two: Brahman resembles the unmoving sky, while māyā resembles the wind — felt and encountered constantly, yet never itself directly seen.
Notice the difference between the effects of your habitual patterns, which you feel constantly like wind, and their root cause, which stays hidden; investigate the cause, not just the felt effects.
शब्दसृष्टीची रचना । होत जात क्षणक्षणां ।
परंतु ते स्थिरावेना । वायूच ऐसी
śabdasṛṣṭīcī racanā | hota jāta kṣaṇakṣaṇām |
paramtu te sthirāvenā | vāyūca aisī
The construction of the sṛṣṭi happens and goes moment by moment; but it does not stabilize — like the wind.
The created world is continuously built and dissolved moment to moment, never settling into permanence, exactly like gusting wind that never holds still.
When tempted to treat a current situation as fixed and permanent, remember its moment-by-moment impermanence and hold your plans with corresponding flexibility.
असो ऐशी माया मायिक । शाश्वत तें ब्रह्म एक ।
पाहों जातां अनेक । व्यापून असे
aso aiśī māyā māyika | śāśvata tem brahma eka |
pāhom jātām aneka | vyāpūna ase
Enough — such is māyā illusory; the eternal is one Brahman; when looked at, pervades many.
Summing up this stretch: māyā is illusory and passing, while Brahman alone is eternal and one, even though on inspection it appears to pervade countless things.
When many competing demands or roles pull at you, remember there is a single steady center beneath their multiplicity; return to that center rather than chasing each appearance.
पृथ्वीसि भेदूनि आहे । परी तें ब्रह्म कठिण नव्हे ।
दुजी उपमा न साहे । तया मृदुत्वासी
pṛthvīsi bhedūni āhe | parī tem brahma kaṭhiṇa navhe |
dujī upamā na sāhe | tayā mṛdutvāsī
It pierces the earth, but that Brahman is not hard; no other simile fits its softness.
A new stretch of 'softness' images begins: Brahman penetrates even solid earth, yet is not itself hard — no comparison fully captures how yielding it is.
Practice a kind of inner softness that can move through obstacles without becoming rigid or forceful in the process.
पृथ्वीहूनि मृदु जळ । जळाहूनि तो अनळ ।
अनळाहूनि कोमळ । वायु जाणावा
pṛthvīhūni mṛdu jaḷa | jaḷāhūni to anaḷa |
anaḷāhūni komaḷa | vāyu jāṇāvā
Softer than earth is water; softer than water is fire; softer than fire, know wind.
A graded scale of subtlety among the elements: water is more yielding than earth, fire more than water, wind more than fire.
When facing resistance, consider whether a subtler, less forceful approach would move through the obstacle more effectively than pushing harder.
वायूहूनि तें गगन । अत्यंतचि मृदु जाण ।
गगनाहूनि मृदु पूर्ण । ब्रह्म जाणावें
vāyūhūni tem gagana | atyamtaci mṛdu jāṇa |
gaganāhūni mṛdu pūrṇa | brahma jāṇāvem
Softer than wind is the sky; know extremely soft; softer than the sky, fully, know Brahman.
The scale culminates: sky is softer still than wind, and Brahman surpasses even the sky in complete softness — the subtlest thing conceivable.
In a difficult conversation, aim for the subtlest, least forceful intervention that still reaches the heart of the matter.
वज्रास असे भेदिलें । परी मृदुत्व नाहीं गेलें ।
उपमेरहित संचलें । कठिण ना मृदु
vajrāsa ase bhedilem | parī mṛdutva nāhīm gelem |
upamerahita samcalem | kaṭhiṇa nā mṛdu
It has pierced the adamantine, yet its softness has not gone; un-example-able saturation — neither hard nor soft.
Even diamond-hard substances (vajra) are pierced through by Brahman without diminishing its softness — ultimately it transcends the very categories of hard and soft.
When you resolve a genuinely tough problem, notice you do not have to become hard or aggressive to do it; strength and gentleness can coexist.
पृथ्वीमध्यें व्यापूनि असे । पृथ्वी नासे तें न नासे ।
जळ शोषे तें न शोषे । जळीं असोनी
pṛthvīmadhyem vyāpūni ase | pṛthvī nāse tem na nāse |
jaḷa śoṣe tem na śoṣe | jaḷīm asonī
Pervading within the earth, when the earth perishes it does not perish; when water evaporates, it does not; being in water.
Brahman pervades the earth, yet when the earth eventually dissolves, Brahman is unaffected; likewise it pervades water without evaporating when water dries up.
Anchor your sense of self in what does not decay with circumstances — do not let the loss of a possession, role, or condition feel like a loss of your essential being.
तेजीं असे परी जळेना । पवनीं असे तरी चळेना ।
गगनीं असे परी कळेना । परब्रह्म तें
tejīm ase parī jaḷenā | pavanīm ase tarī caḷenā |
gaganīm ase parī kaḷenā | parabrahma tem
Is in fire yet does not burn; is in wind yet does not move; is in sky yet is not known — Parabrahman is that.
Present in fire without burning, in wind without moving, in sky without being perceived — such is Parabrahman: immersed in every element's activity yet untouched by any of it.
Stay fully engaged in intense situations — conflict, pressure, change — while keeping an unshaken, unburned core of composure.
शरीरीं अवघें व्यापलें । परी तें नाहीं आढळलें ।
जवळीच दुरावलें । नवल कैसें
śarīrīm avaghem vyāpalem | parī tem nāhīm āḍhaḷalem |
javaḷīca durāvalem | navala kaisem
Pervades the whole body, yet is not encountered; near, yet distant — what a marvel.
The paradox turns personal: Brahman fills the entire body yet is never directly met in experience; it is at once utterly near and strangely distant — a genuine marvel.
Do not assume that because something feels distant or elusive it must be absent; look for what is closest and most obvious in your own experience, since that is often what gets overlooked.
सन्मुखचि चहूंकडे । तयामध्यें पाहणें घडे ।
बाह्याभ्यंतरीं रोकडें । सिद्धचि आहे
sanmukhaci cahūmkaḍe | tayāmadhyem pāhaṇem ghaḍe |
bāhyābhyamtarīm rokaḍem | siddhaci āhe
Present-facing in all four directions; one must see it within; inside-outside directly — it is accomplished.
It faces you from every direction at once; the task is to look for it within oneself, since inside and outside it is already fully present and accomplished (siddha) — nothing needs to be added.
Stop searching outward for what you feel is missing spiritually or emotionally; turn attention inward, since what you seek is already fully present there.
तयांमध्येंचि आपण । आपणां सबाह्य तें जाण ।
दृश्या वेगळी खूण । गगनासारिखी
tayāmmadhyemci āpaṇa | āpaṇām sabāhya tem jāṇa |
dṛśyā vegaḷī khūṇa | gaganāsārikhī
Oneself is within it; it is within-and-outside oneself; know the sign — separate from the visible — like the sky.
The self exists inside Brahman, and Brahman is simultaneously inside and outside the self; the mark to look for is that which is distinct from all visible things, comparable again to the sky.
When trying to locate your true identity, look past everything you can point to and describe — roles, body, possessions — toward the awareness in which all of that appears.
कांहीं नाहींसें वाटलें । तेथेंचि तें कोंदाटलें ।
जैसें न दिसें आपुलें । आपणासि धन
kāmhīm nāhīmsem vāṭalem | tethemci tem komdāṭalem |
jaisem na disem āpulem | āpaṇāsi dhana
Where nothing seemed to be — there it was packed; like not seeing one's own wealth — to oneself.
Precisely where things appear empty or absent, Brahman is densely present — like a person who owns great wealth yet fails to notice it because it is so close and familiar.
Take inventory of resources, strengths, or blessings you already possess but have stopped noticing because they are too familiar.
जो जो पदार्थ दृष्टीस पडे । तें त्या पदार्था पैलीकडे ।
अनुभवे हें कुवाडें । उकलावें
jo jo padārtha dṛṣṭīsa paḍe | tem tyā padārthā pailīkaḍe |
anubhave hem kuvāḍem | ukalāvem
Whatever object falls to sight — beyond that object — one should unpack this bundle by anubhava.
For every object that meets the eye, there is something beyond that object itself; one must use direct experience (anubhava) to unpack this hidden bundle and see what lies past appearances.
When you look at any everyday object or situation, practice asking what lies beyond its surface function or story — cultivate the habit of looking past the given.
मागें पुढें आकाश । पदार्थेंविण जो पैस ।
पृथ्वीविण भकाश । एकरूप
māgem puḍhem ākāśa | padārthemviṇa jo paisa |
pṛthvīviṇa bhakāśa | ekarūpa
Before and after, the sky; the expanse without objects; the vast-space without earth — is of one form.
Whether looking ahead or behind, there is sky; the pure expanse remaining when objects are subtracted, the vastness left when even earth is removed, is all of one uniform nature.
When you mentally strip away the specific objects and labels in a scene, notice the underlying spaciousness that remains constant no matter what fills it.
जें जें रूप आणि नाम । तो तो नाथिलाचि भ्रम ।
नामरूपातीत वर्म । अनुभवी जाणती
jem jem rūpa āṇi nāma | to to nāthilāci bhrama |
nāmarūpātīta varma | anubhavī jāṇatī
Whatever has form and name — that is mere baseless delusion; the secret beyond name-and-form — only experiencers know.
Everything possessing form and name is, in the end, groundless illusion; the essential truth (varma) beyond name and form is known only to those who have directly experienced it, not through mere study.
Hold labels and categories loosely — treat names and forms as convenient handles, not as the final truth of what they point to.
नभीं धूम्राचे डोंगर । उचलती थोर थोर ।
तैसें दावी वोडंबर । मायादेवी
nabhīm dhūmrāce ḍomgara | ucalatī thora thora |
taisem dāvī voḍambara | māyādevī
In the sky, great mountains of smoke rise up; thus the māyā-goddess displays spectacles.
Just as billowing smoke can form towering, mountain-like shapes in an empty sky, the goddess Māyā conjures dramatic spectacles within the emptiness of Brahman — impressive-looking but insubstantial.
When a situation looks dramatic or overwhelming, remember spectacle and substance are different things; assess what is actually solid before reacting to appearances.
ऐशी माया अशाश्वत । ब्रह्म जाणावें शाश्वत ।
सर्वांठायीं सदोदित । भरलें असे
aiśī māyā aśāśvata | brahma jāṇāvem śāśvata |
sarvāmṭhāyīm sadodita | bharalem ase
Thus māyā is non-eternal; know Brahman as eternal; in all places, ever-rising — filled.
Summarizing this stretch: māyā is temporary, but Brahman should be recognized as eternal, continuously present and filling every place without exception.
When weighing what deserves your long-term investment of energy, favor what endures over what is merely dramatic or temporary.
पोथी वाचूं जातां पाहे । मातृकामध्यें भरलें आहे ।
नेत्रीं रिघोनियां राहे । मृदुपणें
pothī vācūm jātām pāhe | mātṛkāmadhyem bharalem āhe |
netrīm righoniyām rāhe | mṛdupaṇem
When reading a book, [one] looks; [Brahman] is within the alphabet; entering the eyes it remains — by softness.
Even in the act of reading, Brahman fills the very letters on the page and enters through the eyes so subtly, so gently, that it remains unnoticed.
Bring a quality of attentive presence even to mundane acts like reading, since the sacred is not confined to special moments but inhabits ordinary activity.
श्रवणें शब्द ऐकतां । मनें विचार पाहतां ।
मना सबाह्य तत्त्वतां । परब्रह्म तें
śravaṇem śabda aikatām | manem vicāra pāhatām |
manā sabāhya tattvatām | parabrahma tem
By the ear hearing sound, by the mind examining — within-and-outside the mind, in truth — is that Parabrahman.
Whether through the ear hearing sound or the mind reflecting on it, Parabrahman is truly present both within and beyond the mind itself — the very faculties of perception are pervaded by it.
When listening or thinking carefully about something, notice the awareness doing the listening and thinking, not just the content — that awareness itself is the deeper reality.
चरणीं चालतां मार्गीं । जें आडळे सर्वांगीं ।
करें घेतां वस्तुलागीं । आडवें ब्रह्म
caraṇīm cālatām mārgīm | jem āḍaḷe sarvāmgīm |
karem ghetām vastulāgīm | āḍavem brahma
On walking the path, it is encountered in every limb; when taking an object with the hand — Brahman is across.
Walking down a road, it is met in every limb of the body; reaching out to grasp any object with the hand, Brahman lies directly present in the very act.
Treat ordinary physical actions — walking, reaching, handling objects — as occasions for awareness rather than mindless habit.
असो इंद्रियसमुदाव । तयामध्यें वर्ते सर्व ।
जाणों जातां मोडे हांव । इंद्रियांची
aso imdriyasamudāva | tayāmadhyem varte sarva |
jāṇom jātām moḍe hāmva | imdriyāmcī
Enough — in the senses' assembly, it moves in all; on trying to know, the desire of the senses breaks.
It operates within the whole assembly of the senses, animating all of them; yet the moment one tries to actively grasp or know it through the senses, the senses' own eagerness collapses — it cannot be caught by sense-based effort.
When intense mental effort to 'figure out' your deepest awareness only produces frustration, ease off the deliberate grasping and let recognition happen more quietly.
जें जवळीच असे । पांहों जातां न दिसे ।
न दिसोन वसे । कांहीं एक
jem javaḷīca ase | pāmhom jātām na dise |
na disona vase | kāmhīm eka
That which is close by, on looking for it is not seen; not being seen, it dwells — as some-thing.
What is nearest to us cannot be found by looking for it directly, yet its unseen presence is real and constant — it simply is, without needing to be observed.
Stop treating 'not finding' something through direct search as proof it is not there; some of the most real things in your life resist being pinned down by scrutiny.
जें अनुभवेंचि जाणावें । सृष्टीचेनि अभावें ।
आपुलेनि स्वानुभवें । पाविजे ब्रह्म
jem anubhavemci jāṇāvem | sṛṣṭīceni abhāvem |
āpuleni svānubhavem | pāvije brahma
That which should be known only by anubhava, by the absence of sṛṣṭi; by one's own sva-anubhava — Brahman is attained.
Brahman can only be known through direct experience (anubhava), specifically by the falling-away of the perceived world (sṛṣṭi); it is reached solely through one's own first-hand realization.
Recognize that no amount of secondhand explanation, however good, substitutes for your own sustained practice and direct realization — commit to your own inquiry.
ज्ञानदृष्टीचें देखणें । चर्मदृष्टी पाहों नेणे ।
अंतरवृत्तीचिये खुणे । अंतरवृत्ति साक्ष
jñānadṛṣṭīcem dekhaṇem | carmadṛṣṭī pāhom neṇe |
amtaravṛttīciye khuṇe | amtaravṛtti sākṣa
The seeing of the jñāna-eye — the flesh-eye cannot see; the sign of the inner-disposition — only the inner-disposition witnesses.
This is perceived by the 'eye of knowledge' (jñāna-dṛṣṭi), which the physical eye cannot access; the inner mark of it can only be witnessed by the inner disposition itself, not by external senses.
When evaluating your spiritual or psychological progress, trust careful internal reflection over what can be externally verified or displayed.
जाणे ब्रह्म जाणे माया । जाणे अनुभवाच्या ठाया ।
ते येक जाणावी तुर्या । सर्वसाक्षिणी
jāṇe brahma jāṇe māyā | jāṇe anubhavācyā ṭhāyā |
te yeka jāṇāvī turyā | sarvasākṣiṇī
Knows Brahman, knows māyā; knows the place of anubhava; that one should be known as turīyā — the all-witness.
The one who knows both Brahman and māyā, and who knows the very ground of experience itself, is to be recognized as turīya — the 'fourth state,' the all-witnessing consciousness underlying waking, dream, and deep sleep.
Cultivate the witnessing capacity in yourself that observes both your ordinary experiences and your illusions equally, without being absorbed into either.
साक्षत्व वृत्तीचें कारण । उन्मनी ते निवृत्ति जाण ।
जेथें विरे जाणपण । विज्ञान तें
sākṣatva vṛttīcem kāraṇa | unmanī te nivṛtti jāṇa |
jethem vire jāṇapaṇa | vijñāna tem
The cause of witnessing is disposition; know unmanī as nivṛtti; where 'knowing' dissolves — that is vijñāna.
Witnessing itself depends on the mind's disposition (vṛtti); the state called unmanī (the mind's dissolution) should be understood as nivṛtti (cessation); the point where even 'knowing' itself dissolves is called vijñāna — realized knowledge beyond ordinary jñāna.
Notice that even your sense of being a witness rests on a subtle mental activity; in deep meditation, let go of the effort to 'know' and allow that activity itself to settle.
जेथें अज्ञान सरे । ज्ञान तेंही नुरे ।
विज्ञानवृत्ति मुरे । परब्रह्मीं
jethem ajñāna sare | jñāna temhī nure |
vijñānavṛtti mure | parabrahmīm
Where ajñāna ceases, jñāna too does not remain; the vijñāna-disposition merges — in Parabrahman.
Where ignorance (ajñāna) ends, ordinary knowledge (jñāna) also ceases to have a separate existence, since it was only ever the counterpart to ignorance; the very disposition of realized knowledge finally merges into Parabrahman itself.
Recognize that even cherished spiritual insight is a stepping-stone, not the destination; be willing to let it dissolve into simple being rather than clinging to it as an identity.
ऐसें ब्रह्म शाश्वत । जेथें कल्पनेसी अंत ।
योगिजना एकांत । अनुभवें जाणावा
aisem brahma śāśvata | jethem kalpanesī amta |
yogijanā ekāmta | anubhavem jāṇāvā
Such is eternal Brahman, where imagination ends; for yogi-folk, ekānta should be known by anubhava.
The samāsa closes on this note: eternal Brahman is where imagination itself comes to an end; for those on the yogic path, this solitary absorption (ekānta) can only be known through direct experience, not by concept.
End any period of study or reflection by setting aside further conceptual analysis and simply sitting in silent, direct attention for a while.