Abhanga 199

This abhang offers the cluster's summary-imperative:

The verse

Literal translation

What it means

The closing abhang of the vāḷavaṇṭa-cluster (193-199) — the ॥७॥ marker confirms the 7-abhang gatha-marked sequence. Six structural moves:

1. टाळ टिपरी मांदळे एक नाद — tāḷ, ṭiparī, māndaḷē — one nāda. The percussion-trio of the warkari kīrtana resolves into one sound. (Compare 195's outer + inner dual-rhythm.)

2. जाला बसवंत देवकीचा बाळ — the Devakī-son became basavanta. Krishna seated himself in the kīrtana. He arrived as the seated-lord.

3. साही अठरा चारी घालुनियां घाई — the six-eighteen-four — thrown into the ghāī. The six śāstras, eighteen purāṇas, four vedas — the entire textual-tradition — are thrown into the kīrtana-rhythm. They are played, not protected. The fērī-tāḷa-shuddha (round in pure-tāḷa) is what the texts now do.

4. विस्मित होऊनि ठाकले सकळ जन — all people stood astounded. The festival has a visual / audible effect on bystanders. Sakaḷa-jana — all people — stand (immobile, astonished).

5. अमरावती केली ओस — Amarāvatī (Indra's heaven) was made deserted. The grand structural-claim. People are leaving Indra's heaven for this festival. The establishment-heaven loses its inhabitants. (Compare 198's those who saw Pandhari refuse Vaikuntha.)

6. नका आळस करूं — सांगतों नरनारींस — don't be lazy — I'm telling men-and-women. The cluster's closing-imperative. Lazy-not-attending-the-festival is the failure. Men and women alike — the inclusivity-call.

[T]

For someone today

This abhang offers the cluster's summary-imperative:

1. The percussion-trio resolves into one nāda. When real-collective-practice is happening, multiple-instruments become one sound. If you hear the parts as parts, the integration hasn't yet happened.

2. The deity sits-down at the kīrtana. Devakī's son became basavanta. The deity is not absent and waiting-to-be-called; the deity seats itself when the kīrtana is real. Don't try-to-get-the-deity-to-come; let the kīrtana be real, and the deity seats itself.

3. The textual-tradition is played, not protected. Six-eighteen-four thrown into the ghāī. Tukaram's radical move: the entire textual-canon is raw material for the kīrtana-rhythm, not something to be guarded against the kīrtana. If you have been protecting the texts against real practice, you have it backwards.

4. Indra's heaven is being deserted. Establishment-locations lose their populations when real-alternatives become available. Notice when this is happening in your time; the migration-direction is structural.

5. Don't be lazy. Nakā āḷasa karūm. The closing-call is anti-laziness. Show up. Men and women alike. The festival is available; not-attending is the failure.

For today: notice when integration into one nāda is happening; trust that the deity seats itself at real-practice; play the textual-tradition, don't protect it against practice; pay attention to where establishment-locations are being deserted; show up when the festival is on.

मराठी: ही ओवी cluster चा summary-imperative देते:

1. Percussion-trio एका नादात resolve होतं. Real-collective-practice होताना, multiple-instruments एक सूर बनतात. भाग भाग म्हणून ऐकू येत असेल — integration अजून झाली नाही.

2. देव kīrtana ला बसून जातो. देवकीचा बाळ बसवंत झाला. देव absent नाही call-करायची-वाट-पाहत; देव kīrtana real झाला की बसून जातो. देवाला आणण्याचा प्रयत्न करू नका; kīrtana real असू द्या, देव स्वतः बसतो.

3. Textual-tradition played, protected* नाही. साही-अठरा-चारी घाईत घातले. तुकारामांची radical हालचाल: संपूर्ण textual-canon kīrtana-rhythm साठी raw material, kīrtana विरुद्ध guard करण्यासाठी नाही. तुम्ही texts real practice विरुद्ध protect करत असाल — उलटं* आहे.

4. इंद्राचं heaven deserted होतंय. Real-alternatives available होताच — Establishment-locations populations गमावतात. तुमच्या काळात कधी होतंय notice करा; migration-direction structural.

5. आळस करू नका. नका आळस करूं. Closing-call anti-laziness. उपस्थित राहा. नर-नारी सारखे. Festival available; not-attending failure.

आज: notice करा एका नादात integration कधी होतंय; real-practice ला देव स्वतः बसतो विश्वास ठेवा; textual-tradition play करा, practice विरुद्ध protect करू नका; establishment-locations deserted कुठे होत आहेत लक्ष द्या; festival चालू असेल — उपस्थित राहा.

Where this applies

• Integration into one nāda. Don't hear parts as parts.
• Texts played, not protected. साही-अठरा-चारी घाईत.
• Don't be lazy — show up. नका आळस करूं.

Related verses

• Abhanga 4481
• Abhanga 4482
• Abhanga 4582
• Abhanga 3335 — Tukārām's CANONICAL Vārkarī-affirmation: the-pilgrim's-mokṣa is already-in-hand; the-weake