संत साहित्य
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संत साहित्य · Tukārām · Abhanga 1254 of 4582

Abhanga 1254

We, your weak and trusting one, followed you completely — don't be devious with us, Hari, and don't let us be diminished. Fearing this life away from home, my heart is drawn toward you; now guard my dignity in both places, here and there. The bond was formed almost without my knowing, simply in the course of everyday life, and only afterward did all this longing and worry grow. Tuka says: whatever is, being as it is, is good — I have poured my words into this feeling and given myself over to it completely.

When you're the abaḷā who followed Hari — don't keep cunning within; save our lajjā in both spaces (māhera and sāsurī)

The verse

तुजसवें आम्हीं अनुसरलों अबळा । नको अंगीं कळा राहों हरी हीन देऊं ॥१॥ सासुरवासा भीतों जीव ओढे तुजपाशीं । आतां दोहीविशीं लज्जा राखें आमुची ॥ध्रु.॥ न कळतां संग जाला सहज खेळतां । प्रवर्तली चिंता मागिलांचियावरि ॥२॥ तुका म्हणे असतां जैसें तैसें बरवें । वचन या भावें वेचुनियां विनटलों ॥३॥ ॥८॥

Literal translation

We — abaḷā — followed with you; don't keep kaḷā in your anga, Hari — don't make us hīna. Fearing sāsura-vāsa, the jīva is drawn to you — now save our lajjā in both spaces. Without knowing, sanga happened, simply playing — cintā arose for the previous (life). Tuka says: being-as-it-is is good — I have invested by spending vacana with this bhāva.

मराठी: तुझ्या-संगें आम्हीं अबळा अनुसरलों — हरि — अंगीं कळा (कावेबाजी) ठेवूं नकोस — आम्हांला हीन देऊं नकोस. सासुर-वासाला भितों — जीव तुज-पाशीं ओढतो — आतां दोन्ही ठायीं माझी लज्जा राखी. न-कळतां संग झाला — सहज खेळतां — मागच्या (जन्मांच्या) चिंता प्रवर्तल्या. Tukā म्हणे — आहें-तसें-च बरवें — या भावानें वचन वेचून विनटलों (= गुंतवून बसलों). ॥८॥

Word-by-word gloss
Marathi Meaning
तुजसवें आम्हीं अनुसरलों अबळा "we — abaḷā (weak/woman) — followed (anusaralōm) with you"
नको अंगीं कळा राहों हरी हीन देऊं "don't keep kaḷā (cunning/skill) within (your anga); Hari, don't make (us) hīna"
सासुरवासा भीतों जीव ओढे तुजपाशीं "fearing sāsura-vāsa, the jīva is drawn (ōḍhē) to you"
आतां दोहीविशीं लज्जा राखें आमुची "now save our lajjā in both spaces (dōhī-viśīm)"
न कळतां संग जाला सहज खेळतां "without knowing — sanga (union) happened — simply playing"
प्रवर्तली चिंता मागिलांचियावरि "cintā arose for the previous (ones / earlier life)"
असतां जैसें तैसें बरवें "being-as-it-is is good (baravēm)"
वचन या भावें वेचुनियां विनटलों "I invested (vinaṭalōm) by spending vacana with this bhāva"
॥८॥ "(closes the 8 abhangs)"

What it means

Closes the Sāsuravāsa ॥८॥ sub-series. This last abhang names the register most explicitly: abaḷāweak (one) / woman — is how Tuka has been speaking throughout. The whole 8-abhang sequence is the abaḷā-bhakta-bride's voice from the sāsurī, longing for the māhera.

The closing requests: 1. Don't keep kaḷā in your anga — Hari, don't be devious — straightforward dealing. 2. Don't make us hīna — don't diminish us; the bride's status depends on the māhera-side's recognition. 3. Dōhī-viśīm lajjā rākhē āmucīsave our lajjā in both spaces — both in the māhera (your māhera) and the sāsurī (samsāra). 4. Asatām jaisēm taisēm baravēmbeing as it is is good — finally, acceptance.

The closing — vacana yā bhāvē vēcuniyām vinaṭalōmI have invested (= become entangled,vinaṭalōm) by spending vacana with this bhāva — is the bhakta-bride's seal: I have invested all my speech in this one bhāva; whatever comes, comes.

The marker ॥८॥ closes the sub-series. Eight abhangs: 1. (1247) Lost-child-in-vana 2. (1248) Waiting-for-mūḷa from māhera 3. (1249) Hari-tāḍ within the bride's mode 4. (1250) Burn-my-karma; Hari-pets-the-laḷā at last 5. (1251) Why-have-you-made-me-sāsura-vāsī (most explicit) 6. (1252) Burn-the-obstacles; let-aruci-come; your-load-on-your-head 7. (1253) You-know-without-telling but the longing is anāvara 8. (1254) We abaḷā followed; save our lajjā in both spaces

The arc: from helplessness (1) through complaint (2-3) and self-recrimination (4) to explicit naming (5), release-letter (6), longing-as-sevā (7), and final acceptance with the abaḷā-name (8).

[T]

For someone today

We, your weak and trusting one, followed you completely — don't be devious with us, Hari, and don't let us be diminished. Fearing this life away from home, my heart is drawn toward you; now guard my dignity in both places, here and there. The bond was formed almost without my knowing, simply in the course of everyday life, and only afterward did all this longing and worry grow. Tuka says: whatever is, being as it is, is good — I have poured my words into this feeling and given myself over to it completely.

मराठी: आम्ही, तुझी दुर्बळ पण विश्वासू भक्त, तुझ्या मागे पूर्णपणे आलो — हरी, आमच्याशी कावेबाजी करू नकोस, आम्हांला कमी लेखू नकोस. या परघरवासाची भीती वाटते, जीव तुझ्याकडे ओढला जातो; आता माझी लाज दोन्ही ठिकाणी — माहेरी आणि सासरी — राख. न कळत, सहज खेळता खेळता हा संबंध जुळला, आणि नंतरच ही काळजी, ही ओढ वाढत गेली. तुका म्हणतात, जे आहे तसेच बरे आहे — या भावाने मी माझे शब्द वेचून, स्वतःला पूर्णपणे गुंतवून टाकले आहे.

Where this applies

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