Abhanga 1463
Skill with words or decoration means nothing without the real flavor of grace, so take what is already freely given and use it for your good instead of manufacturing something impressive.
The verse
घरोघरीं बहु जाले कवि । नेणे प्रसादाची चवी ॥१॥ लंडा भूषणांची चाड । पुढें न विचारी नाड ॥ध्रु.॥ काढावें आइतें । तें चि जोडावें स्वहितें ॥२॥ तुका म्हणे कळे । परि होताती अंधळे ॥३॥
Literal translation
In every house, many poets have arisen — they don't know prasāda's cavī. The laṇḍa has cāḍa for bhūṣaṇas — doesn't consider the nāḍa ahead. Take out the ā'itēm — that itself, jōḍāvēm for sva-hita. Tuka says: it is known — but they become andhaḷē.
मराठी: घरो-घरीं — बहु — जाले — कवि; — नेणे — प्रसादाची — चवी. लंडा — भूषणांची — चाड; — पुढें — न — विचारी — नाड. काढावें — आइतें; — तें — चि — जोडावें — स्व-हितें. Tukā म्हणे — कळे; — परि — होताती — अंधळे.
Word-by-word gloss
| Marathi | Meaning |
|---|---|
| घरोघरीं बहु जाले कवि | "in every house (gharō-gharīm) — many — kavi (poets) — have arisen (jālē)" |
| नेणे प्रसादाची चवी | "they don't know — prasāda's — cavī (= taste / flavor)" |
| लंडा भूषणांची चाड | "the laṇḍa (= rascal / fool) — has cāḍa (= relish / urge) — for bhūṣaṇas (= ornaments / decorative-language)" |
| पुढें न विचारी नाड | "ahead (puḍhēm) — does not consider (na vicārī) — nāḍa (= cord / consequence / fall)" |
| काढावें आइतें | "should take out (kāḍhāvēm) — what is ā'itēm (= ready / prepared)" |
| तें चि जोडावें स्वहितें | "that very (tēm chi) — should be jōḍāvēm (= joined / acquired) — for sva-hita (own-welfare)" |
| तुका म्हणे कळे | "Tuka says — (it) is known (kaḷē)" |
| परि होताती अंधळे | "but (parī) — they become — andhaḷē (blind)" |
What it means
Every-house-poets-but-no-prasāda-flavor abhang. A self-aware lament about the kavi-inflation of Tuka's day. The opening: gharō-gharīm bahu jālē kavi — nēṇē prasādācī cavī — in every house — many poets have arisen; — they don't know —prasāda'scavī(= flavor). Many poets, but none knowing the prasāda-flavor. Prasāda — the graceful-style (in poetic-criticism) and grace from Hari (in bhakti) — both senses available. The kavi-mass-production of his day produces poets without prasāda-taste. (Compare 1407's kōraḍyā gōṣṭī ōla-na — dry talk, no moisture; same theme.)
The diagnosis: laṇḍā bhūṣaṇāñcī cāḍa — puḍhēm na vicārī nāḍa — thelaṇḍa(= rascal) — hascāḍa(= relish) — forbhūṣaṇas (= ornaments / alankāras / decorative-words); —ahead, doesn't consider —nāḍa(= cord / consequence / fall). Loves the alankāra-decorations but doesn't think of the consequence ahead. (= the poetic-ornament-as-vanity trap; cf. 1456's bhūṣaṇa-Vedāntins. Nāḍa puns: cord/rope + fall + sound/clamor — possibly the consequent reckoning.)
The pragmatic advice: kāḍhāvēm ā'itēm — tēm chi jōḍāvēm sva-hitēm — take out (kāḍhāvēm) — what isā'itēm(= ready / prepared); — that very thing —jōḍāvēm(= acquire / bind) — forsva-hita(own-welfare). Take what's ready (= the nāma, the bhakti-experience already-given) — bind that to your own-welfare. (= don't manufacture new ornament-poetry; take the ready-prasāda.)
The closing-paradox: Tukā mhaṇē kaḷē — parī hōtātī andhaḷē — Tuka says — (it) is known; — but — they becomeandhaḷē(blind). They know it (intellectually) — but become blind (= can't see the prasāda-flavor though they know about it). The bhāva-required-for-bhakti is missing; intellect alone produces andhaḷa-kavis.
[T]
For someone today
For today: every house has poets, but none know the flavor of prasāda; the rascal relishes ornaments and doesn't see the fall ahead; take out the ready-thing and bind it to your own welfare; they know it intellectually but become blind.
Where this applies
- When you are more focused on sounding impressive or clever than on saying something true
- When you find yourself chasing decoration, style, or image instead of substance
- When something simple and already available could serve you well, but you insist on creating something more elaborate instead
- When you understand a truth intellectually but notice your actions don't match what you know