Abhanga 270
A celebration built entirely on show, with no real substance behind it, earns you contempt now and trouble later, so make sure something genuine is actually there.
The verse
दिवट्या वाद्यें लावुनि खाणें । करूनि मंडण दिली हातीं ॥१॥ नवरा नेई नवरी घरा । पूजन वरा पाद्याचें ॥ध्रु.॥ गौरविली विहीण व्याही । घडिलें कांहीं ठेवूं नका ॥२॥ करूं द्यावें न्हावें वरें । ठायीचें कां रे न कळे चि ॥३॥ वर्हाडियांचे लागे पाठीं । जैसी उटिका तेलीं ॥४॥ तुका म्हणे जोडिला थुंका । पुढें नरका सामग्री ॥५॥
Literal translation
Lamps, music — applied; eating done; decoration made — placed in (their) hands. The groom takes the bride home; foot-pūjā for the groom. The vihiṇa-vyāhī honored; what was made — keep nothing aside. Should bathe the groom — at-the-place — why don't you understand? The wedding-party clings to (your) back — like oil-paste. Tuka says: spittle-earned — ahead, naraka-supplies.
मराठी: दिवट्या वाद्यें लावुनि खाणें — करूनि मंडण दिली हातीं. नवरा नेई नवरी घरा — पूजन वरा पाद्याचें. गौरविली विहीण व्याही — घडिलें कांहीं ठेवूं नका. करूं द्यावें न्हावें वरें — ठायीचें कां रे न कळे चि. वर्हाडियांचे लागे पाठीं — जैसी उटिका तेलीं. तुकाराम म्हणतात — जोडिला थुंका — पुढें नरका सामग्री.
Word-by-word gloss
| Marathi | Meaning |
|---|---|
| दिवट्या वाद्यें लावुनि खाणें | "lamps and vādya (music-instruments) — applied; eating done" |
| करूनि मंडण दिली हातीं | "decoration made — placed in (their) hands" |
| नवरा नेई नवरी घरा | "groom takes the bride home" |
| पूजन वरा पाद्याचें | "foot-pūjā for the vara (groom)" |
| गौरविली विहीण व्याही | "the vihiṇa-vyāhī (in-laws — wife's mother + father) honored" |
| घडिलें कांहीं ठेवूं नका | "what was made (= prepared) — keep nothing (aside)" |
| करूं द्यावें न्हावें वरें | "should bathe the groom" |
| ठायीचें कां रे न कळे चि | "at-the-place — why don't you understand?" |
| वर्हाडियांचे लागे पाठीं | "the varhāḍiyāñcē (wedding-party) clings to the pāṭhī (back)" |
| जैसी उटिका तेलीं | "like oil-paste" |
| जोडिला थुंका | "spittle-earned (= earned by thūnkā — spittle / disgust)" |
| पुढें नरका सामग्री | "ahead — naraka-supplies (= supplies for naraka)" |
What it means
A wedding-feast hypocrisy critique abhang. Reads as a 5-verse description of wedding-show-with-internal-emptiness. Three claims:
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Wedding-show items. Lamps, music, decoration, foot-pūjā, in-law-honoring, groom-bathing — all external-ceremonies. Tukaram lists them neutrally; the critique is in the closing.
-
वर्हाडियांचे लागे पाठीं — जैसी उटिका तेलीं — the wedding-party clings to the back like oil-paste. The image of the wedding-party: they cling to your back (= demand things, expect-things, hover-around). Like oil-paste sticking — uṭikā-tēli — the unwanted-clinging-quality.
-
तुका म्हणे जोडिला थुंका — पुढें नरका सामग्री — Tuka says: spittle-earned — ahead, naraka-supplies. The closing-judgment. Joḍilā thūnkā — what was earned wasthūnkā(spittle, disgust, contempt-of-onlookers). And pudhē narakā sāmagrī — ahead, you have preparedsupplies for naraka. The wedding-show-without-substance produces boththūnkā (current-disgust)andnaraka-supplies (future-karma).
(Compare 244's abhimāna-renunciation is julūma; 251's vēśa-disgracer; here, the wedding-show ostentation is a parallel-corruption.)
[T]
For someone today
Tukaram describes a wedding piled high with lamps, music, feasting, decoration, and every customary ritual — all the outward trappings that can be perfectly honest when there's real substance behind them, but become empty performance when there isn't. When a celebration turns into pure show, the crowd around it starts clinging and demanding like oil sticking to skin, hovering for what they can extract rather than genuinely sharing the occasion. Tukaram's judgment is sharp: an empty show like that earns you nothing but contempt in people's eyes right now, and stores up bad karma for the future, since putting on a display doesn't erase the consequences of hollowness underneath. The lesson applies to any ceremony in your own life — a wedding, a ritual, a public event — either put real substance into it, or don't dress it up as something it isn't.
मराठी: तुकाराम एका लग्नाचे वर्णन करतात — दिवट्या, वाद्ये, मेजवानी, सजावट, सगळे रीतीरिवाज — हे सगळे बाह्यांग खरे असले तर प्रामाणिक ठरतात, पण मागे काही सत्त्व नसेल तर निव्वळ देखावा बनतात. उत्सव जेव्हा नुसता देखावा बनतो, तेव्हा त्याभोवतीची गर्दी तेलासारखी चिकटते, मागत राहते, प्रसंग खऱ्या अर्थाने वाटून घेण्याऐवजी त्यातून काहीतरी ओरबाडून घेण्यासाठी घुटमळत राहते. तुकारामांचा निर्णय तीव्र आहे — असा पोकळ देखावा आताच लोकांच्या नजरेत तुच्छता मिळवून देतो आणि पुढे वाईट कर्माची शिदोरीही साठवतो, कारण दिखाव्याने आतील पोकळपणाचे परिणाम मिटत नाहीत. हा धडा तुमच्या आयुष्यातील कोणत्याही समारंभाला लागू होतो — लग्न, विधी, सार्वजनिक कार्यक्रम — एकतर त्यात खरे सत्त्व घाला, नाहीतर त्याला जे नाही तसे भासवू नका.
Where this applies
- Ceremony-show-items. Honest if substance present; show-only if absent.
- Wedding-party clings like oil-paste. Recognize.
- Empty-form earns both disgust and naraka-supplies. Cost.
- Either substance or no-show. Implicit-instruction.