संत साहित्य
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संत साहित्य · Tukārām · Abhanga 593 of 4582

Abhanga 593

When you know someone closely enough, even their silence becomes familiar and readable rather than frightening, while people who don't know them that well mistake the same silence for rejection.

When the deva-house has its silence-of-familiarity — and you have to recognize this register
When no looking needed; the way is at-once clear — and you accept this immediacy
When jana are that-much-different — and you receive this image

The verse

येथील हा ठसा । गेला पडोनियां ऐसा ॥१॥ घरीं देवाचे अबोला । त्याची ते चि सवे त्याला ॥ध्रु॥. नाहीं पाहावें लागत । एकाएकीं च ते रित ॥२॥ तुका म्हणे जन । तयामध्यें येवढें भिन्न ॥३॥

Literal translation

Here — ṭhasā — fell — like this. In ghara — deva — abōlā — that — savē. No looking — at-once — rita. Tuka says: janabhinna — among.

मराठी: येथील हा ठसा — गेला पडोनियां ऐसा. घरीं देवाचे अबोला — त्याची ते चि सवे त्याला. नाहीं पाहावें लागत — एकाएकीं च ते रित. तुकाराम म्हणतां — जन — तयामध्यें येवढें भिन्न.

Word-by-word gloss
Marathi Meaning
येथील हा ठसा "here — ṭhasā"
गेला पडोनियां ऐसा "fell — like this"
घरीं देवाचे अबोला "in ghara — deva — abōlā"
त्याची ते चि सवे त्याला "his — that — savē"
नाहीं पाहावें लागत "no looking needed"
एकाएकीं च ते रित "at-once — rita"
तुका म्हणे जन "jana"
तयामध्यें येवढें भिन्न "among them — bhinna"

What it means

A short deva-house-abōlā-savē-jana-different abhang. Familiarity-with-the-deva register. Three claims:

  1. येथील हा ठसा — गेला पडोनियां ऐसाhere — ṭhasā — fell — like this. The opening-mark-claim: here — thisṭhasā(mark, impression, established-pattern); fell (was-cast / became-set) like-this. The bhakti-pattern is set in this manner. Established-impression.

  2. घरीं देवाचे अबोला — त्याची ते चि सवे त्याला — नाहीं पाहावें लागत — एकाएकीं च ते रितin ghara — deva — abōlā — that — savē — no looking — at-once — rita. The deva-house-silence-as-familiarity-claim: in the deva'sghara(house) —abōlā(silence-of-disagreement, sulking-silence); that very is hissavē(habit, accustomed-ness, familiar-mode); no need topāhāvē(look-out, anticipate); at-once (immediately) — thatrita(way, mode) is clear. In the deva-house, even-the-silence is familiar; no-need-to-look-or-anticipate. Familiarity-with-deva-silence.

  3. तुका म्हणे जन — तयामध्यें येवढें भिन्नTuka says: jana — bhinna — among. The closing-contrast-claim: Tuka says: thejana(people); that much (yēvaḍhē) different (bhinna) among them (tayā-madhyē). Thejanaare different from this familiar-deva-silence-pattern. World-and-bhakta-house-different. (The jana don't have this familiarity-with-deva-silence; they take it as rejection-not-savē.)

[T]

For someone today

Tukaram describes a relationship so close and so established that even God's silence no longer worries him. In his house, when God goes quiet, that is simply God's habit, not a rejection, not something to fret over or watch anxiously for signs of trouble. He knows the pattern immediately, without having to study it. Ordinary people, he says, don't have this; they mistake a loved one's silence for anger or distance because they haven't lived close enough, long enough, to recognize it as just part of who that person is.

मराठी: तुकाराम अशा एका जवळिकीचे वर्णन करतात जी इतकी घट्ट रुजलेली आहे की देवाच्या मौनानेही आता त्यांना काळजी वाटत नाही. त्यांच्या घरात देव जेव्हा अबोला धरतो, तेव्हा तो त्याचा नुसता स्वभाव असतो, नकार नव्हे, चिंता करण्यासारखे किंवा चिन्हांसाठी सावध डोळ्यांनी बघत राहण्यासारखे काहीच नसते. हा नमुना त्यांना क्षणार्धात, कुठलाही अभ्यास न करता कळतो. सामान्य लोकांकडे मात्र हे नसते; ते जवळच्या व्यक्तीच्या मौनाला राग किंवा दुरावा समजून घेतात, कारण ते इतके जवळ, इतका काळ राहिलेलेच नसतात की तो मौनाचा स्वभाव ओळखता यावा.

Where this applies

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