संत साहित्य
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संत साहित्य · Tukārām · Abhanga 375 of 4582

Abhanga 375

Going alone to be close with the divine is not shameful, it is union, and devotee and God complete each other without needing anyone's approval or explanation.

When the bhakta in sakhī-bhāva goes alone with Govinda — and you have to recognize this register
When no viṣama comes near in this aloneness — and you accept this purity-claim within the bridal-image
When the destination is fulfilled by both together — and you receive this mutual-completion

The verse

एकली राणागोविंदा सवें । गेलें ठावें तें जालें ॥१॥ मज न म्हणा न म्हणा शिंदळी । नाहीं विषम जवळीं आतळलें ॥ध्रु.॥ नव्हती देखिली म्यां वाट । म्हणोनि हा धीट संग केला ॥२॥ भेणें मिठी दिधली गळां । सेजे जवळ दडालें ॥३॥ सलगी धरी पयोधर । साहाती करमुर सवें ॥४॥ आहेव मी गर्भीणपणें । हें सांगणें कां लागे ॥५॥ तुका म्हणे सेवटा नेलें । संपादिलें उभयतां ॥६॥

Literal translation

Alone — with Rāṇā-Govinda — I went — what was to happen, happened. Don't call me, don't call me śimḍaḷi — no viṣama came near. I had not seen the path — therefore made this dhīṭa sanga. From fear — embrace given to the throat — hid near the sēja. Payōdharasalagī; intimate touches sustained. I am āhēva in garbhīṇa-paṇa — why should this be told? Tuka says: brought (me) to the destination — fulfilled by both together.

मराठी: एकली राणागोविंदा सवें — गेलें ठावें तें जालें. मज न म्हणा न म्हणा शिंदळी — नाहीं विषम जवळीं आतळलें. नव्हती देखिली म्यां वाट — म्हणोनि हा धीट संग केला. भेणें मिठी दिधली गळां — सेजे जवळ दडालें. सलगी धरी पयोधर — साहाती करमुर सवें. आहेव मी गर्भीणपणें — हें सांगणें कां लागे. तुकाराम म्हणतां — सेवटा नेलें — संपादिलें उभयतां.

Word-by-word gloss
Marathi Meaning
एकली राणागोविंदा सवें "alone — with Rāṇā-Govinda"
गेलें ठावें तें जालें "went — what was to happen — happened"
मज न म्हणा न म्हणा शिंदळी "don't call me, don't call me śimḍaḷi (adulteress)"
नाहीं विषम जवळीं आतळलें "no viṣama (improper) — came near"
नव्हती देखिली म्यां वाट "I had not seen the path"
म्हणोनि हा धीट संग केला "therefore made this dhīṭa (bold) sanga"
भेणें मिठी दिधली गळां "from fear — gave embrace to the throat"
सेजे जवळ दडालें "hid near the sēja (bed)"
सलगी धरी पयोधर "the payōdhara (breast) — salagī (touched intimately)"
साहाती करमुर सवें "karamuru (intimate touches) — sustained"
आहेव मी गर्भीणपणें "I am āhēva (married-with-living-husband) — in garbhīṇa-paṇa (pregnant state)"
हें सांगणें कां लागे "why should this be told?"
सेवटा नेलें "brought (me) to the destination"
संपादिलें उभयतां "fulfilled by ubhayatā (both together)"

What it means

A sakhī-bhāva / bridal-mystic abhang. Tukaram speaks as the bride-bhakta who goes alone with Rāṇā-Govindathe deva imagined as the groom. This is the Vārkarī's relatively-rare bridal-mystic register (more common in Mīrābāī, Ānṭāḷ, and the Northern Vaiṣṇava traditions; here in Tukaram's voice). Six claims:

  1. एकली राणागोविंदा सवें — गेलें ठावें तें जालेंalone with Rāṇā-Govinda — what was to happen, happened. The bridal-going-alone: I went alone with the deva-as-Rāṇā-Govinda; what was to happen, happened. The consummation-claim, in indirect form.

  2. मज न म्हणा न म्हणा शिंदळी — नाहीं विषम जवळीं आतळलेंdon't call me śimḍaḷi — no viṣama came near. The defense-against-misreading: don't call me adulteress; no viṣama (improper) thing came near. The aloneness-with-deva is not adulterous; it is union, not transgression. (Worldly-frame would call this aloneness-with-the-other adulterous; Tukaram defends — deva is the husband.)

  3. नव्हती देखिली म्यां वाट — म्हणोनि हा धीट संग केलाI had not seen the path — therefore made this dhīṭa sanga. The boldness-defense: the path I had not seen — therefore I made bold company. The boldness was from path-unfamiliarity, not from impropriety.

  4. भेणें मिठी दिधली गळां — सेजे जवळ दडालेंfrom fear — embrace at the throat — hid near the bed. The fear-embrace claim: embrace given out of fearhid near the bed. The proximity is from fear-of-the-unfamiliar-path, not desire-only.

  5. सलगी धरी पयोधर — साहाती करमुर सवेंpayōdhara salagī — karamuru sustained. The intimate-touches sustained. (Salagīintimate-touch / familiar-touch; karamurugentle handling.) The intimate-physical-mode is named, not concealed.

  6. आहेव मी गर्भीणपणें — हें सांगणें कां लागे — तुका म्हणे सेवटा नेलें — संपादिलें उभयतांI am āhēva in garbhīṇa-paṇa — why be told — Tuka says: brought to destination — fulfilled by both together. The closing-claim: I amāhēva(married-with-husband-alive)in pregnant-state; why need this be told? (= the relationship is established and bearing-fruit; no need to explain.) Brought (me) to the destination; fulfilled byubhayatā(both together). Mutual-completion — both deva and bhakta complete each other.

[T]

For someone today

In this rare bridal-voice abhang, Tukaram speaks as a bride going alone to meet God as her beloved, and insists there is nothing shameful in it: going alone to be close with the divine is not adultery, it is union. Don't apologize for solitary devotion, or for wanting to be close to God with your whole heart. The boldness came from not knowing the way — holding the divine tightly was simply what the unfamiliar path required, not something improper. The closeness itself, the embrace, the intimacy, is spoken of openly here, not hidden away in shame. And in the end neither side stands alone: devotee and God complete each other, each fulfilled through the other, needing no one's permission or explanation.

मराठी: या दुर्मिळ वधू-भावाच्या अभंगात तुकाराम स्वतःला देवाला भेटायला एकटी जाणारी वधू म्हणून वर्णन करतात, आणि ठामपणे सांगतात की यात काहीही लज्जास्पद नाही — देवाजवळ एकटीने जाणे हे व्यभिचार नसून मीलन आहे. एकांतातील भक्तीबद्दल किंवा देवाशी मनापासून जवळीक साधण्याबद्दल क्षमा मागण्याची गरज नाही. हे धाडस वाट माहीत नसल्यामुळे आले — अनोळखी वाटेवर देवाला घट्ट धरून ठेवणे ही गरज होती, अयोग्यता नव्हे. इथे जवळीक — आलिंगन, आत्मीयता — उघडपणे सांगितली आहे, लपवलेली किंवा लाजिरवाणी नाही. आणि शेवटी दोघेही एकमेकांवाचून अपूर्ण नाहीत — भक्त आणि देव एकमेकांना पूर्ण करतात, कोणाच्याही परवानगीची किंवा स्पष्टीकरणाची गरज न पडता.

Where this applies

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