संत साहित्य
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संत साहित्य · Tukārām · Abhanga 247 of 4582

Abhanga 247

People and things end up matching their true nature, so who you associate with, what your reputation says, and where you belong all eventually align, and mismatches lead to trouble.

When fajita lies ahead for unsuitable-association — and you take the warning seriously

The verse

चुंबळीचा करी चुंबळीशीं संग । अंगीं वसे रंग क्रियाहीन ॥१॥ बीजा ऐसें फळ दावी परिपाकीं । परिमळ लौकिकीं जाती ऐसा ॥ध्रु.॥ माकडाच्या गळां रत्न कुळांगना । सांडूनियां सुना बिदी धुंडी ॥२॥ तुका म्हणे ऐसा व्याली ते गाढवी । फजिती ते व्हावी आहे पुढें ॥३॥

Literal translation

Cumbaḷī associates with cumbaḷī; in the body, the rāga resides — action-less. The seed-as-such — fruit shows in the paripāka; fragrance is as-it-goes-in-public. Jewel on the monkey's neck; the high-born woman abandons (her duties), searches the alley. Tuka says: such a one — the gāḍhavī gave birth — fajita lies ahead.

मराठी: चुंबळीचा करी चुंबळीशीं संग — अंगीं वसे रंग क्रियाहीन. बीजा ऐसें फळ दावी परिपाकीं — परिमळ लौकिकीं जाती ऐसा. माकडाच्या गळां रत्न — कुळांगना सांडूनियां सुना बिदी धुंडी. तुकाराम म्हणतात — ऐसा व्याली ते गाढवी — फजिती ते व्हावी आहे पुढें.

Word-by-word gloss
Marathi Meaning
चुंबळीचा करी चुंबळीशीं संग "cumbaḷī (low / base type?) associates with cumbaḷī"
अंगीं वसे रंग क्रियाहीन "in the body, the rāga (color / passion) resides — kriyāhīna (action-less)"
बीजा ऐसें फळ दावी परिपाकीं "the bīja (seed)-as-such — fruit shows in the paripāka (ripening)"
परिमळ लौकिकीं जाती ऐसा "the fragrance — as-it-goes-in-public (laukika)"
माकडाच्या गळां रत्न "jewel on the monkey's neck"
कुळांगना सांडूनियां सुना बिदी धुंडी "the kulāngana (high-born woman) — abandoning the bahu (daughter-in-law-mode)bidi dhuṇḍī (searches the alley)"
ऐसा व्याली ते गाढवी "the gāḍhavī (donkey-mother) gave birth (to such)"
फजिती ते व्हावी आहे पुढें "fajita (humiliation) lies ahead"

What it means

A unsuitable-association abhang — companion to 246's anti-fault-finding. Three image-clusters:

  1. चुंबळीचा करी चुंबळीशीं संग — अंगीं वसे रंग क्रियाहीनcumbaḷī associates with cumbaḷī; the rāga in the body, action-less. Like-with-like associates; the rāga (color / passion) resides in the body but the body is kriyā-hīna (action-less, useless). The passion-without-action is the cumbaḷī-mode.

  2. बीजा ऐसें फळ दावी परिपाकीं — परिमळ लौकिकीं जाती ऐसाseed-as-such fruit shows in paripāka; fragrance is as-it-goes-in-public. The seed determines the ripening; the fragrance is what-the-public-knows. Public-recognition of the seed-quality is appropriate.

  3. माकडाच्या गळां रत्न — कुळांगना सांडूनियां सुना बिदी धुंडीjewel on the monkey's neck; the high-born woman abandons (her household-mode), searches the alley. Two mismatch-images:

  4. Jewel-on-monkey: the valuable-content in the unworthy-vessel — the monkey cannot use the jewel; the jewel is wasted.
  5. Kulāngana searching the alley: the high-born woman who abandons her household-mode and searches in the alleyun-suitable wandering. (The bidialley — is associated with low-class / dishonor.)

Both images: capacity-and-context mismatched.

  1. ऐसा व्याली ते गाढवी — फजिती ते व्हावी आहे पुढेंthe gāḍhavī gave birth (to such) — fajita lies ahead. The closing-judgment. The donkey-mother gave birth to such an inappropriately-associated one; fajita (humiliation) lies ahead. The outcome of unsuitable-association is humiliation.

[T]

For someone today

This abhang is a warning about unsuitable associations. Like tends to draw like, so if you find yourself constantly surrounded by people who are all passion and no real action, ask whether you have quietly become that kind of person yourself. What people come to know about you — your public reputation — tends to follow the true quality of your seed, not what you merely claim about yourself, so don't fight that recognition; instead look honestly at your own roots. Tukaram gives two vivid images of mismatch: a jewel hung around a monkey's neck, wasted because the monkey cannot use it, and a well-bred woman who abandons her rightful place to wander the back alleys, her capability squandered in the wrong setting. Both point to the same danger — putting something valuable, or someone capable, where it doesn't belong — and Tuka warns that such mismatches predictably end in humiliation, so take stock of your associations and your context before that day arrives.

मराठी: ही ओवी अयोग्य सहवासाबद्दल एक इशारा देते. समान स्वभावाचे लोक एकत्र येतात, त्यामुळे तुमच्या भोवती नेहमी फक्त आवेश असणारे पण प्रत्यक्ष कृती नसणारे लोक दिसत असतील, तर स्वतःलाच विचारा — तुम्हीही तसेच झाला आहात का. लोकांना तुमच्याबद्दल जे कळतं — तुमची लोकप्रसिद्धी — ती तुमच्या खऱ्या बीजाच्या गुणवत्तेनुसारच घडते, तुम्ही केवळ दावा करता त्यानुसार नाही, त्यामुळे त्या ओळखीशी झगडू नका, उलट स्वतःच्या मुळांकडे प्रामाणिकपणे पाहा. तुकाराम विसंगतीची दोन ठळक चित्रं देतात — माकडाच्या गळ्यात घातलेलं रत्न, जे माकडाला वापरताच येत नाही म्हणून वाया जातं, आणि एक कुलीन स्त्री जी आपली योग्य जागा सोडून गल्लीबोळात भटकते, तिचं सामर्थ्य चुकीच्या जागी वाया जातं. दोन्ही चित्रं एकच धोका दाखवतात — मौल्यवान गोष्ट किंवा सामर्थ्यवान व्यक्ती चुकीच्या जागी ठेवणं — आणि तुकाराम इशारा देतात की अशा विसंगतींचा शेवट अपमानातच होतो, त्यामुळे तो दिवस येण्याआधीच आपले सहवास आणि आपली जागा तपासून पाहा.

Where this applies

Related verses