संत साहित्य
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Dashak 11 · Samāsa 9

25 ovis

आधीं कर्माचा प्रसंग । कर्म केलें पाहिजे सांग । कदाचित पडिले व्यंग । तरी प्रत्यवाय घडे
ādhīm karmācā prasamga | karma kelem pāhije sāmga | kadācita paḍile vyamga | tarī pratyavāya ghaḍe
First, the occasion of karma; karma should be done with full completion. / If any deficiency remains — pratyavāya (negative consequence) occurs.
Ramdas opens with the basic principle of action: whatever karma is undertaken must be completed in full — sāng (thoroughly, without a gap). Leave any part undone and pratyavāya (a negative consequence, a debt incurred by incomplete ritual) follows.
Finish what you start rather than leaving it half-done; an incomplete effort creates its own kind of harm.
म्हणौन कर्म आरंभिले । कांहींयेक सांग घडलें । जेथजेथें अंतर पडिलें । तेथें हरिस्मरण करावें
mhaṇauna karma ārambhile | kāmhīmyeka sāmga ghaḍalem | jethajethem amtara paḍilem | tethem harismaraṇa karāvem
Therefore karma is begun; some-part was done completely. / Wherever there was a gap, there Hari-smaraṇa should be done.
Since perfect completion is rare, Ramdas gives the remedy: wherever a gap (antara) appears in one's karma, fill it with harismaraṇa — remembrance of Hari. Attention to God covers the shortfall left by ritual imperfection.
When you notice a lapse in your discipline, don't dwell on the failure — redirect your attention to what matters most and let that presence cover the gap.
तरी तो हरी आहे कैसा । विचार पाहावा ऐसा । संधेपूर्वीं जगदीशा । चोविसां नामीं स्मरवें
tarī to harī āhe kaisā | vicāra pāhāvā aisā | samdhepūrvīm jagadīśā | covisām nāmīm smaravem
Then how is that Hari? The consideration should be seen thus. / Before sandhyā, to the jagadīśa — remember by twenty-four names.
This raises the natural question: who or what is this 'Hari' one remembers? Ramdas answers with a concrete practice: before sandhyā (the twilight rite), remember the jagadīśa (lord of the universe) by his twenty-four names — a first, formal foothold for a mind that needs a shape to hold onto.
Give your attention a concrete anchor at a fixed time of day rather than leaving remembrance vague and formless.
चोवीसनामी सहस्त्रनामी । अनंतनामी तो अनामी । तो कैसा आहे अंतर्यामीं । विवेकें वोळखावा
covīsanāmī sahastranāmī | anamtanāmī to anāmī | to kaisā āhe amtaryāmīm | vivekem voḷakhāvā
Twenty-four-named, thousand-named, endlessly-named, he is unnamed. / How is he within the inner-self? — should be recognized by vivek.
But Ramdas immediately complicates the answer: the one with twenty-four names, a thousand names, endless names, is in truth anāmī — the unnamed. Names are handles for the mind; the reality behind them must be recognized within by viveka (discernment), not merely recited.
Treat any label or formula you use for the sacred as a pointer, not the thing itself — keep asking what it is actually pointing toward.
ब्राह्मण स्नानसंध्या करून आला । मग तो देवार्चनास बैसला । येथासांग तो पूजिला । प्रतिमादेवो
brāhmaṇa snānasamdhyā karūna ālā | maga to devārcanāsa baisalā | yethāsāmga to pūjilā | pratimādevo
The Brahmin, having done snāna-sandhyā, returned, then sat for deva-arcana. / With full ritual, he worshipped the image-deva.
Ramdas gives an everyday scene: a brahmin bathes, performs sandhyā, then sits for devārcana and worships the image (pratimā) of god with full ritual correctness. This is the outer, visible form of devotion — the starting point, not the destination.
Honor the outward forms of your practice properly, but hold them as the beginning of the inquiry, not its end.
नाना देवांच्या नाना प्रतिमा । लोक पूजिती धरून प्रेमा । ज्याच्या प्रतिमा तो परमात्मा । कैसा आहे
nānā devāmcyā nānā pratimā | loka pūjitī dharūna premā | jyācyā pratimā to paramātmā | kaisā āhe
Various images of various devas — people worship with prema. / He whose image — how is that paramātmā?
People worship countless different images of countless different deities with genuine love. Ramdas poses the real question underneath all that devotion: whoever it is that these images represent — that paramātmā (supreme self) — what is he actually like?
When you love a symbol or a ritual object, periodically ask yourself what deeper reality you actually mean by it.
ऐसें वोळखिलें पाहिजे । वोळखोन भजन कीजे । जैसा साहेब नमस्कारिजे । वोळखिल्याउपरी
aisem voḷakhilem pāhije | voḷakhona bhajana kīje | jaisā sāheba namaskārije | voḷakhilyāuparī
Such should be recognized; recognizing, bhajana should be done. / As one salutes the master — after recognition.
The answer must come before the act: one should first recognize (voḷakhāve) who is being worshipped, and only then perform bhajana. Ramdas compares it to greeting a master — you salute him properly only after you know who he is.
Understand what or whom you are honoring before you go through the motions of honoring it; recognition should precede ritual, not follow it.
तैसा परमात्मा परमेश्वर । बरा वोळखावा पाहोन विचार । तरीच पाविजे पार । भ्रमसागरचा
taisā paramātmā parameśvara | barā voḷakhāvā pāhona vicāra | tarīca pāvije pāra | bhramasāgaracā
Likewise paramātmā parameśvara — well recognize with consideration. / Only then is the shore attained — of the delusion-ocean.
Building on 11.9.007, Ramdas states the stakes plainly: only by properly recognizing paramātmā-parameśvara through careful consideration does one reach the far shore of the bhrama-sāgara — the ocean of delusion. Without that recognition, worship keeps one afloat but never lands.
Don't let sincerity substitute for understanding — pair devoted effort with real inquiry if you actually want clarity, not just busyness.
पूजा घेताती प्रतिमा । आंगा येतो अंतरात्मा । अवतारी तरी निजधामा । येऊन गेले
pūjā ghetātī pratimā | āmgā yeto amtarātmā | avatārī tarī nijadhāmā | yeūna gele
Images take the pūjā; the Antarātmā fills the body. / The avatāras have departed to their own abodes — came and went.
Images receive worship, and through them the antarātmā (inner self) becomes present and active — this is how devotion works. But the avatāras themselves, having done their work, have returned to their own abode; they came and went. What remains accessible is not the historical form but the principle behind it.
Don't wait for a dramatic, visible manifestation of the sacred — engage with what is quietly present now, since the extraordinary forms have already come and gone.
परी ते निजरूपें असती । तें निजरूप ते जगज्जोती । सत्वगुण तयेस म्हणती । जाणती कळा
parī te nijarūpem asatī | tem nijarūpa te jagajjotī | satvaguṇa tayesa mhaṇatī | jāṇatī kaḷā
But they exist in their own nija-rūpa; that nija-rūpa is jagaj-jyoti. / They call it sattva-guṇa — the knowing-art.
Yet the devas are not simply gone — they persist in their nija-rūpa (true form), which is jagajjyoti, the light that illumines the world. Ramdas identifies this light with sattva-guṇa, the luminous, knowing quality of nature — the very faculty by which anything is known at all.
Trust the clarity and steadiness in your own mind as a genuine trace of something larger, not a lesser substitute for it.
तये कळेचे पोटीं । देव असती कोट्यान्-कोटी । या अनुभवाच्या गोष्टी । प्रत्ययें पाहाव्या
taye kaḷece poṭīm | deva asatī koṭyān-koṭī | yā anubhavācyā goṣṭī | pratyayem pāhāvyā
Within the womb of that art — devas exist, crore upon crore. / These are matters of anubhava — should be seen by pratyaya.
Within that knowing faculty (sattva), Ramdas says, exist countless devas — 'crore upon crore.' This is not to be taken on faith alone: these are matters of anubhava (direct experience), to be verified by pratyaya (personal realization), not just believed because stated.
Don't accept claims about inner reality secondhand — test them against your own direct experience before you build on them.
देहपुरामधें ईश । म्हणोन तया नांव पुरुष । जगामधें जगदीश । तैसा वोळखावा
dehapurāmadhem īśa | mhaṇona tayā nāmva puruṣa | jagāmadhem jagadīśa | taisā voḷakhāvā
In the city of the body is Īśa — hence his name is puruṣa. / In the jagat is the jagadīśa — recognize likewise.
Ramdas draws the parallel explicitly: in the 'city' of the body dwells Īśa (the lord), which is why it is called puruṣa (the indweller); in the wider world dwells the jagadīśa (lord of the world). Recognize the cosmic principle the same way you would recognize the one governing your own body.
Use self-knowledge as a template for understanding the larger order around you — what governs you inwardly governs the world outwardly on the same principle.
जाणीवरूपें जगदांतरें । प्रस्तुत वर्तती शरीरें । अंतःकरणविष्णु येणें प्रकारें । वोळखावा
jāṇīvarūpem jagadāmtarem | prastuta vartatī śarīrem | amtaḥkaraṇaviṣṇu yeṇem prakārem | voḷakhāvā
In knowing-form, within the jagat — directly operate the bodies. / The antaḥkaraṇa-Viṣṇu — in this manner — should be recognized.
In its knowing aspect, spread through the world, this principle directly animates every body. Ramdas names it the antaḥkaraṇa-Viṣṇu — the Viṣṇu operating as the inner faculty (mind, intellect, memory, ego) — and says it should be recognized in exactly this manner.
Notice that the same awareness that lets you think, remember, and decide is the very thing worth investigating as sacred — look there, not only outward.
तो विष्णु आहे जगदांतरीं । तोचि आपुले अंतरीं । कर्ता भोक्ता चतुरीं । अंतरात्मा वोळखावा
to viṣṇu āhe jagadāmtarīm | toci āpule amtarīm | kartā bhoktā caturīm | amtarātmā voḷakhāvā
That Viṣṇu is within the jagat; that same is within oneself. / Kartā and bhoktā in the wise — the Antarātmā — should be recognized.
That Viṣṇu pervading the world is identical to the one within oneself — doer and enjoyer both, present in the wise as the antarātmā. Ramdas is collapsing the distance between 'God out there' and 'the self in here.'
When you act and when you experience the results of your actions, recognize both as expressions of the same inner presence rather than treating them as separate concerns.
ऐके देखे हुंगे चाखे । जाणोन विचारें ओळखे । कित्येक आपुले पारिखे । जाणताहे
aike dekhe humge cākhe | jāṇona vicārem oḷakhe | kityeka āpule pārikhe | jāṇatāhe
Hears, sees, smells, tastes; knowing by consideration recognizes. / Several who are his own, who are strangers — he knows.
This antarātmā is what hears, sees, smells, and tastes; by consideration it recognizes and distinguishes — it knows who belongs to it and who is a stranger. Ramdas is describing ordinary perceptual and discriminating consciousness as the very faculty under discussion.
Pay attention to the discriminating awareness behind each of your senses — it is closer to what you are looking for than any external object of worship.
येकची जगाचा जिव्हाळा । परी देहलोभाचा आडताळा । देहसमंधें वेगळा । अभिमान धरी
yekacī jagācā jivhāḷā | parī dehalobhācā āḍatāḷā | dehasamamdhem vegaḷā | abhimāna dharī
One is the affection of all the world; but by body-greed is the obstruction. / Due to body-connection, distinct — pride is held.
That same one consciousness is the affection binding the whole world together — but body-attachment (deha-lobha) creates an obstruction. Because of identifying with a particular body, a person holds a separate, isolating pride (abhimāna) instead of recognizing the shared underlying unity.
When you notice yourself drawing hard lines between 'my people' and outsiders, trace the feeling back to body-identification and loosen your grip on it.
उपजे वाढे मरे मारी । जैशा उचलती लहरीवरी लहरी । चंचळ सागरीं भरोवरी । त्रैलोक्य होत जातें
upaje vāḍhe mare mārī | jaiśā ucalatī laharīvarī laharī | camcaḷa sāgarīm bharovarī | trailokya hota jātem
Is born, grows, dies, kills; as waves upon waves rise; / in the cañcala ocean — the three worlds come-and-go.
Ramdas now shifts to describe the world of change: beings are born, grow, die, and destroy — like wave rising upon wave in a restless (cañcala) ocean. The three worlds continually arise and pass in this way, all surface motion on one sea.
When events feel chaotic or relentless, remember you are watching waves on a single ocean, not a series of unrelated disasters.
त्रैलोका वर्तवितो येक । म्हणोन त्रिलोक्यनायेक । ऐसा प्रत्ययाचा विवेक । पाहाना कैसा
trailokā vartavito yeka | mhaṇona trilokyanāyeka | aisā pratyayācā viveka | pāhānā kaisā
The three worlds are moved by one — hence trailokya-nāyaka. / Such is the pratyaya-vivek — see how it is.
All three worlds are set in motion by that one — hence he is called trailokya-nāyaka, lord of the three worlds. Ramdas asks the reader to actually examine this discrimination (viveka) through direct experience (pratyaya), not merely repeat the title.
Don't just accept a big claim about the order behind events — look for the evidence of that unifying pattern in what you actually observe.
ऐसा अंतरात्मा बोलिला । परी तोहि तत्वांमधें आला । पुढें विचार पाहिजे केला । माहावाक्याचा
aisā amtarātmā bolilā | parī tohi tatvāmmadhem ālā | puḍhem vicāra pāhije kelā | māhāvākyācā
Thus the Antarātmā is spoken; but he too has come among tattvas. / Ahead the consideration should be made — of the Mahāvākya.
Having described the antarātmā this far, Ramdas notes a crucial limit: even this indwelling self is still counted among the tattvas (the enumerated principles of manifest existence) — it is not yet the ultimate. The next step is consideration of the Mahāvākya, the great Upanishadic sayings (such as 'that thou art') that point beyond all tattvas.
Don't stop at the first satisfying insight about your inner self — keep asking whether it is truly final or still one more layer to see through.
आधीं देखिला देहधारी । मग पाहावें जगदांतरीं । तयाचेनियां उपरी । परब्रह्म पावे
ādhīm dekhilā dehadhārī | maga pāhāvem jagadāmtarīm | tayāceniyām uparī | parabrahma pāve
First the body-bearer is seen; then one should see within the jagat. / Beyond that — para-brahma is attained.
The order of inquiry is given plainly: first one perceives the embodied being (dehadhārī), then one should see the same principle pervading the whole world, and only beyond that is parabrahma — the ultimate reality — attained. Each stage is a stepping stone, not a stopping point.
Move your inquiry outward in stages — from your own body, to the wider world, to what lies beyond both — rather than trying to leap straight to the end.
परब्रह्माचा विचार । होतां निवडे सारासार । चंचळ जाईल हा निर्धार । चुकेना कीं
parabrahmācā vicāra | hotām nivaḍe sārāsāra | camcaḷa jāīla hā nirdhāra | cukenā kīm
The consideration of para-brahma — upon which sāra-asāra is distinguished. / The cañcala will go — this certainty — does not miss.
Once genuine consideration of parabrahma occurs, sāra-asāra — the essential from the inessential — becomes distinguishable. Ramdas states this as a certainty: the transient (cañcala) will surely fall away; this conviction does not fail once truly established.
Let clear reflection on what is ultimate sort your priorities — once you see clearly, the trivial and the essential no longer look alike.
उत्पत्ति स्थिति संव्हार जाण । त्याहून वेगळा निरंजन । येथें ज्ञानाचें विज्ञान । होत आहे
utpatti sthiti samvhāra jāṇa | tyāhūna vegaḷā niramjana | yethem jñānācem vijñāna | hota āhe
Utpatti, sthiti, samhāra — know; apart from those, nirañjana. / Here the vijñāna of jñāna — is happening.
Creation, sustenance, and dissolution (utpatti-sthiti-samhāra) should be understood as one triad; apart from and beyond that triad is the nirañjana — the stainless, untouched reality. Here, Ramdas says, jñāna (knowledge) is ripening into vijñāna — realized, lived knowledge rather than mere information.
Distinguish between knowing something as a fact and knowing it as a lived reality — aim for the second, not just the first.
अष्टदेह थानमान । जाणोन जालियां निर्शन । पुढें उरे निरंजन । विमळ ब्रह्म
aṣṭadeha thānamāna | jāṇona jāliyām nirśana | puḍhem ure niramjana | vimaḷa brahma
The aṣṭa-deha, location-and-size — on knowing them, on their destruction, / ahead remains — the nirañjana, vimala Brahma.
The eight bodies (aṣṭa-deha — the layers of embodiment in Vedāntic analysis) each have their location and measure; once these are known and, through that knowing, dissolved, what remains is the stainless (nirañjana), pure (vimala) Brahman — untouched by any of the layers examined.
Examine each layer of your identity — body, mind, roles — one by one, and notice that something remains once each layer is set aside.
विचारेंचि अनन्य जाला । पाहाणाराविण प्रत्यय आला । तेहि वृत्ति निवृत्तीला । बरें पाहा
vicāremci ananya jālā | pāhāṇārāviṇa pratyaya ālā | tehi vṛtti nivṛttīlā | barem pāhā
By consideration alone, ananya has occurred; pratyaya came without a seer. / That too — vṛtti, nivṛtti — see well.
By sustained consideration alone, non-duality (ananya) arises; direct realization (pratyaya) comes about with no separate seer left standing apart. Ramdas adds a further subtlety: even the subtle movement of mind (vṛtti) and its cessation (nivṛtti) must themselves be examined closely — the inquiry does not stop even there.
When you reach a moment of stillness in practice, notice that even 'stillness' is still an experience to be seen through, not a final resting place to cling to.
येथें राहिला वाच्यांश । पाहोन सांडिला लक्ष्यांश । लक्ष्यांशासारिसा वृत्तिलेश । तोहि गेला
yethem rāhilā vācyāmśa | pāhona sāmḍilā lakṣyāmśa | lakṣyāmśāsārisā vṛttileśa | tohi gelā
Here vācyāmśa remained; on seeing, lakṣyāmśa was left. / The vṛtti-trace like lakṣyāmśa — that too went.
The samāsa closes on the finest point of Vedāntic analysis: in the phrase 'that thou art,' first the literal sense (vācyāṃśa) remains, then on seeing further, the merely indicated sense (lakṣyāṃśa) is also set aside, and finally even the faint trace of mental modification resembling that indicated sense departs — leaving nothing but pure, unqualified awareness.
Practice letting go not only of literal beliefs but of the subtle mental residue that still clings to them — release the pointer once you have arrived, not just the object it once pointed at.