संत साहित्य
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संत साहित्य · Tukārām · Abhanga 1086 of 4582

Abhanga 1086

What looks like theft or loss, when it is God's doing, comes back not as what was lost but as something whole and better than before.

When blanket fell into place; track at his feet — and you have to recognize this register
When thief is good; Pundalik placed at back — and you accept this image
When treasure-room at one place; no need to look separately — and you allow this image

The verse

माझें घोंगडें पडिलें ठायीं । माग तया पायीं सांपडला ॥१॥ चोर तो भला चोर तो भला । पाठिसी घातला पुंडलिकें ॥ध्रु.॥ चोर कुठोरि एके चि ठायीं । वेगळें पाहावें नलगेच कांहीं ॥२॥ आणिकांचीं ही चोरलीं आधीं । माझें तयामधीं मेळविलें ॥३॥ आपल्या आपण शोधिलें तींहीं । करीन मी ही ते चि परी ॥४॥ तुका म्हणे माझें हित चि जालें । फाटकें जाउन धडकें चि आलें ॥५॥ ॥१२॥

Literal translation

Ghōngaḍa ṭhāyīmāga pāyī. Cōra bhalāpāṭhīsī — Pundalik. Cōra-kuṭhōri ēkē-civēgaḷē. Others' stolen — mēḷavilē. Āpaṇa śōdhilē — same way. Tuka says: hitaphāṭakēdhaḍakē. ॥१२॥

मराठी: माझें घोंगडें ठायीं पडिलें — माग त्या पायीं सांपडला. चोर तो भला, चोर तो भला — पुंडलिकें पाठीसीं घातला. चोर-कुठोरि एके-च ठायीं — वेगळें पाहावें न-लगे-च कांहीं. आणिकांचीं ही आधीं चोरलीं — माझें त्या-मधीं मेळविलें. आपल्या आपण शोधिलें त्यांहीं — मी ही ते-च परी करीन. Tuka म्हणे: माझें हित-च जालें — फाटकें जाउन धडकें-च आलें. ॥१२॥

Word-by-word gloss
Marathi Meaning
माझें घोंगडें पडिलें ठायीं "ghōngaḍa ṭhāyī"
माग तया पायीं सांपडला "māgapāyī"
चोर तो भला चोर तो भला "cōra bhalā"
पाठिसी घातला पुंडलिकें "pāṭhīsī — Pundalik"
चोर कुठोरि एके चि ठायीं "cōra-kuṭhōri ēkē-ci"
वेगळें पाहावें नलगेच कांहीं "vēgaḷē"
आणिकांचीं ही चोरलीं आधीं "stole others'"
माझें तयामधीं मेळविलें "mēḷavilē"
आपल्या आपण शोधिलें "āpaṇa śōdhilē"
करीन मी ही ते चि परी "I'll do same"
माझें हित चि जालें "hita"
फाटकें जाउन धडकें चि आलें "phāṭakēdhaḍakē"
॥१२॥ "twelfth — closing"

What it means

The closing abhang of the Ghōngaḍyācē sub-series (12 of 12, marked ॥१२॥). The whole 12-poem narrative resolves: the cōra (Krishna who stole the blanket) turns out to be a good thief — placed-behind-Pundalik; the thief's-treasure-room and the finder are one-and-the-same place; what came back is intact (dhaḍakē) instead of the torn (phāṭakē) one given. Six claims:

  1. घोंगडें-ठायीं — माग-पायीं. Track-at-his-feet-claim. Myghōngaḍafell-into theṭhāyī;the māga was-found at his pāyī.

  2. चोर-भला — पुंडलिक-पाठीसी. Pundalik-placed-thief-at-back-claim. Thecōraisbhalā (good), thecōraisbhalā;Pundalik placed (him) at the pāṭhī (back). (Pundalikputthe thiefbehind himself— i.e. Vitthal stands behind Pundalik. The thief = Vitthal = the one Pundalikhimself installed.)

  3. चोर-कुठोरि-एके — वेगळें-नाहीं. Treasure-room-at-one-place-claim. Thecōra-kuṭhōri (treasure-room of thieves) at ēkē-ci ṭhāyī;no need to look vēgaḷē (separately). (Where the thief lives is where the stolen-goods are kept — both at the same Pandhari.)

  4. आणिक-चोरलीं — माझें-मेळविलें. Mixed-mine-with-others'-claim. He had stolen others' (things)ādhī;among them (he) mēḷavilē mine. (He's been collecting stolen goods from other devotees too — mine got mixed in.)

  5. आपण-शोधिलें — मी-तेच-परी. Others-searched-themselves-I-will-too-claim. They searched forāpaṇa;I too will do tē-ci parī. (Other devotees searched out their own stolen-blanket at Pandhari — I'll do the same.)

  6. Tuka: हित — फाटकें-जाउन-धडकें. Phāṭakē-went-dhaḍakē-came-claim. Tuka says: myhita-cihas happened; thephāṭakē (torn) went, the dhaḍakē (sound, intact) came. (The whole point of the theft: thetornblanket I had has been replaced by anintact one. Krishna stole my torn-rag-of-a-self and gave back a sound-and-intact-self.)

॥१२॥ — closing of the Ghōngaḍyācē abhanga sub-series.

[T]

For someone today

This is the last poem in Tukaram's blanket-theft series, and it resolves the whole story. The thief who took his blanket turns out to be Krishna himself, the very god Pundalik installed at Pandharpur, so the thief's hideout and the place devotees go to recover what they lost are literally the same place. Other devotees have had things taken too, and their losses got mixed in with his, and he says he will search for his the same way they searched for theirs. But the real point is what comes back: not the old, worn, torn blanket he lost, but something whole and sound in its place. Losing something to God, Tukaram says, is never really a loss, because it returns mended and better than it was.

मराठी: ही तुकारामांच्या घोंगडी-चोरीच्या मालिकेतली शेवटची कविता आहे, आणि इथे सगळी कथा उलगडते. त्यांची घोंगडी चोरणारा चोर प्रत्यक्षात स्वतः कृष्णच निघतो - तोच देव जो पुंडलिकाने पंढरपुरात स्थापन केला; म्हणजे चोराचा अड्डा आणि भक्तांना आपलं हरवलेलं परत मिळण्याची जागा ही एकच जागा आहे. इतर भक्तांचंही असंच काही चोरीला गेलं होतं, आणि त्यांचं आणि तुकारामांचं हरवलेलं एकत्र मिसळलं गेलं; ते जसे शोधत गेले, तसंच तुकारामही शोधणार असं म्हणतात. पण खरा मुद्दा हा आहे की परत काय मिळतं - जुनी, झिजलेली, फाटलेली घोंगडी नाही, तर तिच्या जागी काहीतरी संपूर्ण आणि सुदृढ. तुकाराम म्हणतात, देवाकडे काही गमावणं ही खरी हानी नसतेच, कारण ते दुरुस्त होऊन, आधीपेक्षा चांगलं होऊन परत येतं.

Where this applies

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