संत साहित्य
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Dashak 17 · Samāsa 5

24 ovis

येकवीस सहश्र सासें जपा । नेमून गेली ते अजपा । विचार पाहातां सोपा । सकळ कांहीं
yekavīsa sahaśra sāsem japā | nemūna gelī te ajapā | vicāra pāhātām sopā | sakaḷa kāmhīm
21,600 japa set — that is ajapā; / on examining consideration — easy, everything.
Rāmdās opens with the traditional count of breaths per day (21,600), naming this natural, unspoken repetition ajapā — japa that happens without effort; understood rightly, the whole teaching turns out to be simple.
Notice that your breath already repeats a natural rhythm all day without effort — treat that as a built-in anchor for attention rather than something you must manufacture.
मुखीं नासिकीं असिजे प्राणें । तयास अखंड येणें जाणें । याचा विचार पाहाणें । सूक्ष्मदृष्टीं
mukhīm nāsikīm asije prāṇem | tayāsa akhamḍa yeṇem jāṇem | yācā vicāra pāhāṇem | sūkṣmadṛṣṭīm
Prāṇa in mouth-and-nose; with it unbroken coming-going; / its consideration must be examined — with subtle-vision.
The breath (prāṇa) moves ceaselessly in and out through nose and mouth; this constant motion deserves subtle, careful attention (sūkṣma-dṛṣṭi), not casual notice.
Set aside a few quiet minutes to actually watch your breathing closely, rather than assuming something so automatic needs no attention.
मुळीं पाहातां येक स्वर । त्याचा तार मंद्र घोर । त्या घोराहून सूक्ष्म विचार । अजपाचा
muḷīm pāhātām yeka svara | tyācā tāra mamdra ghora | tyā ghorāhūna sūkṣma vicāra | ajapācā
At root on looking, one svara; its tāra, madhya, ghora; / from that ghora subtler consideration — of ajapā.
At its root the breath carries a single subtle sound with high, middle, and deep registers; from the deepest of these registers the subtler teaching of ajapā unfolds.
When you sit quietly, notice that even breathing has a subtle texture — let attention follow it toward stillness rather than staying at the surface.
सरिगमपदनिस । सरिं मात्रुका सायास । प्रथम स्वरें मात्रुकांस । म्हणोन पाहवें
sarigamapadanisa | sarim mātrukā sāyāsa | prathama svarem mātrukāmsa | mhaṇona pāhavem
Sa-ri-ga-ma-pa-da-ni-sa; sa-ri... mātṛkās by effort; / by first svara the mātṛkās — must be said and seen.
Just as the musical scale (sa-ri-ga-ma...) is built from a first note, the subtle letter-sounds (mātṛkā) of speech trace back to that same primal svara — showing breath as the root of both sound and speech.
Notice how your voice and speech ultimately arise from breath; steady the breath first and clearer, calmer speech tends to follow.
परेवाचेहून आर्तें । आणि पश्यंती खालतें । स्वराचे जन्मस्थान तें । तेथून उठे
parevācehūna ārtem | āṇi paśyamtī khālatem | svarāce janmasthāna tem | tethūna uṭhe
Beyond parā-vāk; and below paśyantī; / the birth-place of svara is that — rises from there.
The breath-sound's birthplace lies in a subtle zone of speech's unfolding — beyond the highest transcendent stage (parā-vāk) and just below the 'seeing' stage (paśyantī) — pointing to how prior to spoken words this natural sound actually is.
Recognize that your clearest intentions form before you ever put them into words; give that pre-verbal moment some quiet attention before you speak.
येकांतीं उगेंच बैसावें । तेथें हें समजोन पाहावें । अखंड घ्यावें सांडावें । प्रभंजनासी
yekāmtīm ugemca baisāvem | tethem hem samajona pāhāvem | akhamḍa ghyāvem sāmḍāvem | prabhamjanāsī
In solitude one should just sit; there this — should be understood and seen; / unbroken take-and-release — the breeze.
Sit alone and observe this directly: the breath's ceaseless rhythm of taking in and letting go.
Practice a period of solitary, silent sitting each day where your only task is watching the natural in-and-out of breath.
येकांतीं मौन्य धरून बैसे । सावध पाहातां कैसें भासे । सोहं सोहं ऐसे । शब्द होती
yekāmtīm maunya dharūna baise | sāvadha pāhātām kaisem bhāse | soham soham aise | śabda hotī
In solitude sitting silent — seeing alertly, how does it feel? / 'So'ham, So'ham' — such words occur.
Sitting alert and silent in solitude, one notices the breath itself seeming to form the words 'So'ham, So'ham' — 'That I am' — spontaneously.
In quiet sitting, notice whether your breath seems to carry its own natural rhythm; let that rhythm itself become the object of attention rather than manufacturing a chant.
उच्चरेंविण जे शब्द । ते जाणावे सहजशब्द । प्रत्ययायेती परंतु नाद । कांहींच नाहीं
uccaremviṇa je śabda | te jāṇāve sahajaśabda | pratyayāyetī paramtu nāda | kāmhīmca nāhīm
Without pronunciation, those words — know as spontaneous-words; / they come to pratyaya but as nāda — are not at all.
These 'So'ham' sounds arise without deliberate pronunciation — called spontaneous words (sahaja-śabda), felt directly (pratyaya) even though, strictly, no audible sound (nāda) is actually produced.
Distinguish between a genuine felt sense that arises naturally within you and something you are consciously performing — trust the former more.
ते शब्द सांडून बैसला । तो मौनी म्हणावा भला । योगाभ्यासाचा गल्बला । याकारणें
te śabda sāmḍūna baisalā | to maunī mhaṇāvā bhalā | yogābhyāsācā galbalā | yākāraṇem
He who abandoned those words and sat — is called a good maunī. / The commotion of yoga-abhyāsa — is for this reason.
The one who lets go even of this subtle 'So'ham' sound and simply sits is the true silent sage (maunī); the effortful practices of yoga-abhyāsa exist precisely to bring a person to this point of letting go.
Treat any technique or repeated phrase as a stepping stone, not a destination — practice it so as eventually to rest in a stillness beyond even the technique.
येकांतीं मौन्य धरून बैसला । तेणें कोण शब्द जाला । सोहं ऐसा भासला । अंतर्यामीं
yekāmtīm maunya dharūna baisalā | teṇem koṇa śabda jālā | soham aisā bhāsalā | amtaryāmīm
Sat silent in solitude; by that what sound occurred? / 'So'ham' such appeared — within.
This restates the experience: sitting silently and alone, the inward-felt sound that spontaneously arises is 'So'ham.'
When you sit in silence, do not search for words — simply notice what naturally arises, without forcing a particular phrase.
धरितां सो सांडितां हं । अखंड चाले सोहं सोहं । याचा विचार पाहातं बहु । विस्तारला
dharitām so sāmḍitām ham | akhamḍa cāle soham soham | yācā vicāra pāhātam bahu | vistāralā
Holding 'so,' releasing 'ham' — unbroken 'so'ham so'ham' runs. / Its consideration on examining — has much expanded.
The breath itself naturally forms 'so' on the inhale and 'ham' on the exhale, running unbroken; examined carefully, this simple observation opens into a vast teaching.
Let the inhale and exhale themselves be the practice — no need to add complexity; a simple observation, followed patiently, deepens on its own.
देहधारक तितुका प्राणी । श्वेतजौद्विजादिक खाणी । स्वासोस्वास नस्तां प्राणी । कैसे जिती
dehadhāraka titukā prāṇī | śvetajaudvijādika khāṇī | svāsosvāsa nastām prāṇī | kaise jitī
Body-bearer, every creature; svedaja, udbhija etc. wombs; / without inhalation-exhalation, creatures — how would they live?
Every embodied being, however it originates, depends on this same unbroken breathing; without it no creature could live at all — the teaching applies universally, not to any special case.
Remember that this basic breathing rhythm you are studying is the shared ground of every living being — let that dissolve any sense of the practice as exotic or separate from ordinary life.
ऐसी हे अजपा सकळासी । परंतु कळे जाणत्यासी । सहज सांडून सायासी । पडोंच नये
aisī he ajapā sakaḷāsī | paramtu kaḷe jāṇatyāsī | sahaja sāmḍūna sāyāsī | paḍomca naye
Such is ajapā for all; but known to the knower. / Abandoning the natural for the artificial — should not be fallen into.
This natural ajapā belongs to everyone, but only the discerning person truly recognizes it; one must take care not to abandon what is spontaneous (sahaja) in favor of strained, artificial effort (sāyāsa).
If a practice starts to feel forced and effortful, step back and look for the natural, already-present rhythm instead of straining to manufacture an experience.
सहज देव असतचि असे । सायासें देव फुटे नासे । नासिवंत देवास विश्वासे । ऐसा कवणु
sahaja deva asataci ase | sāyāsem deva phuṭe nāse | nāsivamta devāsa viśvāse | aisā kavaṇu
Spontaneously Deva is being; by effort, Deva shatters-perishes. / Trusting a perishable Deva — who is such?
The divine, approached spontaneously, simply is — ever-present; but a divinity produced only through strained effort is fragile and falls apart, so who would place their trust in something so perishable?
Build your sense of the sacred, or your confidence, on something steady and natural rather than on something you must constantly force into existence.
जगदांतराचें दर्शन । सहज घडे अखंड ध्यान । आत्मइछेनें जन । सकळ वर्तती
jagadāmtarācem darśana | sahaja ghaḍe akhamḍa dhyāna | ātmaichenem jana | sakaḷa vartatī
Jagad-antara's darśana — spontaneously, unbroken dhyāna; / by Ātmā's will all people — conduct.
Seeing the inner reality behind the visible world happens spontaneously, as unbroken meditation, once one recognizes that all people's conduct proceeds by the will of the innermost Self.
When observing others' behavior, remember it flows from deeper causes than you can fully see — hold your judgments of them a little more lightly.
आत्मयाचें समाधान । घडे तैसेंचि आशन । सांडिलें फिटले समर्पण । तयासीच होये
ātmayācem samādhāna | ghaḍe taisemci āśana | sāmḍilem phiṭale samarpaṇa | tayāsīca hoye
Ātmā's samādhāna — as food (āśana) happens so; / abandoned-and-cleared offering — happens to him alone.
Just as food nourishes the body, the Self's own settledness (samādhāna) nourishes from within; a truly surrendered offering, stripped of attachment, belongs only to one who has let go completely.
Practice giving something up completely, without keeping a mental tally of the sacrifice — half-hearted surrender does not bring the same settledness.
अग्नपुरुष पोटीं वसती । तयास अवदानें सकळ देती । लोक आज्ञेमधें असती । आत्मयांचे
agnapuruṣa poṭīm vasatī | tayāsa avadānem sakaḷa detī | loka ājñemadhem asatī | ātmayāmce
Agni-puruṣa dwells in belly; all give him offerings; / people are in Ātmā's command.
The digestive fire within the body is honored by every act of eating, just as, more broadly, all people ultimately live under the command of the inner Self.
Treat ordinary bodily needs like eating with some respect and attention rather than mindless haste — they too are part of the deeper order being studied here.
सहज देवजपध्यानें । सहज चालणें स्तुती स्तवनें । सहज घदे तें भगवान्नें । मान्य कीजे
sahaja devajapadhyānem | sahaja cālaṇem stutī stavanem | sahaja ghade tem bhagavānnem | mānya kīje
Spontaneously by deva-japa-dhyāna; spontaneously walking, praises, prayers; / what happens spontaneously — Bhagavant accepts.
When worship, meditation, movement, and praise all arise naturally and unforced, the Divine (Bhagavant) receives them; what matters is the spontaneity, not the effort expended.
Let your prayer or practice grow out of genuine feeling in the moment rather than rigid performance — sincerity outweighs mechanical repetition.
सहज समजायाकारणें । नाना हटयोग करणें । परंतु येकायेकीं समजणें । घडत नाहीं
sahaja samajāyākāraṇem | nānā haṭayoga karaṇem | paramtu yekāyekīm samajaṇem | ghaḍata nāhīm
To understand spontaneously — various haṭha-yogas must be done; / but understanding at once — does not happen.
Paradoxically, arriving at this spontaneous, natural understanding usually requires passing through disciplined practices (haṭha-yoga); instant understanding without preparation rarely occurs.
Do not expect effortless insight without first doing the patient groundwork — discipline is often the path to what later feels effortless.
द्रव्य चुकतें दरिद्र येतें । तळीं लक्ष्मी वरी वर्ततें । प्राणी काये करील तें । ठाउकें नाहीं
dravya cukatem daridra yetem | taḷīm lakṣmī varī vartatem | prāṇī kāye karīla tem | ṭhāukem nāhīm
Wealth is missed, poverty comes; below is Lakṣmī, above it operates; / what can the creature do — is not known.
Rāmdās turns to a new image: wealth (Lakṣmī) may lie hidden right beneath a person even while they suffer poverty above, and the person has no idea what to do about it — illustrating how the deeper Self, like buried wealth, can remain unrecognized despite being present.
Consider that resources or capacities you already possess may be going unused simply because you have not looked closely enough to find them.
तळघरामधें उदंड द्रव्य । भिंतीमधें घातलें द्रव्य । स्तंभीं तुळवटीं द्रव्य । आपण मधें
taḷagharāmadhem udamḍa dravya | bhimtīmadhem ghātalem dravya | stambhīm tuḷavaṭīm dravya | āpaṇa madhem
Abundant wealth in the basement; wealth placed in walls; / wealth in pillars, beams — oneself in middle.
The image continues: a house may be riddled with hidden treasure in its foundation, walls, pillars, and beams, while the owner lives right in the middle of it, unaware — a picture of the Self hidden within one's own being.
Take stock of what you already have — skills, support, insight — sitting unnoticed close at hand before assuming you lack what you need.
लक्ष्मीमध्यें करंटा नांदे । त्याचें दरिद्र अधिक सांदे । नवल केलें परमानंदें । परमपुरुष
lakṣmīmadhyem karamṭā nāmde | tyācem daridra adhika sāmde | navala kelem paramānamdem | paramapuruṣa
Within Lakṣmī, a wretch dwells; his poverty grows more; / a wonder was done by Param-ānanda — Parama-puruṣa.
Astonishingly, a person can dwell surrounded by wealth and still experience only increasing poverty — a strange wonder, Rāmdās notes wryly, wrought by the Supreme Being himself, pointing to how deeply unawareness can blind one to what is already present.
If you feel impoverished despite having real resources or inner capacity, examine whether the block is unawareness or neglect rather than actual lack.
येक पाहाती येक खाती । ऐसी विवेकाची गती । प्रवृत्ति अथवा निवृत्ती । येणेंचि ज्ञायें
yeka pāhātī yeka khātī | aisī vivekācī gatī | pravṛtti athavā nivṛttī | yeṇemci jñāyem
Some see, some eat — such is the motion of vivek. / Pravṛtti or nivṛtti — know by this very logic.
Some people merely look at the treasure while others actually make use of it — this difference in capacity to act on what one recognizes is what distinguishes engaged worldly activity (pravṛtti) from renunciation (nivṛtti).
Notice the gap between recognizing a truth intellectually and actually living by it — aim to be someone who acts on insight, not just observes it.
अंतरीं वसतां नारायेणें । लक्ष्मीस काये उणें । ज्याची लक्ष्मी तो आपणें । बळकट धरावा
amtarīm vasatām nārāyeṇem | lakṣmīsa kāye uṇem | jyācī lakṣmī to āpaṇem | baḷakaṭa dharāvā
When Nārāyaṇa dwells within — what lacks to Lakṣmī? / Whose is Lakṣmī, oneself — him should one hold firmly.
When the Divine (Nārāyaṇa) is recognized as dwelling within, nothing is truly lacking, since wealth itself belongs to that indwelling presence — hold fast to that inner reality rather than chasing wealth externally.
Anchor your sense of sufficiency in inner steadiness and values, not in external wealth or possessions.