संत साहित्य
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संत साहित्य · Tukārām · Abhanga 1429 of 4582

Abhanga 1429

It is honest, not irreverent, to confront God directly with grief over how death takes everyone you love while God alone seems unchanged.

When confronting Hari with the family-line's mortality — my family died but you stand same — how? — tell me near, you have all our deaths on you

The verse

माझी मेलीं बहुवरिं । तूं कां जैसा तैसा हरी ॥१॥ विठो कैसा वांचलासि । आतां सांग मजपाशीं ॥ध्रु.॥ तुज देखतां चि माझा । बाप मेला आजा पणजा ॥२॥ आम्हां लागलेंसे पाठी । बालत्व तारुण्यें काठीं ॥३॥ तुज फावलें तें मागें । कोणी नसतां वादिलागें ॥४॥ तुका म्हणे तुझ्या अंगीं । मज देखिल लागलीं औघीं ॥५॥

Literal translation

Mine (= my family) have died many — why, Hari, are you jaisā taisā? Viṭho, how have you survived? — now tell me, near. In your very sight — my bāpa died, ājā, paṇajā. After us — bālatva and tāruṇya — at the kāṭhī. What fell to you in the past — no one was around to witness. Tuka says: in your anga — I have seen — each-and-every (death) has come.

मराठी: माझी — मेलीं — बहुवरिं; — तूं — कां — जैसा — तैसा — हरी? विठो — कैसा — वांचलासि? — आतां — सांग — मजपाशीं. तुज — देखतां — चि — माझा; — बाप — मेला — आजा — पणजा. आम्हां — लागलेंसे — पाठी; — बालत्व — तारुण्यें — काठीं. तुज — फावलें — तें — मागें; — कोणी — नसतां — वादि-लागें. Tukā म्हणे — तुझ्या — अंगीं; — मज — देखिल — लागलीं — औघीं.

Word-by-word gloss
Marathi Meaning
माझी मेलीं बहुवरिं "mine — have died (mēlīm) — many (bahuvari)"
तूं कां जैसा तैसा हरी "you — why (kām) — jaisā taisā (= just-as-you-were) — Hari"
विठो कैसा वांचलासि "Viṭhohow (kaisā) — have you survived (vāñcalāsi)?"
आतां सांग मजपाशीं "now — tell — to-me-near (maja-pāśīm)"
तुज देखतां चि माझा "in your very (chi) — sight (dēkhatām) — my"
बाप मेला आजा पणजा "bāpa (father) — died — ājā (grandfather) — paṇajā (great-grandfather)"
आम्हां लागलेंसे पाठी "after us (āmhām) — has been (lāgalēmsē) — on the back (pāṭhī)"
बालत्व तारुण्यें काठीं "bālatva (childhood) — tāruṇya (youth) — at the kāṭhī (= edge / banks / staff)"
तुज फावलें तें मागें "what fell-to-you (phāvalēm) — past (māgēm)"
कोणी नसतां वादिलागें "when no one was (kōṇī nasatām) — to-witness (vādī-lāgēm)"
तुका म्हणे तुझ्या अंगीं "Tuka says — in your anga (body)"
मज देखिल लागलीं औघीं "I — have seen (dēkhila) — has come (lāgalīm) — aughīm (= each-and-every)"

What it means

My-family-died-but-you-Hari-survived abhang. A striking, almost-aggressive Hari-tāḍ. The opening: mājhī mēlīm bahuvarī — tūm kām jaisā taisā Harīmine (= my whole family-line) — have died — many; — why, Hari, are youjaisā taisā(= just-as-you-were)? The bhakta confronts Hari with mortality-asymmetry: my whole family-line has died; you alone are unchanged. (Compare 1416's avaghā-ākāra-grāsiyēlā-kāḷē — all-form-swallowed-by-Time; here Hari is the only-form-Time-couldn't-swallow, and Tuka asks how.)

The pointed question: Viṭhō kaisā vāñcalāsi — ātām sānga maja-pāśīmViṭho —howhave you survived? — now — tell me —near. Tell me, in private, your secret of survival. (= the bhakta wants the immortality-trick from Hari himself.)

The reckoning: tuja dēkhatām chi mājhā — bāpa mēlā ājā paṇajāin your very (chi) sight — my (people) —bāpa(father),ājā(grandfather),paṇajā(great-grandfather) — died. In your sight — my father, grandfather, great-grandfather all died; you witnessed them all.

The autobiographical: āmhām lāgalēmsē pāṭhī — bālatva tāruṇyēm kāṭhīmafter us —bālatva(childhood) andtāruṇya(youth) — has been (chasing) — at thekāṭhī(= edge / banks / staff). Childhood and youth are chasing-after-us (= we're now past them, they're behind on the bank). (= I'm aging too; only you don't.)

The accusation: tuja phāvalēm tēm māgēm — kōṇī nasatām vādī-lāgēmwhatfell-to-youin the past — when no one was — to-witness. The strange, dark line: whatever you got-away-with in the past, no one was around to bear witness against you. (= you survived in the gap when there were no witnesses, with strong implication of something irregular about Hari's surviving.)

The closing: Tukā mhaṇē tujhyā angīm — maja dēkhila lāgalīm aughīmTuka says — in youranga(body); — I have seen — has come (lāgalīm) —aughīm(= each-and-every). I see in your body — every death (of my family) has come to rest. (= all our deaths show on you — striking inversion: Hari carries the family-deaths in his body even while himself unchanged.)

[T]

For someone today

So many of my own have died, one after another — why is it, Hari, that you go on just as you always were? Vitthala, how have you managed to survive? Tell me plainly, close to my ear. Right before your eyes, my father died, my grandfather died, and my great-grandfather died too. Childhood and youth have both slipped behind me now, like a riverbank falling away. Whatever secret let you go on when there was no one left to witness it, I don't know — but Tuka says, in your very body, I can see the mark of every one of those deaths gathered together.

मराठी: माझी माणसे एकामागोमाग एक मरून गेली — हरी, तू मात्र जसा होतास तसाच का राहतोस? विठोबा, तू कसा वाचलास, ते मला जवळ येऊन सांग. तुझ्या डोळ्यांदेखत माझा बाप, माझा आजा, माझा पणजा — सगळे मरून गेले. लहानपण आणि तारुण्य दोन्ही आता माझ्या मागे पडली आहेत, नदीकाठासारखी. तू कसा टिकून राहिलास, कोणीही साक्षीला नसताना, ते मला ठाऊक नाही — पण तुका म्हणतात, तुझ्या अंगातच मला माझ्या या सर्व मृत्यूंच्या खुणा एकवटलेल्या दिसतात.

Where this applies

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