संत साहित्य
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संत साहित्य · Tukārām · Abhanga 229 of 4582

Abhanga 229

This abhang names a boundary-warning register:

When shows / fooling-around are not the right register — and the abhang says no place for them here
When the trace alone is enough — and the fearful-search is unnecessary — and you have to recognize this
When the prize comes-at-jīva-cost and the sweetness sticks at the end — and you accept this register

The verse

पाहा रे तमासा तुमचा येथें नव्हे लाग । देईन तो भाग आलियाचा बाहेरी ॥१॥ जागा रे गोपाळ नो ठायीं ठायीं जागा । चाहुलीनें भागा दूर मजपासूनि ॥ध्रु.॥ न रिघतां ठाव आम्हा ठावा पाळतियां । भयाभीत वांयां तेथें काय चांचपा ॥२॥ तुका म्हणे हातां चडे जीवाचिये साटीं । मिटक्या देतां गोड मग लागतें शेवटीं ॥३॥

Literal translation

English: Look — your tamāśā doesn't have place here. I will give the share — of (what) came from outside. Be alert, gopāls — be alert in (your) places. By the cāhul, go far from me. Without entering — the place is known to us, the pāḷatī. The fearful — what cāñcapā for nothing? Tuka says: comes into hand at the jīva-cost; smacking lips — sweet — then sticks at the end.

मराठी: पाहा रे तमासा तुमचा — येथें नव्हे लाग. देईन तो भाग आलियाचा बाहेरी. जागा रे गोपाळ नो — ठायीं ठायीं जागाचाहुलीनें भागा दूर मजपासूनि. न रिघतां ठाव आम्हा — ठावा पाळतियांभयाभीत वांयां — तेथें काय चांचपा? तुकाराम म्हणतात — हातां चडे जीवाचिये साटींमिटक्या देतां गोड मग लागतें शेवटीं.

Word-by-word gloss
Marathi Meaning
पाहा रे तमासा तुमचा "look — your tamāśā (show / spectacle / fooling-around)"
येथें नव्हे लाग "doesn't have lāga (place / acceptance) here"
देईन तो भाग आलियाचा बाहेरी "I will give that share — of (what) came from bāhērī (outside)"
जागा रे गोपाळ नो ठायीं ठायीं जागा "be alert, gopāls — be alert in (your) places"
चाहुलीनें भागा दूर मजपासूनि "by the cāhul (trace / sound), go far from me"
न रिघतां ठाव आम्हा ठावा पाळतियां "without entering, the place is known to us — the pāḷatī (watcher)"
भयाभीत वांयां तेथें काय चांचपा "the bhayābhīta (fearful) — what cāñcapā (fearful-search) for nothing?"
हातां चडे जीवाचिये साटीं "comes into hand at the jīva (life)-cost / sāṭīm (price)"
मिटक्या देतां गोड मग लागतें शेवटीं "smacking lips — sweet — then sticks at the śevaṭīm (end)"

What it means

A band-warning abhang — Tukaram speaks as the band-leader (or as the deity speaking through Tukaram), warning intruders and the merely-curious. Five movements:

  1. पाहा रे तमासा तुमचा येथें नव्हे लागyour tamāśā doesn't have place here. Tamāśāshow, spectacle, fooling-around, entertainment-mode — is rejected from this band. The register is not entertainment.

  2. देईन तो भाग आलियाचा बाहेरीI'll give the share of what came from outside. The outsider's-portion is given outside. External-distribution-on-the-outside is what intruders get; the internal-circulation (compare 226) is for the real-comrades.

  3. जागा रे गोपाळ नो — ठायीं ठायीं जागा — चाहुलीनें भागा दूरbe alert, gopāls, in places; by the cāhul (trace), go far. The band-discipline: alert in places. The cāhul (the audible trace, footstep-sound) is enough to get the band to go-far (= take protective-distance from intruders).

  4. न रिघतां ठाव आम्हा — ठावा पाळतियां — भयाभीत वांयां — तेथें काय चांचपाwithout entering, the place is known to us, the watchers; the fearful — what fearful-search for nothing? The protective-knowledge: we-the-watchers know the place without entering. The bhayābhīta (fear-frightened) need not cāñcapā (anxiously-search). The pāḷatī-knowledge eliminates the anxious-search.

  5. तुका म्हणे हातां चडे जीवाचिये साटीं — मिटक्या देतां गोड मग लागतें शेवटींTuka says: comes-into-hand at the jīva-cost; smacking-of-lips, sweet — then sticks at the end. The closing-claim:

  6. The prize comes-into-hand only at the jīva (life)-cost. Free-prizes are not the kind.
  7. The smacking-of-lips (= the casual-tasting) is sweet at first; then sticks at the end. The casual taste deceives; the post-taste shows the real cost. (= the tamāśā may seem fun-and-sweet at first; but at the end, it sticks — produces consequences.)

The compound-meaning: the band's prize is not for tamāśā-seekers; it requires jīva-cost. The casual-taste misleads the tamāśā-seekers; the real-prize requires the real-cost.

[T]

For someone today

This abhang names a boundary-warning register:

  1. Tamāśā doesn't have place here. When you encounter a real bhakti-band, tamāśā-mode (entertainment, fooling-around, spectacle-curiosity) is not accepted. Don't bring tamāśā-mode to the band; the band will redirect you to outside.

  2. External-portion to outsiders, internal-circulation to comrades. The band has two distributions: external (what is given to those-outside) and internal (one-to-one among comrades). Don't conflate them.

  3. Cāhul-alertness — protective-distance. The band is alert at the trace-level. The intruder need not enter; the band knows them by trace and takes protective-distance. Don't expect to be detected only at full-entry; you are known by trace.

  4. Fearful-search is unnecessary. Bhayābhīta vāyām — kāya cāñcapā? If you are fear-frightened, your anxious-searching is for nothing. The pāḷatī (the watcher) already knows. Stop the cāñcapā.

  5. Real prize at jīva-cost; tamāśā is sweet-then-sticks. Hātām caḍē jīvāciye sāṭīm. The real-prize requires the jīva-costthe cost of one's life. Free-prizes are not real. And casual-tasting is sweet at first but sticks at the end — produces post-tasting-consequences.

For today: when assessing whether to enter a real-band — recognize that tamāśā-mode is not accepted; the real prize requires jīva-cost; the casual-taste deceives. Either commit to jīva-cost or accept the external-portion.

मराठी: ही ओवी एक boundary-warning register नाव सांगते:

  1. तमाशा-ला इथे जागा नाही. Real bhakti-band भेटला — तमाशा-mode (entertainment, fooling-around, spectacle-curiosity) accepted नाही. तमाशा-mode band मध्ये आणू नका; band तुम्हाला बाहेर redirect करेल.

  2. बाहेरच्यांना external-portion, comrades ला internal-circulation. Band ला दोन distributions: external (बाहेरच्यांना दिलेलं) आणि internal (comrades मध्ये one-to-one). Conflate करू नका.

  3. चाहुल-alertness — protective-distance. Band trace-level वर alert. Intruder ला enter करायची गरज नाही; band trace ने ओळखतं आणि protective-distance घेतं. Full-entry वरच detect होईल असं expect करू नका; trace-ने known आहात.

  4. Fearful-search अनावश्यक. भयाभीत वांयां — काय चांचपा? तुम्ही fear-frightened — anxious-searching नाही-गरज. पाळतीला आधीच माहीत. Cāñcapā थांबवा.

  5. Real prize jīva-cost; tamāśā sweet-then-sticks. हातां चडे जीवाचिये साटीं. Real-prize ला jīva-costजीवाची किंमत. Free-prizes real नाहीत. Casual-tasting आधी गोड पण शेवटी stickspost-tasting-consequences produce करतं.

आज: real-band मध्ये enter करायचं का assess करताना — तमाशा-mode accepted नाही; real prize jīva-cost-गरजेचं; casual-taste deceive करतं — ओळखा. एकतर jīva-cost commit करा किंवा external-portion स्वीकारा.

Where this applies

Related verses