संत साहित्य
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संत साहित्य · Tukārām · Abhanga 893 of 4582

Abhanga 893

The path must actually be walked and the mind must be settled like a clear mirror, because hearing about it, feeling devoted to it, or trying to describe it will never substitute for the walking.

When the path must be walked to reach the place; hearing reports is useless — and you have to recognize this register
When by good-form, I fall at (your) feet; bhāva isn't the way-to-go — and you accept this image
When the virgin-mother's anubhava can't be told — and you allow this image

The verse

चालावा पंथ तो पाविजे त्या ठाया । ऐकिल्या वांयां वारता त्या ॥१॥ ऐका जी वोजे पडतसें पायां । भावाचि तें जायावाट नव्हे ॥ध्रु.॥ व्याली कुमारीचा अनुभवें अनुभव । सांगतां तो भाव येत नाहीं ॥२॥ तुका म्हणे येथें पाहिजे आरालें । बिंबीं निवळलें तरि भासे ॥३॥

Literal translation

Pantha — walk — ṭhāyapāvijē. Aikilyāvārtāvāyām. Vōjēpāyā. Bhāvajāyāvāṭa — none. Vyālī kumārīanubhavabhāva — none-told. Tuka says: ārālabimbabhāsē.

मराठी: पंथ चालावा — तो ठाया पाविजे — ऐकिल्या वांयां वार्ता त्या. ऐका जी, वोजे (शिष्टाचार-नं) पायां पडतसें — भाव-च तो जाया-वाट नव्हे. व्याली-कुमारीच्या अनुभवांचा अनुभव — सांगतां तो भाव येत नाहीं. Tuka म्हणे: येथें पाहिजे आरालें (निर्मळ आरसा) — बिंबीं निवळलें तरि भासे.

Word-by-word gloss
Marathi Meaning
चालावा पंथ तो पाविजे त्या ठाया "panthapāvijēṭhāya"
ऐकिल्या वांयां वारता त्या "aikilyāvāyāmvārtā"
ऐका जी वोजे पडतसें पायां "listen — vōjēpāyā"
भावाचि तें जायावाट नव्हे "bhāvajāyāvāṭa — none"
व्याली कुमारीचा अनुभवें अनुभव "vyālī kumārīanubhava"
सांगतां तो भाव येत नाहीं "telling — bhāva — none"
येथें पाहिजे आरालें "ārāla"
बिंबीं निवळलें तरि भासे "bimba — settled — appears"

What it means

A path-must-be-walked-to-reach-the-place-hearing-useless-by-vōjē-I-fall-at-feet-bhāva-isn't-the-way-virgin-mother's-anubhava-can't-be-told-here-clear-mirror-needed-only-then-appears-in-the-bimba abhang. Must-walk-the-path register. Three claims:

  1. पंथ-चालावा-ठाया-पाविजे — ऐकिल्या-वांयां — वोजे-पायां-पडतसें — भाव-जाया-वाट-नव्हे. Path-walked-claim. Thepanthamust becālāvāthatṭhāyaispāvijē; aikilyā vārtā are vāyām; listen, byvōjē (proper-form, courtesy), I fall at (your)pāyā; the bhāva itself is not the jāyāvāṭa. Walk-the-path; hearing-doesn't-suffice; bhāva is not the path-itself. (Subtle distinction: even bhāva (intent / sentiment) doesn't itself carry — the path must be walked.)

  2. व्याली-कुमारीचा-अनुभव — सांगतां-येत-नाहीं. Virgin-mother's-anubhava-untellable-claim. (As) theanubhavaof the experiences of avyālī kumārī (an impossibility);when sāngatām, that bhāva doesn't yēta. Inexpressible-experience. (The vyālī kumārī image: a virgin-who-has-given-birth — a paradox / impossibility — is the figure for what cannot be expressed. The bhakti-anubhava is similarly of a kind that resists telling.)

  3. Tuka: आरालें — बिंबीं-निवळलें-भासे. Clear-mirror-only-then-appears-claim. Tuka says: here, anārāla (a clear / polished mirror) is needed;only-then it bhāsē (appears) settled in the bimba (the mirror-image).Need-clear-mirror; only-then-the-image-settles-and-appears. (Closing-image: acleared mirroris needed — theunsteady-mirrorwon't show thebimba(image). Only when settled can itappear.)

[T]

For someone today

Tukaram insists that a path has to be walked before you actually arrive anywhere, hearing reports about it is useless, and even good intention or devotion by itself is not the same as the walking. He compares deep spiritual experience to the experience of a virgin who has given birth, an impossible image, because such an experience simply cannot be handed over in words, no matter how carefully someone tries to describe it. His closing image is of a mirror: only when the mirror is clear and steady does the reflection actually appear in it. In the same way, an unsettled mind will not show you anything, no matter how much you have heard about what you are supposed to see.

मराठी: तुकाराम ठामपणे सांगतात की वाट प्रत्यक्ष चालल्याशिवाय ठिकाण गाठता येत नाही, नुसती वार्ता ऐकणं निरुपयोगी आहे, आणि नुसता भावसुद्धा चालण्याची जागा घेऊ शकत नाही. ते खोल आध्यात्मिक अनुभवाची तुलना व्याली-कुमारीच्या अनुभवाशी करतात, एका अशक्यप्राय प्रतिमेशी, कारण असा अनुभव कितीही जपून सांगितला तरी शब्दांत मांडता येत नाही. त्यांची शेवटची प्रतिमा आरशाची आहे: आरसा निवळलेला, स्थिर असेल तरच त्यात प्रतिबिंब दिसतं. तसंच अस्थिर मनाला, कितीही ऐकलं असलं तरी, प्रत्यक्ष काही दिसत नाही.

Where this applies

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