संत साहित्य · Dāsabodha · Dashak 17
Dashak 17 · Samāsa 9
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स्थूळ सूक्ष्म कारण माहाकारण । ऐसे हे चत्वार देह जाण ।
जागृति स्वप्न सुषुप्ति पूर्ण । तुर्या जाणावी
sthūḷa sūkṣma kāraṇa māhākāraṇa | aise he catvāra deha jāṇa |
jāgṛti svapna suṣupti pūrṇa | turyā jāṇāvī
Sthūla, sūkṣma, kāraṇa, mahā-kāraṇa — such four bodies, know; / jāgṛti, svapna, suṣupti, full turyā — should be known.
Sthūla, sūkṣma, kāraṇa, and mahā-kāraṇa are named as the four bodies; jāgṛti (waking), svapna (dream), suṣupti (deep sleep), and the full turīya (the fourth, transcendent state) are the four corresponding states to be known.
Notice today which of these four states — waking, dreaming, deep sleep — you actually inhabit at each moment, rather than assuming you are always simply 'awake.'
विश्व तैजस प्राज्ञ । प्रत्यगात्मा हे अभिमान ।
नेत्रस्थान कंठस्थान हृदयस्थान । मूर्धनी ते
viśva taijasa prājña | pratyagātmā he abhimāna |
netrasthāna kamṭhasthāna hṛdayasthāna | mūrdhanī te
Viśva, Taijasa, Prājña; Pratyag-ātmā — these are the abhimāna; / eye-station, throat-station, heart-station; crown of head too.
Viśva, Taijasa, and Prājña, together with Pratyagātmā, are the identifying 'witnesses' (abhimāna) of these four states, seated respectively at the eyes, throat, heart, and crown of the head.
When your mood shifts through the day, notice it as a shift in which inner witness is dominant, not as a change in who you fundamentally are.
स्थूळभोग प्रविक्तभोग । आनंदभोग आनंदावभासभोग ।
ऐसे हे चत्वार भोग । चौंदेहाचे
sthūḷabhoga praviktabhoga | ānamdabhoga ānamdāvabhāsabhoga |
aise he catvāra bhoga | caumdehāce
Sthūla-bhoga, pravikta-bhoga; ānanda-bhoga, ānanda-avabhāsa-bhoga; / these four bhogas — of four bodies.
Sthūla-bhoga, pravikta-bhoga, ānanda-bhoga, and ānanda-avabhāsa-bhoga are the four characteristic experiences (bhoga) belonging to the four bodies — the particular flavor of enjoyment proper to each state.
Don't expect the same kind of satisfaction from every state of mind — waking, dreaming, and deep rest each have their own proper flavor; judge each on its own terms.
अकार उकार मकार । अर्धमात्रा तो ईश्वर ।
ऐस्या मात्रा चत्वार । चौंदेहाच्या । । ४ ॥
तमोगुण रजोगुण । सत्वगुण शुद्धसत्वगुण ।
ऐसे हे चत्वार गुण । चौंदेहाचे
akāra ukāra makāra | ardhamātrā to īśvara |
aisyā mātrā catvāra | caumdehācyā | | 4 ||
tamoguṇa rajoguṇa | satvaguṇa śuddhasatvaguṇa |
aise he catvāra guṇa | caumdehāce
A, U, M; ardha-mātrā is Īśvara; / such four mātrās — of four bodies. / Tamo-guṇa, rajo-guṇa; sattva-guṇa, śuddha-sattva-guṇa; / these four guṇas — of four bodies.
The syllables A, U, M, together with the silent half-mātrā identified with Īśvara, are the four mātrās corresponding to the four bodies. Likewise tamo-guṇa, rajo-guṇa, sattva-guṇa, and śuddha-sattva-guṇa are the four guṇas of the four bodies — sacred sound and quality mapped onto the same fourfold structure.
Notice today which of the three ordinary guṇas — dullness, agitation, or clarity — is coloring your state, and aim, even briefly, toward pure, unclouded clarity.
क्रियाशक्ति द्रव्याशक्ती । इछाशक्ति ज्ञानशक्ती ।
ऐशा चत्वार शक्ती । चौंदेहाच्या
kriyāśakti dravyāśaktī | ichāśakti jñānaśaktī |
aiśā catvāra śaktī | caumdehācyā
Kriyā-śakti, dravya-śakti; icchā-śakti, jñāna-śakti; / such four śaktis — of four bodies.
Kriyā-śakti (power of action), dravya-śakti (power of substance), icchā-śakti (power of will), and jñāna-śakti (power of knowledge) are the four śaktis belonging to the four bodies.
When you feel stuck, ask which of these four powers — action, resource, will, or knowledge — is actually the one missing, instead of treating being stuck as one undifferentiated problem.
ऐसीं हे बत्तिस तत्वें । दोहींचीं पन्नास तत्वें ।
अवघीं मिळोन ब्यासि तत्वें । अज्ञान आणी ज्ञान
aisīm he battisa tatvem | dohīmcīm pannāsa tatvem |
avaghīm miḷona byāsi tatvem | ajñāna āṇī jñāna
Such 32 tattvas; [plus] two's 50 tattvas; / all joined, 82 tattvas — of ajñāna and jñāna.
These add up to 32 tattvas [the four-body categories just listed]; together with the fifty tattvas of the subtle and gross bodies described earlier, all combined make 82 tattvas spanning both ignorance and knowledge.
Recognize how much structure genuinely underlies what feels like a single, undifferentiated self — complexity like this deserves patient study, not a quick verdict.
ऐसीं हे तत्वें जाणावीं । जाणोन माइक वोळखावीं ।
आपण साक्षी निरसावीं । येणें रितीं
aisīm he tatvem jāṇāvīm | jāṇona māika voḷakhāvīm |
āpaṇa sākṣī nirasāvīm | yeṇem ritīm
Such these tattvas should be known; knowing, recognize as māyika; / should be negated as oneself-witness — in this manner.
All these tattvas should be known — but the purpose of knowing them is to recognize them as māyika, illusory constructions, and, as the witness (sākṣī) oneself, to set them aside. The whole elaborate inventory of the last several samāsas exists to be seen through, not accumulated as knowledge for its own sake.
Study any structured self-analysis with the intent to eventually let it go, not to build an identity out of how much you know about yourself.
साक्षी म्हणिजे ज्ञान । ज्ञानें वोळखावें अज्ञान ।
ज्ञानाज्ञानाचें निर्शन । देहासरिसें
sākṣī mhaṇije jñāna | jñānem voḷakhāvem ajñāna |
jñānājñānācem nirśana | dehāsarisem
Sākṣī means jñāna; by jñāna recognize ajñāna; / destruction of jñāna-ajñāna — along with body.
Sākṣī, the witness, means jñāna, pure knowing; by that jñāna, ajñāna (ignorance) is recognized for what it is. The very distinction between knowledge and ignorance dissolves together with the body-identification that gave rise to it.
When you clearly see a habit of ignorance in yourself, let the seeing itself do the work rather than layering guilt or self-judgment on top of it.
ब्रह्मांडीं देह कल्पिले । विराट हिरण्यगर्भ बोलिले ।
ते हे विवेकें निर्शले । आत्मज्ञानें
brahmāmḍīm deha kalpile | virāṭa hiraṇyagarbha bolile |
te he vivekem nirśale | ātmajñānem
In brahmāṇḍa bodies were imagined; Virāṭ, Hiraṇya-garbha were spoken; / those by vivek are destroyed — by ātma-jñāna.
Even cosmic-scale bodies — Virāṭ and Hiraṇyagarbha, imagined at the level of the whole universe — are dissolved by the same viveka and ātma-jñāna that dissolves the individual's bodies. The negation applies at every scale, not just the personal one.
Don't imagine that grander, cosmic-sounding identities — roles, legacies, big pictures — are exempt from the same honest scrutiny you apply to your everyday self.
आत्मानात्माविवेक करितां । सारासारविचार पाहतां ।
पंचभूतांची माइक वार्ता । प्रचित आली
ātmānātmāviveka karitām | sārāsāravicāra pāhatām |
pamcabhūtāmcī māika vārtā | pracita ālī
Doing ātma-anātma-vivek; examining sāra-asāra-vicāra; / the māyika matter of pañca-bhūtas — came to pratīti.
Through ātma-anātma-viveka (discerning self from not-self) and sāra-asāra-vichāra (discerning essence from non-essence), the illusory (māyika) nature of the pañca-bhūtas, the five elements, becomes a matter of direct experience (pratīti), not mere theory.
Push your self-examination until it becomes a felt realization, not just an idea you can repeat — theory alone will not do the work.
अस्ति मांष त्वचा नाडी रोम । हे पांचहि पृथ्वीचे गुणधर्म ।
प्रत्यक्ष शरीरीं हें वर्म । शोधून पाहावें
asti māmṣa tvacā nāḍī roma | he pāmcahi pṛthvīce guṇadharma |
pratyakṣa śarīrīm hem varma | śodhūna pāhāvem
Bone, flesh, skin, nāḍī, hair — these five are guṇa-dharmas of pṛthvī; / directly in body this secret — should be searched-and-seen.
Bone, flesh, skin, nerve, and hair are the five qualities of pṛthvī (earth); this secret should be directly sought and verified in one's own body, not merely accepted as a claim.
Physically check this inventory against your own body right now rather than reading it as an abstraction.
शुक्लीत श्रोणीत लाळ मूत्र स्वेद । हे आपाचे पंचकभेद ।
तत्वें समजोन विशद । करून घावीं
śuklīta śroṇīta lāḷa mūtra sveda | he āpāce pamcakabheda |
tatvem samajona viśada | karūna ghāvīm
White-fluid, red-fluid, saliva, urine, sweat — these are the five-fold bhedas of āpa; / understanding by tattvas, clarified — should be made.
Semen, blood, saliva, urine, and sweat are the five-fold divisions of āpa (water); these principles should be understood and made clear through one's own examination.
Let this plain, unglamorous list of bodily fluids deflate any illusion of the body's permanence or purity — it is useful medicine against vanity.
क्षुधा त्रुषा आलस्य निद्रा मैथुन । हे पांचहि तेजाचे गुण ।
या तत्वांचें निरूपण । केलेंचि करावें
kṣudhā truṣā ālasya nidrā maithuna | he pāmcahi tejāce guṇa |
yā tatvāmcem nirūpaṇa | kelemci karāvem
Hunger, thirst, laziness, sleep, sex — these five are guṇas of tejas; / the nirūpaṇa of these tattvas — should be done-and-redone.
Hunger, thirst, laziness, sleep, and sexual desire are the five qualities of tejas (fire); this explanation should be repeated and reinforced, not treated as a one-time lesson.
Return to this teaching more than once when hunger or desire feels overwhelming — recognizing it as a predictable bodily quality, not a personal crisis, takes repeated practice.
चळण वळण प्रासारण । निरोध आणि आकोचन ।
हें पंचहि वायोचे गुण । श्रोतीं जाणावे
caḷaṇa vaḷaṇa prāsāraṇa | nirodha āṇi ākocana |
hem pamcahi vāyoce guṇa | śrotīm jāṇāve
Motion, bending, extension, restraint, and contraction — / these five are guṇas of vāyu — listeners should know.
Motion, bending, extension, restraint, and contraction are the five qualities of vāyu (air) — listeners should know these plainly.
Pay attention to your body's literal movements today as expressions of this same restless element that also stirs your mind.
काम क्रोध शोक मोहो भये । हा आकाशाचा परिपाये ।
हें विवरल्याविण काये । समजों जाणें
kāma krodha śoka moho bhaye | hā ākāśācā paripāye |
hem vivaralyāviṇa kāye | samajom jāṇem
Kāma, krodha, śoka, moha, bhaya — this is the manner of ākāśa; / without examining this — what [can] be understood?
Desire, anger, grief, delusion, and fear are the working (paripāya) of ākāśa (space); without carefully examining this, nothing here can truly be understood.
The next time one of these five emotions arises, actually examine it rather than simply reacting to or suppressing it — understanding requires that closer look.
असो ऐसें हें स्थूळ शरीर । पंचविस तत्वांचा विस्तार ।
आतां सूक्ष्मदेहाचा विचार । बोलिजेल
aso aisem hem sthūḷa śarīra | pamcavisa tatvāmcā vistāra |
ātām sūkṣmadehācā vicāra | bolijela
So such is the sthūla body; expanse of 25 tattvas; / now the consideration of sūkṣma-deha — will be spoken.
So concludes the gross body: an expanse of twenty-five tattvas. Now the discussion turns to the subtle body.
Having examined the body's outward structure, turn the same careful attention inward to your mental structure next.
अंतःकर्ण मन बुद्धि चित्त अहंकार । आकाशपंचकाचा विचार ।
पुढें वायो निरोत्तर । होऊन ऐका
amtaḥkarṇa mana buddhi citta ahamkāra | ākāśapamcakācā vicāra |
puḍhem vāyo nirottara | hoūna aikā
Antaḥkaraṇa, manas, buddhi, citta, ahamkāra — the consideration of ākāśa-pañcaka; / ahead vāyu, free of speech — listen.
Antaḥkaraṇa, manas, buddhi, citta, and ahaṃkāra — the five inner faculties — are here assigned to ākāśa (space); next, the assignment to vāyu (air), described without further words, follows.
Notice how much of your inner mental apparatus — mind, intellect, memory, ego — operates like open, spacious background rather than solid, separate objects.
व्यान समान उदान । प्राण आणी अपान ।
ऐसे हे पांचहि गुण । वायोतत्वाचे
vyāna samāna udāna | prāṇa āṇī apāna |
aise he pāmcahi guṇa | vāyotatvāce
Vyāna, samāna, udāna; prāṇa and apāna; / such these five guṇas — of vāyu-tattva.
Vyāna, samāna, udāna, prāṇa, and apāna — the five vital airs — are the five qualities belonging to vāyu-tattva, the air element.
When you feel breathless or scattered, work with breath directly — this is the element whose job that regulation actually is.
श्रोत्र त्वचा चक्षु जिव्हा घ्राण । हें पांचहि तेजाचे गुण ।
आतां आप सावधान । होऊन ऐका
śrotra tvacā cakṣu jivhā ghrāṇa | hem pāmcahi tejāce guṇa |
ātām āpa sāvadhāna | hoūna aikā
Śrotra, tvacā, cakṣu, jihvā, ghrāṇa — these five are guṇas of tejas; / now āpa alertly — hear.
Śrotra (ear), tvacā (skin), cakṣu (eye), jihvā (tongue), and ghrāṇa (nose) — the five senses of knowing — are here the five qualities of tejas (fire).
Treat sharpened sensory attention — really hearing, really seeing — as a way of working with clarity and fire in your own mind, not a passive byproduct.
वाचा पाणी पाद शिस्न गुद । हे आपाचे गुण विशद ।
आतां पृथ्वी विशद । निरोपिली
vācā pāṇī pāda śisna guda | he āpāce guṇa viśada |
ātām pṛthvī viśada | niropilī
Speech, hand, foot, genital, anus — these are clear guṇas of āpa; / now pṛthvī clearly — is expounded.
Speech, hand, foot, genital, and anus — the five organs of action — are the clear qualities of āpa (water).
Before acting through speech or hand, notice whether the impulse behind it has the fluid, seeking quality of water-driven desire, and decide deliberately rather than by reflex.
शब्द स्पर्श रूप रस गंध । हे पृथ्वीचे गुण विशद ।
ऐसे हे पंचवीस तत्वभेद । सूक्ष्म देहाचे
śabda sparśa rūpa rasa gamdha | he pṛthvīce guṇa viśada |
aise he pamcavīsa tatvabheda | sūkṣma dehāce
Śabda, sparśa, rūpa, rasa, gandha — these are clear guṇas of pṛthvī; / such 25 tattva-divisions — of sūkṣma-deha.
Śabda (sound), sparśa (touch), rūpa (form), rasa (taste), and gandha (smell) — the five sense-objects — are the clear qualities of pṛthvī (earth). With this, the twenty-five tattva-divisions of the subtle body are complete, closing out the fourfold-body analysis begun at the top of this samāsa.
Having traced this whole structure from gross body to subtle mind, let the final effort be to rest in what observes all twenty-five, rather than adding one more item to track.