संत साहित्य
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संत साहित्य · Tukārām · Abhanga 3951 of 4582

Abhanga 3951

Tukaram admits he cannot match the skilled crowd of devotees and asks God directly not to leave him to be judged by their standard.

When you feel out of place among people more skilled or polished than you.
When you worry your imperfect effort might embarrass what you claim to represent.
When you ask for grace instead of trying to compete with others' standards.

The verse

मिळे हरिदासांची दाटी । रीग न होय शेवटी ॥१॥ तेथें म्या काय करावें । माझें कोणें आइकावें ॥ध्रु.॥ कैसें तुज लाजवावें । भक्त म्हणोनियां भावें ॥२॥ नाचतां नये ताळीं । मज वाजवितां टाळी ॥३॥ अंतीं मांडिती भुषणें भूषणे । शरीर माझें दैन्य वाणें ॥४॥ तुका म्हणे कमळापति । मज न द्यावें त्या हातीं ॥५॥

Literal translation

Miḷe Haridāsāñcī dāṭīHari-dāsas' crowd gathers; rīga na hōya śevaṭīno rīga at end. Tethe myā kāya karāvewhat shall I do there; mājhe kōṇe āikāvewho'll hear me. Kaise tuja lājavāvehow to make you lāja; bhakta mhaṇōnīyām bhāvesaying bhakta with bhāva. Nāchatām naye tāḷīmcan't dance to tāḷa; maja vājavitām ṭāḷī(even) when (someone) plays tāḷī. Antīm māṇḍitī bhūṣaṇeat end (they) arrange bhūṣaṇas; śarīra mājhe dainyavāṇemy body of dainya-tone. Tukā mhaṇe KamaḷāpatiTukā says: Kamaḷāpati; maja na dyāve tyā hātīmdon't give me into their hand.

What it means

A 5-verse humble-petition. Tukārām claims-poverty and-unskill, asks not-to-be-grouped with-the-skilled-Hari-dāsas.

For someone today

Tukaram pictures himself standing at the edge of a great crowd of devoted, skilled Hari-dasas, feeling there is no room left for him and wondering who would even bother to listen to him. He admits plainly that he cannot keep time or dance properly, even when others clap the beat for him, and worries that calling himself a devotee might embarrass God given how unpolished he actually is. In the end, while others receive honors and ornaments, he sees only his own poverty and awkwardness, and asks God directly not to be handed over to be judged by that skilled crowd.

मराठी: तुकाराम स्वतःला हरिदासांच्या मोठ्या, कुशल गर्दीच्या काठावर उभे असल्यासारखे चित्रित करतात, तिथे आपल्यासाठी जागाच उरली नाही असे वाटते आणि कोण आपले ऐकेल असा प्रश्न त्यांना पडतो. दुसरे कोणी टाळी वाजवून ताल धरत असतानाही आपल्याला नीट नाचता येत नाही हे ते स्पष्टपणे मान्य करतात, आणि स्वतःला भक्त म्हणवून घेणे आपल्या अकुशलतेमुळे देवालाच लाजवेल का, अशी काळजी त्यांना वाटते. शेवटी इतरांना मान-सन्मान मिळत असताना त्यांना फक्त स्वतःचे दैन्य आणि अवघडलेपण दिसते, आणि ते देवाला थेट विनंती करतात की मला त्या कुशल गर्दीच्या हातात सोपवू नकोस.

Where this applies