संत साहित्य
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संत साहित्य · Tukārām · Abhanga 1336 of 4582

Abhanga 1336

The outer forms of practice are only shapes, what matters is the butter churned from real effort, and it comes suddenly to those who are truly in need after long, quiet accumulation.

When sādhanas seem like form-and-shape — the cause is the churned butter; the bird's antara-akṣa (inner-eye) reaches only the fruit; bhakti's gain is for the urgent-need alone

The verse

साधनांच्या कळा आकार आकृति । कारण नवनीतीं मथनाचें ॥१॥ पक्षियासी नाहीं मारगीं आडताळा । अंतराक्षी फळासी चि पावे ॥ध्रु.॥ भक्तिची जोडी ते उखत्या चि साटीं । उणें पुरें तुटी तेथें नाहीं ॥२॥ तुका म्हणे आलें सांचत सांचणी । आजि जाली क्षणी एकसरें ॥३३॥

Literal translation

The sādhanas' kaḷās are ākāra and ākṛti — (but) the kāraṇa is in the navanīta of the mathana. For the bird, no obstruction in the path; the antara-akṣa reaches only the phala. Bhakti's jōḍī is for theukhatyaonly — uṇē-purē, tuṭī are not there. Tuka says: it came as savings-by-savings — today happened in a kṣaṇa, all-at-once.

मराठी: साधनांच्या कळा — आकार-आकृति; — कारण — नवनीतीं — मथनाचें. पक्ष्यांना मार्गांत आडताळा (अडथळा) नाहीं — अंतर-अक्षीनें — फळाला-च पावतें. भक्तीची जोडी — उखत्या-च-साठीं — उणें-पुरें-तुटी — तिथें नाहीं. Tukā म्हणे — सांचत-सांचणी — आलें — आज क्षणीं — एकसरें झालें. ॥३३॥

Word-by-word gloss
Marathi Meaning
साधनांच्या कळा आकार आकृति "of sādhanas — the kaḷās — ākāra (form) and ākṛti (shape)"
कारण नवनीतीं मथनाचें "the kāraṇa (cause) — is in the navanīta — of the mathana (churning)"
पक्षियासी नाहीं मारगीं आडताळा "for the pakṣī (bird) — no obstruction (āḍatāḷā) in the mārga (path)"
अंतराक्षी फळासी चि पावे "the antara-akṣī (inner-eye) — reaches only the phala (fruit)"
भक्तिची जोडी ते उखत्या चि साटीं "bhakti's jōḍī — for the ukhatya (urgent-need) only"
उणें पुरें तुटी तेथें नाहीं "uṇē-purē (lacking-or-filling) — tuṭī (break) — there are not"
आलें सांचत सांचणी "(it has) come — saving by saving (sāmcata-sāmcaṇī)"
आजि जाली क्षणी एकसरें "today — happened — in a kṣaṇa — all-at-once (ēkasarē)"
॥३३॥ "(numbering / sub-counting marker — exact significance varies by manuscript)"

What it means

Sādhana-form-vs-essence abhang. The opening contrast: sādhanāncyā kaḷā ākāra ākṛti — kāraṇa navanītīm mathanācēthekaḷāsof sādhanas are ākāra-and-ākṛti (form-and-shape); (but) thekāraṇa(the essence-cause) is in thenavanīta(butter) of themathana(churning). The various sādhanas (yoga-poses, japa-counts, kīrtana-rāgas) are forms; the butter is what comes of churning — and that butter is the real cause.

The image: pakṣiyāsī nāhīm māragīm āḍatāḷā — antara-akṣī phaḷāsī chi pāvēfor the bird, no obstruction in the path; the antara-akṣa (= inner-eye / inner-precision) reaches only the phaḷa. The bird flies straight to the phaḷa (fruit) — no path-obstacles, no detours; the antara-akṣa (precise inner-aiming) gets it directly. Bhakti is bird-flight, not road-walking.

Bhakti-cī jōḍī tē ukhatyā chi sāṭīm — uṇē purē tuṭī tēthē nāhīmbhakti's gain is for theukhatyaonly; uṇē-purē (lack-or-fill), tuṭī (break) are not there. Ukhatya — the urgent-need, the thrown-open state. Bhakti's gain comes only to the open-and-needing, not to the self-contained. Where bhakti enters, no lack-or-fill (no incomplete-or-overfilled state), no break.

The closing — ālē sāmcata sāmcaṇī — āji jālī kṣaṇī ēkasarē(it) came accumulating-saving-by-saving — today in a kṣaṇa, it happened all-at-once. The compounding: drop-by-drop (sāmcata-sāmcaṇī = saving-and-saving) over time, until in one kṣaṇa, all-at-once (ēkasarē), it manifests. The kṣaṇa-of-realization is the cumulative-result of slow-saving.

The marker ॥३३॥ at the end is an unusual numbering — likely a sub-internal counter or a manuscript-tradition's enumeration marker; it does not appear to indicate a sub-series boundary.

[T]

For someone today

For today: sādhana-forms are kaḷās — but the essence is thechurned butter; bhakti's gain is for theurgent-need; sāmcata-sāmcaṇī, then in one kṣaṇa, all-at-once.

Where this applies

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