संत साहित्य
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संत साहित्य · Tukārām · Abhanga 2870 of 4582

Abhanga 2870

Other people's praise or blame cannot touch you or decide your fate, so stop judging others, hand your worries to God, and keep devotion as your one steady practice.

Closing-marker of the Chinchwaḍa-visit 13-abhang collection (2858-2870)

The verse

काय माझें नेती वाईंट म्हणोन । करूं समाधान कशासाटीं ॥१॥ काय मज लोक नेती परलोका । जातां कोणा एका निवारेल ॥ध्रु.॥ न म्हणें कोणासी उत्तम वाईंट । सुखें माझी कूट खावो मागें ॥२॥ सर्व माझा भार असे पांडुरंगा । काय माझें जगासवें काज ॥३॥ तुका म्हणे माझें सर्व ही साधन । नामसंकीर्त्तन विठोबाचें ॥४॥ देवांनीं स्वामींस चिंचवडास नेलें होतें ते अभंग, आरत्या ॥ १३ ॥

Literal translation

Kāya mājhe netī vāīṭa mhaṇōnawhat do they take from me by calling-me-bad?; karūm samādhāna kaśāsāṭīwhy should I dosamādhāna(placating, satisfying) for what? Kāya maja lōka netī para-lōkācan people take me topara-lōka(the other-world)?; jātām kōṇā ēka nivārelif (I am to) go, who else can prevent (it)? Na mhaṇe kōṇāsī uttama vāīṭaI do not call anyoneuttama(good) orvāīṭa(bad); sukhe mājhī kūṭa khāvō māgehappily — let them eat mykūṭa(back-meat, defaming-from-behind). Sarva mājhā bhāra ase Pāṇḍurangāall mybhāra(burden) is on Pāṇḍuranga; kāya mājhe jagā-save kājawhat business have I with the world? Tukā says: mājhe sarva hī sādhanaall my sādhana is; nāma-samkīrttana Viṭhōbāñcethenāma-samkīrtanaof Viṭhōbā.

Editorial prose-colophon (post-verse marginalia): देवांनीं स्वामींस चिंचवडास नेलें होतें ते अभंग, आरत्या ॥ १३ ॥"The abhangs (and) ārati (from when) thedeva(devotees) took thesvāmī(master, Tukārām) toChinchwaḍa— 13 (abhangs)."

What it means

A 4-verse indifference-to-blame text + the most-significant editorial prose-colophon in this Tukārām-section. The colophon places 2858-2870 as a 13-abhang Chinchwaḍa-visit collection — Tukārām composed these on the occasion of his visit to the Chintāmaṇi-Gaṇeśa shrine at Chinchwaḍa (about 35 km from Dehu, where Mōrayā Gosāvī had established the Gaṇapati-cult).

Verse 1: Kāya mājhe netī vāīṭa mhaṇōna — karūm samādhāna kaśāsāṭīwhat do they take from me by calling-me-bad? — why placate? The opening indifference: nothing-of-mine is taken-by-criticism.

Dhrūpada: Kāya maja lōka netī para-lōkā — jātām kōṇā ēka nivārelcan people take me to para-lōka? — if (I am to) go, who-else can prevent? The classic-claim: only-the-Lord-takes-or-prevents going-to-the-other-world; people-can't.

Verse 2: Na mhaṇe kōṇāsī uttama vāīṭa — sukhe mājhī kūṭa khāvō māgeI don't call anyone good or bad — happily, let them eat my back-meat. Kūṭa-khāṇeeating-back-meatdefaming-from-behind. The bhakta-stance: don't judge others, and don't mind being defamed-behind-one's-back.

Verse 3: Sarva mājhā bhāra ase Pāṇḍurangā — kāya mājhe jagā-save kājaall my burden is on Pāṇḍuranga — what business have I with the world? The total-bhakti-delegation: world-business doesn't-concern-me; Pāṇḍuranga-carries-the-burden.

Verse 4 (close): Tukā mhaṇe mājhe sarva hī sādhana — nāma-samkīrttana Viṭhōbāñceall my sādhana is — Viṭhōbā's Nāma-samkīrtana. The single-discipline declaration.

The editorial-colophon: देवांनीं स्वामींस चिंचवडास नेलें होतें ते अभंग, आरत्या ॥१३॥The abhangs and ārati from when the devotees took the master to Chinchwaḍa — 13 abhangs. This places 2858-2870 as the Chinchwaḍa-visit collection, with the next-following 2873-2874 likely being the Chintāmaṇi-Gaṇapati narrative-episode from that visit.

The Chinchwaḍa-visit is biographically-significant: it shows Tukārām being-invited by the Chintāmaṇi-Gaṇeśa establishment (Mōrayā Gosāvī's tradition), and composing-bhakti-abhangs even at the Gaṇeśa-shrine — illustrating his exclusive-Viṭṭhal-bhakti even-while-honoring-other-deity-traditions.

For someone today

A canonical indifference-to-blame text. What do they take from me by calling-me-bad? — why placate? Can people take me to para-lōka? — if (I'm to) go, who-else can prevent? I don't call anyone good or bad — happily let them eat my back-meat. All my burden is on Pāṇḍuranga — what business have I with the world? All my sādhana is — Viṭhōbā's Nāma-samkīrtana. The four operative-claims: (1) criticism takes nothing of mine; (2) people can't determine my para-lōka; (3) I judge no-one; (4) my single-discipline is Nāma-samkīrtana. The editorial-colophon biographically situates this abhang and the 12 before as composed during the Chinchwaḍa-visit — making this a bhakti-platform-statement during a public-occasion.

Where this applies

Related verses