Abhanga 455
Tukaram exposes the hypocrite who performs renunciation while secretly chasing pleasure, and insists that honest, ordinary living, feeding the body first, beats staged self punishment.
The verse
ऐक सांगतों एका भावें । सांपडे घरीं तें जीवउनि खावें । रे विठ्ठल ॥१॥ पसरी हात नाहीं त्याग । दावी दगड पुजी भग । रे विठ्ठल ॥२॥ वासने हातीं बांधवी नळी । त्यासि येउनि गाळी । रे विठ्ठल ॥३॥ करवी पीडा भोगवी दुःख । पडे नरकीं परी न पळे चि मूर्ख । रे विठ्ठल ॥४॥ विटंबी शरीर मागे रुका । केलें तें गेलें अवघें चि फुका । रे विठ्ठल ॥५॥ फोडोनि गुडघे कोंपर चोळी । आपला घात करोनि आपण चि तळमळे । रे विठ्ठल ॥६॥ शिवों नये ती अंतरीं माया । संपादणीविण विटंबिली काया । रे विठ्ठल ॥७॥ आपणा परिमळ आणिकां लोकां । मोलाची महिमा फजिती फुका । रे विठ्ठल ॥८॥ पाठीवरी तोबा तोंड काळें । रसना द्रवे उपस्थाच्या मुळें । रे विठ्ठल ॥९॥ चला जेवूं आधीं पोटीं लागल्या भुका । धाल्यावरी बरा टाकमटिका । रे विठ्ठल ॥१०॥
Literal translation
English (selected): Listen — ēkā bhāvē — what's caught at home, eat alive — re Viṭhṭhala. Spreads hand, no tyāga — shows stones, worships bhaga — re Viṭhṭhala. ... [10 verses each closing with re Viṭhṭhala] ... Come, let's eat — bellies hungry — fed, good ṭakamaṭikā — re Viṭhṭhala.
मराठी (निवडक): ऐक सांगतों एका भावें — सांपडे घरीं तें जीवउनि खावें — रे विठ्ठल. ... चला जेवूं आधीं पोटीं लागल्या भुका — धाल्यावरी बरा टाकमटिका — रे विठ्ठल.
Word-by-word gloss
| Marathi | Meaning |
|---|---|
| ऐक सांगतों एका भावें | "listen — tell with one bhāva" |
| सांपडे घरीं तें जीवउनि खावें | "what's caught at home — eat alive" |
| रे विठ्ठल | "re Viṭhṭhala" (refrain) |
| पसरी हात नाहीं त्याग | "spreads hand — no tyāga" |
| दावी दगड पुजी भग | "shows stones, worships bhaga" |
| करवी पीडा भोगवी दुःख | "makes pīḍā, suffers duḥkha" |
| पडे नरकीं परी न पळे चि मूर्ख | "falls naraka — fool doesn't flee" |
| विटंबी शरीर मागे रुका | "mocks body, asks rukā" |
| शिवों नये ती अंतरीं माया | "untouchable māyā in heart" |
| संपादणीविण विटंबिली काया | "without sampādaṇī — kāyā mocked" |
| आपणा परिमळ आणिकां लोकां | "smell to oneself, glory to others" |
| मोलाची महिमा फजिती फुका | "mōla-mahimā — phajitī — phukā" |
| पाठीवरी तोबा तोंड काळें | "back-tōbā, tōṇḍa kāḷē" |
| रसना द्रवे उपस्थाच्या मुळें | "tongue waters at upastha-roots" |
| चला जेवूं आधीं पोटीं लागल्या भुका | "come, let's eat — bellies hungry" |
| धाल्यावरी बरा टाकमटिका | "fed-state — good ṭakamaṭikā" |
What it means
A sharp ironic-litany of hypocrite-failures abhang. Each of 10 pādas closes with re Viṭhṭhala (the refrain-witness). The style is carnivalesque-satirical — Tukaram in his fierce-ironic-anti-hypocrite mode. Major claims:
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ऐक सांगतों एका भावें — सांपडे घरीं तें जीवउनि खावें — listen — one bhāva — what's caught at home, eat alive. The anti-show opening: theone-bhāvatruth is — eat what's caught at home alive, don't perform-renunciation.
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पसरी हात नाहीं त्याग — दावी दगड पुजी भग — spreads hand, no tyāga — shows stones, worships bhaga. The false-renunciate: spreads the begging-hand but has no real-tyāga; shows stones (= performs-show-pūjā) but secretly worshipsbhaga(genitalia / sensuality). Hypocrite-image.
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करवी पीडा भोगवी दुःख — पडे नरकीं परी न पळे चि मूर्ख — makes pīḍā, suffers duḥkha — falls naraka, fool doesn't flee. The self-imposed-suffering: the hypocrite causes his own pain and bears suffering; falls into hell — the fool doesn't even flee.
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विटंबी शरीर मागे रुका — केलें तें गेलें अवघें चि फुका — mocks body, asks rukā — done went all free. The body-mockery and free-loss: mocks his own body, asks for a coin; what was done all went free (without compensation).
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शिवों नये ती अंतरीं माया — संपादणीविण विटंबिली काया — untouchable māyā in heart — without sampādaṇī, kāyā mocked. The inner-māyā-and-no-completion: untouchablemāyā(illusion) sits in his heart; withoutsampādaṇī(completion / fulfillment), thekāyā(body) is mocked.
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पाठीवरी तोबा तोंड काळें — रसना द्रवे उपस्थाच्या मुळें — back-tōbā, tōṇḍa kāḷē — tongue waters at upastha-roots. The most-explicit: back-vomit, mouth-blackened; tongue waters atupastha-roots(= sex-organs). The hypocrite's mouth says one thing, body desires another.
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चला जेवूं आधीं पोटीं लागल्या भुका — धाल्यावरी बरा टाकमटिका — come, let's eat — bellies hungry — fed, good takamatika. The closing-earthy claim: come, let's eat — bellies are hungry; once-fed, theṭakamaṭikā(proper-rest / proper-thinking) comes. Eat first, philosophize after; this is the only honest-order.
[T]
For someone today
Tukaram delivers a blistering satire on religious showmanship, calling on Vitthal as witness in every line. He points to the ascetic who begs with an open hand while claiming to have given everything up, who performs public piety while secretly chasing the very desires he pretends to have renounced. He mocks people who inflict suffering and self punishment on their own bodies for show, calling it a foolish walk straight into hell that they refuse to turn back from. He notices how such people smell sweet and holy to onlookers while something hidden and hungry rots underneath. The poem ends with blunt, earthy honesty: eat when your stomach is hungry, then let clear thinking come once you are fed, instead of starving yourself to prove your holiness.
मराठी: तुकाराम या अभंगात धार्मिक देखाव्यावर तिखट टीका करतात, प्रत्येक ओळीत विठ्ठलाला साक्षी ठेवतात. ते अशा साधकाकडे बोट दाखवतात जो हात पसरून भीक मागतो पण सगळं सोडल्याचा दावा करतो, जो सार्वजनिक ठिकाणी भक्तीचा देखावा करतो पण गुप्तपणे तीच इच्छा पूर्ण करत असतो जी त्याने सोडल्याचे नाटक केले आहे. ते स्वतःच्या शरीराला दाखवण्यासाठी त्रास आणि शिक्षा देणाऱ्या लोकांची खिल्ली उडवतात, आणि हे नरकात जाणारा मूर्खपणाचा मार्ग असल्याचे म्हणतात, जिथून तो माणूस मागे फिरतही नाही. ते नमूद करतात की असे लोक इतरांना सुगंधी आणि पवित्र वाटतात पण आतून काहीतरी लपलेली आणि भुकेली गोष्ट कुजत असते. कवितेचा शेवट रोखठोक, साध्या प्रामाणिकपणाने होतो, पोटात भूक लागली की आधी जेवा, मग पोट भरल्यावर खरी सुबुद्धी येते, उपाशी राहून पावित्र्य सिद्ध करण्याऐवजी.
Where this applies
- Be honest with what your life has. Anti-show.
- Hypocrite features. Diagnostic.
- Self-imposed suffering = fool in hell. Don't.
- Body-mockery without sampādaṇī. Anti-display.
- Outer-perfume, inner-rot. Honesty.
- Eat first, takamaṭikā after. Householder-realism.