संत साहित्य · Dāsabodha · Dashak 8
Dashak 8 · Samāsa 3
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अरे जे जालेंचि नाहीं । त्याची वार्ता पुससी काई ।
तथापि सांगों जेणें कांहीं । संशय नुरे
are je jālemci nāhīm | tyācī vārtā pusasī kāī |
tathāpi sāmgom jeṇem kāmhīm | samśaya nure
That which never happened — why do you ask its story? Nevertheless, I will speak so that no doubt remains.
Rāmdās opens by noting the paradox of what follows: the "origin" of the world he is about to explain never actually happened in the ultimate sense — jāleṃci nāhīṃ ("that which never occurred"). Still, out of compassion for the doubting mind, he will narrate it so that no residue of doubt remains.
When explaining something you know is ultimately provisional, still explain it clearly and patiently — don't let your own certainty about the bigger picture make you dismissive of someone else's genuine confusion.
दोरीकरितां भुजंग । जळाकरितां तरंग ।
मार्तंडाकरितां चांग । मृगजळ वाहे
dorīkaritām bhujamga | jaḷākaritām taramga |
mārtamḍākaritām cāmga | mṛgajaḷa vāhe
On account of a rope, a serpent [is imagined]; on account of water, a wave; on account of the sun, the mirage flows well.
He opens a catalogue of stock illustrations of adhyāsa (superimposition): a rope is mistaken for a snake, water forms into waves, sunlight over sand seems to "flow" as a mirage. In each case a real substrate produces an appearance that is not, in itself, a separate thing.
Next time a fear or assumption flares up, ask what real but neutral fact — the rope — it was built on, before you react to the imagined threat — the snake.
कल्पेनिकरितां स्वप्न दिसे । सिंपीकरितां रुपें भासे ।
जळाकरितां गार वसे । निमिष्य येक
kalpenikaritām svapna dise | simpīkaritām rupem bhāse |
jaḷākaritām gāra vase | nimiṣya yeka
On account of imagination, dream appears; on account of oyster-shell, silver-appearance; on account of water, hail dwells — for one moment.
More examples follow: imagination produces a dream, an oyster-shell glimpsed in poor light is mistaken for silver, water condenses into hail for a passing moment. Each appearance depends entirely on its base and has no independent reality of its own.
When you catch yourself feeling certain about something, pause and check the actual object in clearer light before acting on the impression.
मातीकरितां भिंती जाली । सिन्धुकरितां लहरी आली ।
तिळाकरितां पुतळी । दिसों लागे
mātīkaritām bhimtī jālī | sindhukaritām laharī ālī |
tiḷākaritām putaḷī | disom lāge
On account of mud, a wall is made; on account of the ocean, a wave comes; on account of sesame, a doll is seen.
Continuing the catalogue: mud is shaped into a wall, ocean water rises as a wave, sesame paste is molded into a figurine. None of these — wall, wave, figurine — exist apart from their material cause; each is simply that same substance taking a temporary shape.
Before praising or blaming a finished result, remember it is only the underlying material and effort temporarily arranged — credit the process, not just the passing shape.
सोन्याकरितां अळंकार । तंतुकरितां जालें चीर ।
कासवाकरितां विस्तार । हातापायांचा
sonyākaritām aḷamkāra | tamtukaritām jālem cīra |
kāsavākaritām vistāra | hātāpāyāmcā
On account of gold, an ornament; on account of thread, a cloth is made; on account of a tortoise, the extent of its limbs.
Gold becomes an ornament, thread becomes cloth, and even a tortoise's visible limbs are just the tortoise's own body extended outward and drawn back in. The pattern repeats: form is never separate from its substance.
When you admire someone's visible achievement, remember to also value the raw material and effort that made it possible.
तूप होतें तरी थिजलें । तरीकरितां मीठ जालें ।
बिंबाकरितां बिंबलें । प्रतिबिंब
tūpa hotem tarī thijalem | tarīkaritām mīṭha jālem |
bimbākaritām bimbalem | pratibimba
Ghee was there — it congealed; on account of a [type of] solid, salt formed; on account of a reflector, a reflection — arose.
Ghee, once liquid, congeals solid; a mineral crystallizes into salt; a reflecting surface throws up a reflection. Each transformation looks like a new thing has appeared, but it is only the same substance changing state, or a surface catching an image.
When your mood or opinion suddenly hardens into something rigid, recognize it as a temporary state of the same underlying mind, not a permanent new fact about you.
पृथ्वीकरितां जालें झाड । झाडाकरितां च्ह्याया वाड ।
धातुकरितां पवाड । उंच नीच वर्णाचा
pṛthvīkaritām jālem jhāḍa | jhāḍākaritām chyāyā vāḍa |
dhātukaritām pavāḍa | umca nīca varṇācā
On account of earth, a tree arose; on account of the tree, vast shade; on account of metal, the extent of high-and-low colors.
From earth a tree grows; from the tree spreads vast shade; from raw metal comes the whole range of high and low grades of ore-color. Effect after effect is drawn out of a single cause, yet the cause itself never leaves its own nature.
Trace any elaborate outcome in your life back to its simple root cause before treating it as something separate and mysterious.
आतां असो हा दृष्टांत । अद्वैतास कैंचें द्वैत ।
द्वैतेंविण अद्वैत । बोलतांच न ये
ātām aso hā dṛṣṭāmta | advaitāsa kaimcem dvaita |
dvaitemviṇa advaita | bolatāmca na ye
Enough this example; where is duality for the advaita? Without duality, the advaita — cannot even be spoken.
Rāmdās halts the catalogue: enough illustrations. He turns to the deeper problem — for advaita (non-duality, the truth that there is only one reality), there is properly no room for dvaita (duality) at all. Yet without invoking some duality — a speaker, a listener, a "this" versus "that" — non-duality itself cannot even be put into words.
When trying to describe a wholeness you have sensed, accept that language will always split it into parts — don't mistake the description's limits for a flaw in the experience itself.
भासाकरितां भास भासे । दृश्याकरितां अदृश्य दिसे ।
अदृश्यास उपमा नसे । म्हणोनि निरोपम
bhāsākaritām bhāsa bhāse | dṛśyākaritām adṛśya dise |
adṛśyāsa upamā nase | mhaṇoni niropama
On account of appearance, appearance appears; on account of the visible, the invisible is seen; no simile for the invisible — therefore 'without-simile'.
An appearance (bhāsa) shows up only because of a prior appearance; the invisible is glimpsed only through the visible world that manifests it. But the invisible itself has nothing to be compared to, which is why it is called niropama, "beyond comparison."
Stop trying to fully capture your deepest sense of the sacred in one neat comparison; let it stay uncompared, and trust the experience more than any metaphor for it.
कल्पेनेविरहित हेत । दृश्यावेगळा दृष्टांत ।
द्वैतावेगळें द्वैत । कैसें जालें
kalpenevirahita heta | dṛśyāvegaḷā dṛṣṭāmta |
dvaitāvegaḷem dvaita | kaisem jālem
Intention without imagination; example without visible; duality without duality — how did it arise?
He voices the listener's puzzle as a series of impossibilities: an intention with no imagining behind it, an example with nothing visible to illustrate it, a duality that is itself without duality — how does any of this even arise? This is the sharp edge of the doubt he now sets out to answer.
When a question genuinely stumps you, state it as precisely and starkly as you can before searching for the answer — sharpening the paradox is often the first step toward resolving it.
विचित्र भगवंताची करणी । वर्णवेना सहस्त्रफणी ।
तेणें केली उभवणी । अनंत ब्रह्मांडाची
vicitra bhagavamtācī karaṇī | varṇavenā sahastraphaṇī |
teṇem kelī ubhavaṇī | anamta brahmāmḍācī
The doing of the wonderful Bhagavān — the thousand-hooded [Śeṣa] cannot describe; by it the construction — of endless brahmāṇḍas — has been raised.
He answers with awe rather than argument: the workings of God (Bhagavān) are so wondrous that even Śeṣa, the mythic thousand-hooded serpent said to describe creation endlessly, cannot fully express them. By this same power, countless universes (brahmāṇḍas) have been raised into being.
When a mystery resists your best explanations, let some honest awe stand in place of a forced answer rather than manufacturing false certainty.
परमात्मा परमेश्वरु । सर्वकर्ता जो ईश्वरू ।
तयापासूनि विस्तारु । सकळ जाला
paramātmā parameśvaru | sarvakartā jo īśvarū |
tayāpāsūni vistāru | sakaḷa jālā
Paramātmā, Parameśvara, the all-doer who is the Īśvara — from Him expansion — of all has happened.
He names the source directly: the Supreme Self (Paramātmā), the Supreme Lord (Parameśvara), the all-doing Īśvara — from this one source the entire expansion of the universe has taken place.
When surveying anything complex you are responsible for, keep returning to its single guiding source or purpose rather than getting lost in its many branches.
ऐसीं अनंत नामें धरी । अनंत शक्ती निर्माण करी ।
तोचि जाणावा चतुरीं । मूळपुरुष
aisīm anamta nāmem dharī | anamta śaktī nirmāṇa karī |
toci jāṇāvā caturīm | mūḷapuruṣa
Thus he holds endless names; creates endless powers.
This one source carries countless names and generates countless powers (śaktis); as the closing line of this ovī names directly, the discerning should recognize this as the Mūlapuruṣa, the "Root-Person" underlying every name and force (continues into 8.3.014).
When you meet the same underlying truth or person under many different labels or roles, learn to recognize it as one, rather than treating each label as a separate reality.
त्या मूळपुरुषाची वोळखण । ते मूळमायाचि आपण ।
सकळ कांहीं कर्तेपण । तेथेंचि आलें
tyā mūḷapuruṣācī voḷakhaṇa | te mūḷamāyāci āpaṇa |
sakaḷa kāmhīm kartepaṇa | tethemci ālem
[Continued]
Continuing 8.3.013: the way this Mūlapuruṣa is actually recognized is through mūlamāyā itself, the primal creative power — all capacity to act, all "doer-ship" in the universe, originates there.
When trying to understand someone's character, look at what they actually do and create, not just what they say about themselves — action reveals the root.
॥ श्लोक ॥ कार्यकारण कर्तृत्वे हेतुः प्रकृतिरुच्यते ॥
हे उघड बोलतां न ये । मोडों पाहातो उपाये ।
येरवीं हें पाहतां काय । साच आहे
|| śloka || kāryakāraṇa kartṛtve hetuḥ prakṛtirucyate ||
he ughaḍa bolatām na ye | moḍom pāhāto upāye |
yeravīm hem pāhatām kāya | sāca āhe
This cannot be spoken openly; [one] who tries to disturb the means; otherwise on looking — what is [really] true?
A scriptural verse states that in the working of cause, effect, and agency, the underlying reason is called prakṛti (primal nature). Rāmdās notes this truth cannot be stated too plainly — attempts to unsettle this teaching keep arising — yet if one actually examines it closely, one must ask: what, in the end, is truly real here?
When a foundational principle in your life gets challenged, don't just repeat the doctrine — re-examine for yourself what part of it holds up under honest scrutiny.
देवापासून सकळ जालें । हें सर्वांस मानलें ।
परी त्या देवास वोळखिलें । पाहिजे कीं
devāpāsūna sakaḷa jālem | hem sarvāmsa mānalem |
parī tyā devāsa voḷakhilem | pāhije kīm
All arose from God — this is accepted by all; but that God must be recognized.
Everyone agrees, in principle, that all things arose from God. But agreeing with the statement is not the same as actually recognizing — knowing directly — that God.
Notice where you nod along to a truth you have never personally verified, and take one step this week toward direct, first-hand acquaintance with it rather than secondhand agreement.
सिद्धांचे जें निरूपण । जें साधकांस न मने जाण ।
पक्व नाहीं अंतःकर्ण । म्हणोनियां
siddhāmce jem nirūpaṇa | jem sādhakāmsa na mane jāṇa |
pakva nāhīm amtaḥkarṇa | mhaṇoniyām
The siddhas' exposition — which does not feel [right] to sādhakas — know [is due to] unripe inner-faculty.
When the fully realized (siddhas) explain this teaching, it often does not sit right with those still practicing (sādhakas) — not because the teaching is wrong, but because the seeker's inner faculty (antaḥkaraṇa) is not yet ripe enough to receive it.
When advanced guidance doesn't yet make sense to you, hold it in reserve rather than rejecting it — your own readiness, not the guidance, may be what's incomplete.
अविद्यागुणें बोलिजे जीव । मायागुणें बोलिजे शिव ।
मूळमाया गुणें देव । बोलिजेतो
avidyāguṇem bolije jīva | māyāguṇem bolije śiva |
mūḷamāyā guṇem deva | bolijeto
By avidyā-quality, jīva is spoken; by māyā-quality, Śiva; by mūla-māyā quality, Deva is spoken.
Depending on which layer of ignorance or power is in view, the same reality is given different names: through the quality of avidyā (individual ignorance) it is called jīva, the individual soul; through the quality of māyā it is called Śiva; through the quality of mūlamāyā it is called Deva, God.
When someone seems to behave very differently in different settings, remember it may be the same underlying person operating through different conditions, not several unrelated people.
म्हणौनि कारण मूळमाया । अनंत शक्ती धरावया ।
तेथीचा अर्थ जाणावया । अनुभवी पाहिजे
mhaṇauni kāraṇa mūḷamāyā | anamta śaktī dharāvayā |
tethīcā artha jāṇāvayā | anubhavī pāhije
Therefore the cause is mūla-māyā — to hold endless powers; to know its meaning, one must be experiencer.
The root cause capable of holding and generating endless powers is mūlamāyā. But grasping what this actually means is not an intellectual feat — it requires being an anubhavī, someone who has direct, lived experience of it.
For anything you truly want to understand, seek it out through direct practice or encounter rather than settling for a secondhand description.
मूळमाया तोचि मूळपुरुष । तोचि सर्वांचा ईश ।
अनंतनामी जगदीश । तयासीचि बोलिजे
mūḷamāyā toci mūḷapuruṣa | toci sarvāmcā īśa |
anamtanāmī jagadīśa | tayāsīci bolije
Mūla-māyā itself is the root-Person; He is the Īśa of all; the endless-named Jagadīśa — is called that.
He equates the two key terms directly: mūlamāyā itself is the Mūlapuruṣa — this is the Lord (Īśa) of everything, the one called Jagadīśa, "Lord of the world," under countless names.
Don't let different names for the same underlying reality in your own life or beliefs become a reason for needless division — look past the label to what it points at.
अवघी माया विस्तारली । परी हे निशेष नाथिली ।
ऐसिया वचनाची खोली । विरुळा जाणे
avaghī māyā vistāralī | parī he niśeṣa nāthilī |
aisiyā vacanācī kholī | viruḷā jāṇe
All māyā has extended; yet it is fully baseless; the depth of such utterance — rare ones know.
All of māyā — the entire visible universe — has spread out and unfolded, and yet, examined at root, it is completely groundless (nāthilī), without independent basis. This is a deep statement; only rare people truly fathom it.
Hold your possessions, plans, and worries a little more lightly today, remembering that their apparent solidity is not the last word on what they actually are.
ऐसें अनुर्वाच्य बोलिजे । परी हें स्वानुभवें जाणिजे ।
संतसंगेविण नुमजे । कांही केल्यां
aisem anurvācya bolije | parī hem svānubhavem jāṇije |
samtasamgeviṇa numaje | kāmhī kelyām
Thus the anirvācya is spoken; but this is known by sva-anubhava; without sat-sanga, it is not grasped — by any means.
What has just been said is, strictly, the anirvācya — the "indescribable" — spoken about even though it resists speech. It can only truly be known through sva-anubhava, one's own direct experience, and that experience is not reached without sat-saṅga, the company of those established in truth.
Seek out time with people whose steadiness or wisdom you trust — genuine understanding tends to grow in good company, not in isolation.
माया तोचि मूळपुरुष । साधकां न मने हें निशेष ।
परी अनंतनामी जगदीश । कोणास म्हणावें
māyā toci mūḷapuruṣa | sādhakām na mane hem niśeṣa |
parī anamtanāmī jagadīśa | koṇāsa mhaṇāvem
'Māyā is the root-Person' — does not feel [right] to seekers completely; but 'the endless-named Jagadīśa' — whom to call?
He anticipates resistance: saying flatly "māyā is the Mūlapuruṣa" doesn't sit entirely well with seekers. But then he asks — if not māyā, then what else deserves the title "the endless-named Jagadīśa," the Lord who shows up under every name?
When a claim about your own tradition or belief unsettles you, don't dismiss it outright — ask what alternative actually accounts for the facts better before you reject it.
नामरूप माये लागलें । तरी हें बोलणें नीटचि जालें ।
येथें श्रोतीं अनुमानिलें । कासयासी
nāmarūpa māye lāgalem | tarī hem bolaṇem nīṭaci jālem |
yethem śrotīm anumānilem | kāsayāsī
If name-and-form attaches to māyā, the speech becomes straight; listeners, why have you conjectured here?
Once you accept that name and form (nāma-rūpa) — everything describable — belongs to the domain of māyā, the whole explanation becomes coherent and consistent. He gently chides the listeners: why, then, keep raising doubts about this point?
When a framework resolves a confusion consistently, commit to it rather than continuing to second-guess it out of habit.
आतां असो हे सकळ बोली । मागील आशंका राहिली ।
निराकारीं कैसी जाली । मूळमाया
ātām aso he sakaḷa bolī | māgīla āśamkā rāhilī |
nirākārīm kaisī jālī | mūḷamāyā
Enough this talk; the earlier objection remained: how did the mūla-māyā arise in the formless?
He sets that thread aside and returns to an objection raised earlier and left unanswered: if the ultimate reality is formless (nirākāra), how did mūlamāyā — itself a kind of "something" — ever arise within it?
Keep track of the hard questions you have set aside in a conversation or inquiry, and circle back to actually answer them instead of letting them quietly drop.
दृष्टीबंधन मिथ्या सकळ । परी तो कैसा जाला खेळ ।
हेंचि आतां अवघें निवळ । करून दाऊं
dṛṣṭībamdhana mithyā sakaḷa | parī to kaisā jālā kheḷa |
hemci ātām avaghem nivaḷa | karūna dāūm
The sight-binding is all false; but how did the game happen? This now, all clearly — will be shown.
He agrees that the entire "binding of perception" (dṛṣṭibandhana — the illusion that makes the world seem separate and real) is ultimately false. But that doesn't answer how such a convincing "game" (kheḷa) could even get started — and that is what he promises to now make completely clear.
Don't stop at declaring a problem not really real — take the trouble to explain, step by step, how the illusion convincingly operates, so others can see through it too.
आकाश असतां निश्चळ । मधें वायो जाला चंचळ ।
तैसी जाणावी केवळ । मूळमाया
ākāśa asatām niścaḷa | madhem vāyo jālā camcaḷa |
taisī jāṇāvī kevaḷa | mūḷamāyā
When the sky is motionless, in the middle the wind becomes fickle; so know completely — the mūla-māyā.
He opens the central analogy of the samāsa: the sky (ākāśa) itself stays utterly still, yet within it the wind (vāyu) arises and moves restlessly. Know mūlamāyā in exactly this way — a movement that stirs within an unmoving ground.
When restlessness or a new idea stirs in your otherwise settled mind, notice that the stillness underneath hasn't gone anywhere — the movement is happening within it, not against it.
रूप वायोचें जालें । तेणें आकाश भंगलें ।
ऐसें हें सत्य मानलें । नवचे किं कदा
rūpa vāyocem jālem | teṇem ākāśa bhamgalem |
aisem hem satya mānalem | navace kim kadā
The wind's form arose; by it the sky was broken; such taken as true — does not happen ever.
It looks as though wind takes on a form and, by doing so, breaks up or divides the sky. But if you actually examine this claim as literal fact, it never truly happens — the sky is never really broken by the wind moving through it.
When a passing emotion seems to shatter your peace of mind, check carefully whether your underlying steadiness was actually damaged, or only appeared disturbed while remaining intact.
तैसी मूळमाया जाली । आणी निर्गुणता संचली ।
येणें दृष्टांतें तुटली । मागील आशंका
taisī mūḷamāyā jālī | āṇī nirguṇatā samcalī |
yeṇem dṛṣṭāmtem tuṭalī | māgīla āśamkā
So the mūla-māyā arose, and the nirguṇa was [still] present; by this example the earlier objection — is cut.
In the same way, mūlamāyā arose while the attributeless ground (nirguṇatā) remained fully intact and undisturbed. With this sky-and-wind example, the earlier objection — how could mūlamāyā arise in the formless? — is now resolved.
Use a simple, concrete analogy from everyday life to settle a philosophical or personal doubt, rather than staying stuck in abstract argument.
वायु नव्हता पुरातन । तैसी मूळमाया जाण ।
साच म्हणतां पुन्हा लीन । होतसे
vāyu navhatā purātana | taisī mūḷamāyā jāṇa |
sāca mhaṇatām punhā līna | hotase
The wind was not ancient; know the mūla-māyā so; calling it true, it again — is dissolved.
The wind is not an eternal, ever-existing substance — it arises and can subside. Understand mūlamāyā the same way: the moment you try to pin it down as permanently real, it dissolves back into nothing, like wind falling still.
Notice when you are treating a passing mood, role, or circumstance as a permanent fact about your life, and loosen your grip on it accordingly.
वायो रूपें कैसा आहे । तैसी मूळमाया पाहें ।
भासे परी तें न लाहे । रूप तयेचें
vāyo rūpem kaisā āhe | taisī mūḷamāyā pāhem |
bhāse parī tem na lāhe | rūpa tayecem
How does the wind appear in form? So see the mūla-māyā; it appears but does not — obtain form.
Ask yourself: in what actual form does the wind itself appear? You can feel its effects — leaves rustling, dust rising — but the wind has no fixed form you can point to. See mūlamāyā the same way: it appears active, yet never actually takes on a real, graspable form of its own.
When you are tempted to pin an exact shape on something inherently formless — an emotion, an atmosphere, a mood in a room — attend to its effects instead of demanding it hold still to be defined.
वायो सत्य म्हणो जातां । परी तो न ये दाखवितां ।
तयाकडे पाहों जातां । धुळीच दिसे
vāyo satya mhaṇo jātām | parī to na ye dākhavitām |
tayākaḍe pāhom jātām | dhuḷīca dise
If we say the wind is true, it cannot be shown; looking in its direction — only dust is seen.
If you insist the wind itself is a real, showable thing, you will fail — you cannot display "the wind" directly. Look in its direction and all you actually see is the dust it stirs up.
When someone challenges you to prove an influence you feel is real, be honest that you can only point to its visible effects, not the thing itself — and that is still legitimate evidence.
तैसी मूळमाया भासे । भासी परी ते न दिसे ।
पुढें विस्तारली असे । माया अविद्या
taisī mūḷamāyā bhāse | bhāsī parī te na dise |
puḍhem vistāralī ase | māyā avidyā
So mūla-māyā appears — appears but is not seen; ahead it has extended — māyā, avidyā.
In the same way, mūlamāyā appears to exist, yet it is never actually, truly seen as an independent object. From this point onward, it extends further as māyā and avidyā (ignorance), the visible unfolding of the world.
When tracing a problem to its source, expect the root cause itself to stay somewhat elusive even as its downstream effects become increasingly visible and concrete.
जैसें वायोचेनि योगें । दृश्य उडे गगनमार्गें ।
मूळमायेच्या संयोगें । तैसें जग
jaisem vāyoceni yogem | dṛśya uḍe gaganamārgem |
mūḷamāyecyā samyogem | taisem jaga
As the visible flies through the sky by the wind's union, so by mūla-māyā's union — the world [has arisen].
Just as visible things — birds, dust, clouds — move through the sky carried by the wind's motion, so the entire visible world came into being through its union (saṃyoga) with mūlamāyā.
When outward events in your life seem to move on their own, look for the underlying current or condition carrying them, rather than treating each event as isolated.
गगनीं आभाळ नाथिलें । अकस्मात उद्भवलें ।
मायेचेनि गुणें जालें । तैसें जग
gaganīm ābhāḷa nāthilem | akasmāta udbhavalem |
māyeceni guṇem jālem | taisem jaga
In the sky, clouds are baseless; suddenly arise; by māyā's quality so arose — the world.
Clouds in the sky have no fixed foundation — they simply arise, suddenly, out of nothing solid. In the same way, through the quality of māyā, the entire world arose — suddenly, and without a solid foundation of its own.
When a whole new set of circumstances suddenly appears in your life, don't assume it must rest on some deep, permanent foundation — hold it with the same lightness you would give a passing cloud.
नाथिलेंचि गगन नव्हतें । अकस्मात आलें तेथें ।
तैसें दृश्य जालें येथें । तैसियापरी
nāthilemci gagana navhatem | akasmāta ālem tethem |
taisem dṛśya jālem yethem | taisiyāparī
The baseless itself the sky was not; suddenly came there; so the visible arose here — in that manner.
Even the groundless appearance of clouds itself was not a permanent fixture of the sky beforehand — it simply arrived suddenly. In just this manner, the entire visible world arose here.
Resist the urge to explain every sudden development in your life with an elaborate backstory — sometimes appearances genuinely arise without a deep prior cause, and that is fine to accept.
परी त्या आभाळाकरितां । गगनाची गेली निश्चळता ।
वाटे परी ते तत्वता । तैसीच आहे
parī tyā ābhāḷākaritām | gaganācī gelī niścaḷatā |
vāṭe parī te tatvatā | taisīca āhe
But on account of those clouds, the sky's unchanging-ness went; it seems so, but in truth — [the sky] is as it is.
When clouds gather, it seems as though the sky's essential stillness has been lost or disturbed. But that is only how it appears — examined truthfully, the sky remains exactly as it always was.
When outer chaos makes your inner calm seem to have left, check that it's really gone rather than simply obscured, the way clouds obscure — but do not remove — the sky.
तैसें मायेकरितां निर्गुण । वाटे जालें सगुण ।
परी तें पाहतां संपूर्ण । जैसें तैसें
taisem māyekaritām nirguṇa | vāṭe jālem saguṇa |
parī tem pāhatām sampūrṇa | jaisem taisem
So on account of māyā, nirguṇa seems to have become saguṇa; but when fully examined — [it is] as it is.
In the same way, through māyā, the attributeless (nirguṇa) Absolute seems to take on attributes (saguṇa), becoming a describable, qualified world. But when examined completely, it remains exactly, unalteredly, what it always was.
When you seem to take on a new role or personality trait under pressure, remember your deeper, steady self hasn't actually changed underneath the surface behavior.
आभाळ आले आणि गेलें । तरी गगन तें संचलें ।
तैसें गुणा नाहीं आलें । निर्गुण ब्रह्म
ābhāḷa āle āṇi gelem | tarī gagana tem samcalem |
taisem guṇā nāhīm ālem | nirguṇa brahma
Clouds came and went, yet the sky remains [full]; so qualities have not come to — nirguṇa Brahman.
Clouds come and clouds go, yet the sky itself is never diminished or added to — it remains complete throughout. In the same way, no quality has ever truly arrived at or altered the attributeless Brahman.
Let events and moods pass through you the way clouds pass through sky — without concluding that your core, underlying self has been changed by any of them.
नभ माथा लागलें दिसे । परी तें जैसें तैसें असे ।
तैसें जाणावें विश्वासें । निर्गुण ब्रह्म
nabha māthā lāgalem dise | parī tem jaisem taisem ase |
taisem jāṇāvem viśvāsem | nirguṇa brahma
The sky appears to touch the head, but it is as it is; so know with faith — the nirguṇa Brahman.
The sky appears to meet the horizon overhead, yet it remains exactly what it is, untouched by that appearance. Hold the same faith about nirguṇa Brahman — however it seems to touch or meet the world, it stays entirely unaffected.
When your inner peace seems to meet and get entangled with a difficult situation, trust that it remains essentially untouched, even while appearing involved.
ऊर्ध पाहातां आकाश । निळिमा दिसे सावकास ।
परि तो जाणिजे मिथ्याभास । भासलासे
ūrdha pāhātām ākāśa | niḷimā dise sāvakāsa |
pari to jāṇije mithyābhāsa | bhāsalāse
Looking up, the sky — blueness appears leisurely; but know it as false-appearance — having appeared.
Looking up at the sky, a leisurely blue color seems to spread across it — but this blueness is a false appearance (mithyā-bhāsa); the sky has no actual color of its own.
When you attribute a fixed quality to your mood, your partner, or your work, pause and ask whether that's an actual property or just the light you are currently viewing it in.
आकाश पालथें घातलें । चहूंकडे आटोपलें ।
वाटे विश्वास कोंडिले । परी तें मोकळेचि असे
ākāśa pālathem ghātalem | cahūmkaḍe āṭopalem |
vāṭe viśvāsa komḍile | parī tem mokaḷeci ase
The sky covered upside-down, enclosed on all sides; seems the world is confined, but it is free.
The sky seems to be laid over the world like an upturned dome, enclosing everything on all sides — as if the world were confined within it. Yet the sky itself remains entirely free and unbounded.
When your responsibilities seem to enclose you on every side, remember that the awareness holding all of it remains fundamentally unconfined.
पर्वतीं निळा रंग दिसे । परी तो तया लागला नसे ।
अलिप्त जाणावे तैसें । निर्गुण ब्रह्म
parvatīm niḷā ramga dise | parī to tayā lāgalā nase |
alipta jāṇāve taisem | nirguṇa brahma
Blue color appears on the mountain, but it is not attached to it; know so — the nirguṇa Brahman — as un-attached.
From a distance a mountain looks blue, but that blueness is never actually attached to the mountain's rock. Know nirguṇa Brahman the same way — it appears associated with the world but remains genuinely unattached (alipta) to it.
Stay involved in your responsibilities while inwardly holding the same non-attachment — participate fully without letting your sense of self get stuck to outcomes.
रथ धावतां पृथ्वी चंचळ । वाटे परी ते असे निश्चळ ।
तैसें परब्रह्म केवळ । निर्गुण जाणावें
ratha dhāvatām pṛthvī camcaḷa | vāṭe parī te ase niścaḷa |
taisem parabrahma kevaḷa | nirguṇa jāṇāvem
When a chariot runs, the earth seems to move, but it is still; so know purely — the nirguṇa Parabrahman.
When a chariot is racing along, the earth outside seems to be rushing past — but the earth is actually still; it is the chariot that moves. Know the nirguṇa Parabrahman purely in this way — appearing to move only relative to the motion around it, while remaining still itself.
When your circumstances are moving quickly, check whether it is really you that's unsettled, or just events rushing past a center in you that hasn't budged.
आभाळाकरितां मयंक । वाटे धावतो निशंक ।
परी तें अवघें माईक । आभाळ चळे
ābhāḷākaritām mayamka | vāṭe dhāvato niśamka |
parī tem avaghem māīka | ābhāḷa caḷe
On account of clouds, the moon seems to run fearlessly; but all that is illusory — clouds move [not moon].
When clouds drift past the moon, the moon itself seems to be racing swiftly across the sky. But this is entirely illusory — it is the clouds that are moving; the moon stays where it is.
When you feel like you are the one moving fast through life, check whether it is actually your circumstances rushing past a more stable center in you.
झळे अथवा अग्निज्वाळ । तेणें कंपित दिसे अंत्राळ ।
वाटे परी तें निश्चळ । जैसें तैसें
jhaḷe athavā agnijvāḷa | teṇem kampita dise amtrāḷa |
vāṭe parī tem niścaḷa | jaisem taisem
Haze or fire-flame — by it the atmosphere seems to tremble; but it is still — as it is.
Heat-haze or a flickering flame can make the air around it seem to tremble and shimmer. But the atmosphere itself remains still, exactly as it is — the trembling is only apparent.
When agitation around you — a heated argument, an urgent deadline — makes everything seem to shake, check whether the underlying situation is actually unstable, or only appears so under the heat.
तैसें स्वरूप हें संचलें । असतां वाटे गुणा आलें ।
ऐसें कल्पनेसि गमलें । परी ते मिथ्या
taisem svarūpa hem samcalem | asatām vāṭe guṇā ālem |
aisem kalpanesi gamalem | parī te mithyā
So this svarūpa is [ever] packed; seeming to have come to qualities; such appeared to imagination — but it is false.
One's true nature (svarūpa) remains ever complete and undivided, even while it seems to have taken on describable qualities. That impression arises only in the imagination (kalpanā) — it is not actually so.
When you catch yourself defining who you are by a recent mood or label, remember your deeper wholeness was never actually divided by it.
दृष्टिबंधनाचा खेळ । तैसी माया हे चंचळ ।
वस्तु शाश्वत निश्चळ । जैसी तैसी
dṛṣṭibamdhanācā kheḷa | taisī māyā he camcaḷa |
vastu śāśvata niścaḷa | jaisī taisī
The game of sight-binding — such is fickle māyā; the substance is eternally unmoving — as it is.
All of this — the game of perceptual binding — is simply what fickle māyā does. The underlying reality (vastu) itself is eternally unmoving, exactly as it always has been.
When life feels like a whirl of shifting circumstances, anchor yourself in whatever in you has stayed unmoving through all of it.
ऐसी वस्तु निरावेव । माया दाखवी अवेव ।
ईचा ऐसा स्वभाव । नाथिलीच हे
aisī vastu nirāveva | māyā dākhavī aveva |
īcā aisā svabhāva | nāthilīca he
Such is the substance, formless; māyā displays forms; such is its nature — [it is] baseless.
The underlying substance is inherently formless (nirāveva); it is māyā that displays the many forms we see. And māyā's own nature, examined closely, is baseless — it has nothing solid holding it up.
When judging people or situations by outward form, remember the form itself rests on nothing permanent — look past it to what is actually enduring.
माया पाहातां मुळीं नसे । परी हे साचा ऐसी भासे ।
उद्भवे आणि निरसे । आभाळ जैसें
māyā pāhātām muḷīm nase | parī he sācā aisī bhāse |
udbhave āṇi nirase | ābhāḷa jaisem
Māyā looked at, at root does not exist; but it appears like true; arises and dissolves — like clouds.
Examined at its root, māyā does not actually exist as an independent thing — yet it appears thoroughly convincing, as real as anything else. It arises and dissolves the way clouds do, coming and going without leaving a permanent trace.
Treat a compelling but ultimately baseless worry the way you would treat a passing cloud — acknowledge it's convincing while it's there, but don't expect it to last.
ऐसी माया उद्भवली । वस्तु निर्गुण संचली ।
अहं ऐसी स्फुर्ति जाली । तेचि माया
aisī māyā udbhavalī | vastu nirguṇa samcalī |
aham aisī sphurti jālī | teci māyā
Such māyā arose, the substance nirguṇa [remained] packed; 'I' — such sphūrti arose — that itself is māyā.
So māyā arose while the underlying nirguṇa substance remained fully intact; the very flash or stirring of "I am" (aham-sphūrti, the first sense of individual selfhood) that arose is itself what is called māyā.
The next time the thought "I am this or that" arises strongly, notice it as a stirring within you rather than the whole of who you are.
गुणमायेचे पवाडे । निर्गुणीं हें कांहींच न घडे ।
परी हें घडे आणी मोडे । सस्वरूपीं
guṇamāyece pavāḍe | nirguṇīm hem kāmhīmca na ghaḍe |
parī hem ghaḍe āṇī moḍe | sasvarūpīm
The prowess of guṇa-māyā — in the nirguṇa nothing happens; but this arises and breaks — in sva-svarūpa.
All the elaborate workings of guṇa-māyā (qualified, active māyā) never actually touch the attributeless ground — nothing truly "happens" there. Yet this constant arising and dissolving does occur within one's own true nature (sva-svarūpa), the way waves occur within the ocean without altering it.
Let your thoughts and feelings rise and fall within your awareness without mistaking their activity for a change in your deeper self.
जैसी दृष्टी तरळली । तेणें सेनाच भासली ।
पाहातां आकाशींच जाली । परी ते मिथ्या
jaisī dṛṣṭī taraḷalī | teṇem senāca bhāsalī |
pāhātām ākāśīmca jālī | parī te mithyā
As when sight trembled, an army itself appears — on examination, it was in the sky itself — but it is false.
When one's vision wavers, as in a mirage, what looks like an entire army can seem to appear in the sky. On close examination it turns out to be nothing but empty sky — the army was false from the start.
When a strong impression convinces you something threatening or dramatic is unfolding, pause and re-examine calmly before reacting to what may just be a trick of a wavering mind.
मिथ्या मायेचा खेळ । उद्भव बोलिला सकळ ।
नानातत्वांचा पाल्हाळ । सांडूनियां
mithyā māyecā kheḷa | udbhava bolilā sakaḷa |
nānātatvāmcā pālhāḷa | sāmḍūniyām
The game of false māyā — the origin has been fully spoken; leaving aside the expansion of many tattvas.
With this, he closes the account of how false māyā's game originates, setting aside — for now — the further elaboration of the many tattvas (principles) that unfold from it.
When you have thoroughly explained the root of a problem, resist the urge to immediately chase every downstream detail — pause and let the core insight settle first.
तत्वें मुळींच आहेती । वोंकार वायोची गती ।
तेथीचा अर्थ जाणती । दक्ष ज्ञानी
tatvem muḷīmca āhetī | vomkāra vāyocī gatī |
tethīcā artha jāṇatī | dakṣa jñānī
Tattvas are at root [present]; the motion of omkāra is wind; its meaning the alert jñānis know.
The tattvas — the fundamental principles or elements — already exist at the root level; the very movement of oṃkāra (the primal sound) is identical with the motion of wind. Only the truly attentive, wise (jñānīs) grasp what this actually means.
Pay close attention to subtle connections between seemingly separate things you study or practice — the deepest insights often lie in noticing that two things you assumed were different are, at root, the same movement.
मूळमायेचे चळण । तेंचि वायोचें लक्षण ।
सूक्ष्म तत्वें तेंचि जाण । जडत्वा पावलीं
mūḷamāyece caḷaṇa | temci vāyocem lakṣaṇa |
sūkṣma tatvem temci jāṇa | jaḍatvā pāvalīm
The motion of mūla-māyā is itself the sign of wind; know the subtle tattvas themselves — as having come to grossness.
The very movement of mūlamāyā is what shows up, characteristically, as wind. Understand that the subtle tattvas themselves have, at this stage, taken on gross (jaḍatva) physical form.
Trace any solid, established habit or structure in your life back to the subtle intention or impulse that first set it in motion.
ऐसीं पंचमाहांभूतें । पूर्वीं होती अवेक्तें ।
पुढें जालीं वेक्तें । सृष्टिरचनेसी
aisīm pamcamāhāmbhūtem | pūrvīm hotī avektem |
puḍhem jālīm vektem | sṛṣṭiracanesī
Thus the five great elements were previously un-manifest; later became manifest — for the sṛṣṭi-composition.
The five great elements (pañcamahābhūtas — space, air, fire, water, earth) existed formerly in an unmanifest state; later they became manifest in order to compose the structure of creation (sṛṣṭi).
Recognize the unmanifest, preparatory stage in any of your own undertakings — potential doesn't need to be visible yet to be real and already at work.
मूळमायेचें लक्षण । तेंचि पंचभूतिक जाण ।
त्याची पाहें वोळखण । सूक्ष्मदृष्टीं
mūḷamāyecem lakṣaṇa | temci pamcabhūtika jāṇa |
tyācī pāhem voḷakhaṇa | sūkṣmadṛṣṭīm
The sign of mūla-māyā — know it itself as five-elemental; see its recognition — by subtle sight.
The defining characteristic of mūlamāyā is precisely that it is pañcabhautika — constituted of the five elements. Recognizing this requires sūkṣma-dṛṣṭi, subtle or refined perception, not ordinary looking.
Train yourself to look past surface appearances toward the more basic elements or forces actually composing a situation before judging it.
आकाश वायोविण । इच्ह्याशब्द करी कोण ।
इच्हाशक्ती तेचि जाण । तेजस्वरूप
ākāśa vāyoviṇa | ichyāśabda karī koṇa |
ichāśaktī teci jāṇa | tejasvarūpa
Without sky and wind, who makes the word 'wish'? Know icchā-śakti itself — as fire-form.
Without space (ākāśa) and wind (vāyu) already present, there is no capacity to even form the word or sound "wish" (icchā). Know icchā-śakti, the power of will or desire, itself as having the form of fire (tejas), one of the five elements.
Notice how even an inner impulse like desire has its own conditions and elements behind it; examine what is actually fueling a wish before acting on it as if it came from nowhere.
मृदपण तेचि जळ । जडत्व पृथ्वी केवळ ।
ऐसी मूळमाया सकळ । पंचभूतिक जाणावी
mṛdapaṇa teci jaḷa | jaḍatva pṛthvī kevaḷa |
aisī mūḷamāyā sakaḷa | pamcabhūtika jāṇāvī
Softness itself is water; solidity is earth purely; so the whole mūla-māyā — know as five-elemental.
Softness, wherever found, is itself the quality of water; solidity is purely the quality of earth. In this way, the entirety of mūlamāyā should be understood as constituted by the five elements.
When assessing your own temperament or a situation's texture, name the concrete underlying qualities — softness, solidity, movement — rather than staying with a vague overall impression.
येक येक भूतांपोटीं । पंचभूतांची राहाटी ।
सर्व कळे सूक्ष्मदृष्टी । घालून पाहातां
yeka yeka bhūtāmpoṭīm | pamcabhūtāmcī rāhāṭī |
sarva kaḷe sūkṣmadṛṣṭī | ghālūna pāhātām
Within one element, the function of the five elements; all is known by placing subtle sight.
Even within any single one of the five elements, the functioning of all five is actually present in some measure. This becomes clear only when one applies sūkṣma-dṛṣṭi, subtle sight, to the inquiry.
When examining any one aspect of a problem, look for traces of the other contributing factors within it rather than treating each factor as isolated.
पुढें जडत्वास आलीं । तरी असतीं कालवलीं ।
ऐसी माया विस्तारली । पंचभूतिक
puḍhem jaḍatvāsa ālīm | tarī asatīm kālavalīm |
aisī māyā vistāralī | pamcabhūtika
Later they came to grossness; otherwise they were blended; such māyā spread — as five-elemental.
Later the elements took on their grosser, differentiated forms; before that they existed blended together. In this way māyā spread out and expressed itself as the five elements.
Recognize that complex, distinct outcomes in your life often started out blended and undifferentiated — patience allows things to separate into their clear forms over time.
मूळमाया पाहातां मुळीं । अथवा अविद्या भूमंडळीं ।
स्वर्ग्य मृत्य पाताळीं । पांचचि भूतें
mūḷamāyā pāhātām muḷīm | athavā avidyā bhūmamḍaḷīm |
svargya mṛtya pātāḷīm | pāmcaci bhūtem
Looking at mūla-māyā at root — or avidyā in the earth-sphere — svarga, mṛtyu, pātāla: only five elements.
Whether you examine mūlamāyā at its root, or avidyā as it operates in the earthly sphere, and across heaven (svarga), the mortal world (mṛtyu-loka), and the netherworld (pātāla) — everywhere there are only these same five elements at work.
When comparing very different domains of your life — work, home, inner practice — look for the same handful of basic underlying factors operating in each, rather than treating them as governed by entirely different rules.
॥ श्लोक ॥ स्वर्गे मृत्यौ पाताले वा यत्किंचित्सचराचरं ।
सर्वपंचभूतकं राम षष्ठें किंचिन्न दृश्यते ॥
सत्य स्वरूप आदिअंतीं । मध्यें पंचभूतें वर्तती ।
पंचभूतिक जाणिजे श्रोतीं । मूळमाया
|| śloka || svarge mṛtyau pātāle vā yatkimcitsacarācaram |
sarvapamcabhūtakam rāma ṣaṣṭhem kimcinna dṛśyate ||
satya svarūpa ādiamtīm | madhyem pamcabhūtem vartatī |
pamcabhūtika jāṇije śrotīm | mūḷamāyā
[Śloka] 'svarge mṛtyau pātāle vā yat kiñcit sacarācaram | sarva-pañca-bhūtakam rāma ṣaṣṭham kiñcin na dṛśyate' — true svarūpa at beginning-and-end, in between the five elements move; know mūla-māyā as five-elemental.
He clinches the point with a scriptural verse: "In heaven, in the mortal world, or in the netherworld, whatever moving or unmoving thing exists is made of the five elements — nothing beyond these five is ever seen." True svarūpa stands at the beginning and end of creation; in between, the five elements are what actually move and act. Know mūlamāyā, listeners, as constituted by these five elements.
Frame the beginning and end of any undertaking around what is unchanging and true for you, and expect only the working middle stretch to involve the shifting elements of effort, materials, and circumstance.
येथें उठिली आशंका । सावध होऊन ऐका ।
पंचभूतें जालीं येका । तमोगुणापासुनी
yethem uṭhilī āśamkā | sāvadha hoūna aikā |
pamcabhūtem jālīm yekā | tamoguṇāpāsunī
Here a doubt arose — be attentive and hear: 'the five elements arose from the one tamo-guṇa.'
He signals that a new objection is about to be raised, and asks listeners to pay close attention: the doubt states that the five elements arose from a single source — the quality of tamo-guṇa (inertia, one of the three guṇas).
When a new challenge to your understanding is about to be raised, give it your full attention rather than defending your prior conclusion prematurely.
मूळमाया गुणापरती । तेथें भूतें कैंचि होतीं ।
ऐसी आशंका हे श्रोतीं । घेतली असे
mūḷamāyā guṇāparatī | tethem bhūtem kaimci hotīm |
aisī āśamkā he śrotīm | ghetalī ase
Mūla-māyā is beyond the guṇas; there where would the elements be? Such a doubt has been taken up.
The objection sharpens: if mūlamāyā is said to be beyond, or prior to, the three guṇas altogether, then how could the elements — said to arise specifically from tamo-guṇa — actually be present within it? This genuine tension has been raised by the listeners.
When two things you have been taught seem to logically conflict, name the contradiction plainly instead of glossing over it — that clarity is the first step toward real resolution.
ऐसें श्रोतीं आक्षेपिलें । संशयास उभें केलें ।
याचें उत्तर दिधलें । पुढिले समासीं
aisem śrotīm ākṣepilem | samśayāsa ubhem kelem |
yācem uttara didhalem | puḍhile samāsīm
Such the listener objected; raised a doubt; its answer was given in the next samāsa.
With this sharp objection now fully raised and standing before them, Rāmdās closes the samāsa. Its answer, he says, will be given in the following samāsa, continuing the inquiry into how the five elements relate to mūlamāyā.
When you reach the limit of what you can resolve in one sitting, name the open question clearly and set a deliberate time to return to it, rather than leaving it to drift.