Abhanga 1723
Since everything you could offer God already belongs to God, the one true offering left to you is chanting the divine name with real feeling.
The verse
कासियानें पूजा करूं केशीराजा । हा चि संदेह माझा फेडीं आतां ॥१॥ उदकें न्हाणूं तरी स्वरूप तुझें । तेथें काय माझें वेचे देवा ॥ध्रु.॥ गंधाचा सुगंध पुष्पाचा परिमळ । तेथें मी दुर्बळ काय करूं ॥२॥ फळदाता तूंच तांबोल अक्षता । तरी काय आतां वाहों तुज ॥३॥ वाहूं दक्षिणा जरी धातु नारायण । ब्रम्ह तें चि अन्न दुजें काईं ॥४॥ गातां तूं ओंकार टाळी नादेश्वर । नाचावया थार नाहीं कोठें ॥५॥ तुका म्हणें मज अवघें तुझें नाम । धूप दीप रामकृष्णहरि ॥६॥
Literal translation
With what to do pūjā, Keśīrāja? — resolve this very doubt now. Bathe with water — but your own-form (is everything) — what does it cost me, Devā? Chandana's fragrance, flower's perfume — there I am durbaḷa — what to do? You yourself are the fruit-giver, the tāmbūla, the akṣata — what now to offer to you? Offer dakṣiṇā — if the metal is Nārāyaṇa — Brahma very is anna — what second? Singing — you the Omkāra, the tāḷī, the nāda-īśvara — no place anywhere to dance. Tuka says: to me, everything is your nāma — dhūpa, dīpa — Rāma-Kṛṣṇa-Hari.
Word-by-word gloss
| Marathi | Meaning |
|---|---|
| कासियानें पूजा करूं केशीराजा | "with what — do pūjā — Keśīrāja" |
| हा चि संदेह माझा फेडीं आतां | "this very doubt — resolve now" |
| उदकें न्हाणूं तरी स्वरूप तुझें | "water to bathe — (but) your own-form" |
| तेथें काय माझें वेचे देवा | "there what does it cost me, Devā" |
| गंधाचा सुगंध पुष्पाचा परिमळ | "chandana's fragrance — flower's perfume" |
| तेथें मी दुर्बळ काय करूं | "there I am durbaḷa — what to do" |
| फळदाता तूंच तांबोल अक्षता | "you the fruit-giver — tāmbūla, akṣata" |
| तरी काय आतां वाहों तुज | "what now — to offer to you" |
| वाहूं दक्षिणा जरी धातु नारायण | "offer dakṣiṇā — if metal — Nārāyaṇa" |
| ब्रम्ह तें चि अन्न दुजें काईं | "Brahma — very — anna — what second" |
| गातां तूं ओंकार टाळी नादेश्वर | "singing — you Omkāra — tāḷī — nāda-īśvara" |
| नाचावया थार नाहीं कोठें | "to dance — no place anywhere" |
| तुका म्हणें मज अवघें तुझें नाम | "Tuka says — to me — all your nāma" |
| धूप दीप रामकृष्णहरि | "dhūpa dīpa — Rāma-Kṛṣṇa-Hari" |
What it means
Pūjā-meta-abhang: nothing-to-offer-because-everything-is-already-yours; only-nāma. One of Tukaram's most-celebrated theological-pūjā poems.
A 6-verse cascade through the traditional sixteen-fold pūjā (ṣōḍaśa-upacāra) — but at each step, the bhakta finds the offering-already-belongs-to-the-Lord:
Step 1 — bathing: udakē nhāṇūm tarī sva-rūpa tujhēm — bathe with water — but your own-form (is the water itself, is everything). What does it cost me? — nothing — because the very-water is your form.
Step 2 — fragrance and flowers: gandhācā sugandha puṣpācā parimaḷa — tēthē mī durbaḷa kāya karūm — chandana's fragrance, flower's perfume — there I am durbaḷa, what to do? (= the very-fragrance and perfume are you; I have nothing-original to offer.)
Step 3 — fruit, betel, rice: phaḷa-dātā tūm chi tāmbōla akṣatā — you yourself are the fruit-giver, the tāmbūla, the akṣata. You are the offering-and-the-receiver simultaneously.
Step 4 — money-offering: vāhūm dakṣiṇā jarī dhātu Nārāyaṇa — Brahma tē chi anna dujēm kāīm — offer dakṣiṇā — when the metal is Nārāyaṇa, Brahma is the very-anna — what second? (= the very-coin-metal is Nārāyaṇa; the very-food (Brahma) is also you.)
Step 5 — singing-and-dancing: gātām tūm ōmkāra tāḷī nāda-īśvara — nācāvayā thāra nāhīm kōṭhē — singing — you the Omkāra, the tāḷī, the nāda-īśvara — no place anywhere to dance. You are the song, the rhythm, the sound; nowhere outside-you to-stand-and-dance.
The closing-resolution: Tukā mhaṇē maja avaghēm tujhēm nāma — dhūpa dīpa Rāma-Kṛṣṇa-Hari — Tuka says: to me, everything is your nāma — dhūpa, dīpa — Rāma-Kṛṣṇa-Hari. The resolution: only-the-nāma can be offered — because the nāma is the only-thing originally-the-bhakta's-act, not pre-belonging-to-the-Lord. The nāma serves as dhūpa-dīpa-and-everything-else.
This abhang is one of Tukaram's most-philosophically-rich — advaita-pūjā-paradox: every-offering-already-is-Lord, so the only-original-offering is the nāma uttered-as-bhāva.
[T]
For someone today
For today: with what shall I do pūjā, Keśīrāja? — resolve this very doubt for me now; bathe you with water — but your own-form is everything, what does it cost me?; chandana's fragrance, flowers' perfume — there I am poor, what can I do?; you yourself are the fruit-giver, the betel-and-rice — what could I now offer to you?; offer dakṣiṇā — when the very-metal is Nārāyaṇa, and Brahma itself is the anna — what second-thing remains?; singing — you are the Omkāra, the tāḷī, the nāda-īśvara — there is no place anywhere outside-you to stand-and-dance; Tuka says — to me, everything is your nāma — dhūpa, dīpa — Rāma-Kṛṣṇa-Hari.
Where this applies
- When you feel too poor or unworthy to offer God anything meaningful
- When you're preparing a ritual or offering and realize every material thing you have ultimately came from somewhere beyond you
- When you're searching for a devotional practice that requires no wealth or special resources
- When you're wondering what part of your worship is truly your own, personal gift