संत साहित्य
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संत साहित्य · Tukārām · Abhanga 2861 of 4582

Abhanga 2861

The divine you worship through a small ritual is beyond form and words, yet asking it to feel close and personal is exactly what makes devotion possible.

Recognizing the four-fold pūjā-vs-transcendence paradox
Now-become-paramita — consider-my-hita — the bhakta's request

The verse

तुज घालोनियां पूजितों संपुष्टीं । परि तुझ्या पोटीं चवदा भुवनें ॥१॥ तुज नाचऊनि दाखवूं कौतुका । परी रूपरेखा नाहीं तुज ॥ध्रु.॥ तुजलागीं आम्ही गात असों गीत । परी तूं अतीत शब्दाहूनि ॥२॥ तुजलागीं आम्हीं घातियेल्या माळा । परि तूं वेगळा कतृऩत्वासी ॥३॥ तुका म्हणे आतां होऊनि परमित । माझें कांहीं हित विचारावें ॥४॥

Literal translation

Tuja ghālōnīyām pūjitōm sampuṣṭīI put you (in a)sampuṭa(small-box-for-idol) — (and) worship; parī tujhyā pōṭī chavadā bhuvanebut in your belly are 14bhuvanas(worlds, realms). Tuja nāchaūnī dākhāūm kavataka(I) make you dance to show (a)kavataka(marvel, entertainment); parī rūpa-rekhā nāhī tujabut you have norūpa-rekhā(form-and-line, shape). Tujalāgī āmhī gāta asō gītafor you we are singing the song; parī tūm atīta śabdāhūnībut you areatīta(beyond)śabda(words). Tujalāgī āmhī ghātiyelyā māḷāfor you we have placedmāḷā(garlands); parī tūm vegaḷa kartrtvāsībut you arevegaḷa(separate) fromkartrtva(doership, agency). Tukā says: ātām hōūnī paramitanow becomingparamita(measured, accessible); mājhe kāmhī hita vichārāveconsider somehita(welfare) of mine.

What it means

A 4-verse paradox-stuti verse. Each of the four pūjā-acts is paired with its transcendence-paradox.

Verse 1: Box-pūjā vs. 14-bhuvanasI put you in a small-box for pūjā — but 14 worlds are in your belly. The size-paradox.

Verse 2 (dhrūpada): Dance-display vs. no-form-no-lineI make you dance for show — but you have no form-and-line. The form-paradox.

Verse 3: Singing-for-you vs. beyond-wordsI sing songs for you — but you are beyond words. The word-paradox.

Verse 4: Garlanding vs. separate-from-doershipI have placed garlands on you — but you are separate from doership. The agency-paradox.

The close: Tukā mhaṇe ātām hōūnī paramita — mājhe kāmhī hita vichārāvenow become paramita (measured, accessible) — consider some welfare of mine. The petition: despite-all-these-paradoxes — please-become-accessible — and consider my welfare. The bhakta's request: come-down-to-measurability for my-sake.

For someone today

You place a small idol in a box and worship it, yet that same presence somehow holds all fourteen worlds inside it. You dress it, sing to it, garland it, and treat it as if it has a shape and does things, even though its true nature is beyond words, beyond form, beyond any doing at all. Tukaram is not calling this a contradiction to be ashamed of, he is naming the honest paradox at the heart of devotion, we need something small enough to love and speak to, so we ask the vast and formless to become close and reachable for our sake. Holding both truths together, that what you worship is far bigger than any ritual, and that the ritual is still how you reach it, is what makes a real relationship with the divine possible.

मराठी: आपण एक लहानशी मूर्ती पेटीत ठेवून तिची पूजा करतो, पण त्याच मूर्तीच्या पोटात चौदा भुवनं सामावलेली असतात. आपण तिला नटवतो, गाणी गातो, हार घालतो, जणू तिला रूप आहे आणि ती काही करते, पण खरं तर ती शब्दांच्या, रूपाच्या आणि कर्तेपणाच्याही पलीकडची आहे. तुकाराम महाराज हा विरोधाभास लपवत नाहीत, तर तोच भक्तीचा गाभा मानतात, कारण प्रेम करण्यासाठी आणि बोलण्यासाठी आपल्याला काहीतरी जवळचं, मोजता येण्यासारखं लागतं, म्हणून आपण त्या अमर्याद तत्त्वाला आपल्यासाठी जवळ येण्याची विनवणी करतो. जे पूजतो ते खूप मोठं आहे आणि तरीही छोटी पूजा तिथवर पोहोचवते, हे दोन्ही एकाच वेळी स्वीकारणं हीच खरी भक्ती आहे.

Where this applies

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