संत साहित्य
Work in progress. Translations and commentary are AI-generated and may contain inaccuracies or hallucinations — please use your own judgement and check against the original sources.
संत साहित्य · Tukārām · Abhanga 1476 of 4582

Abhanga 1476

Just as a touchstone turns metal to gold and the Gangā stays pure despite what flows into it, Hari's grace can transform an ordinary or flawed person into something precious without weighing their merits against their faults.

When you'd ask Hari to overlook your faults — paris turns iron to gold; Gangā doesn't see drainage as unclean; musk transforms clay; don't count my faults

The verse

आपुल्या महिमानें । धातु परिसें केलें सोनें ॥१॥ तैसें न मनीं माझे आतां । गुणदोष पंढरिनाथा ॥ध्रु.॥ गांवाखालील वाहाळ । गंगा न मनी अमंगळ ॥२॥ तुका म्हणे माती । केली कस्तुरीनें सरती ॥३॥

Literal translation

By his own mahimā — the paris has made dhātu into gold. So, Paṇḍharī-nāthā, don't count my guṇa-dōṣa now. The drainage below the village — Gangā does not consider it amangaḷa. Tuka says: mātī — kastūrī has made saratī.

मराठी: आपुल्या — महिमानें; — धातु — परिसें — केलें — सोनें. तैसें — न — मनीं — माझे — आतां; — गुण-दोष — पंढरि-नाथा. गांवा-खालील — वाहाळ; — गंगा — न — मनी — अमंगळ. Tukā म्हणे — माती; — केली — कस्तुरीनें — सरती.

Word-by-word gloss
Marathi Meaning
आपुल्या महिमानें "by his own (āpulyā) — mahimā"
धातु परिसें केलें सोनें "dhātu (metal) — paris (= philosopher's-stone) — has made — sōnē (gold)"
तैसें न मनीं माझे आतां "so (taisēm) — don't take to mind (na manī) — my (mājhē) — now (ātām)"
गुणदोष पंढरिनाथा "guṇa-dōṣa — O Paṇḍharī-nāthā"
गांवाखालील वाहाळ "below-the-village — vāhāḷa (= drainage / waste-stream)"
गंगा न मनी अमंगळ "Gangā — does not consider (na manī) — (it) amangaḷa (= inauspicious / unclean)"
तुका म्हणे माती "Tuka says — mātī (= clay / earth)"
केली कस्तुरीनें सरती "kastūrī (musk) — has made (kēlī) — (it) saratī (= acceptable / current / passable)"

What it means

Don't-count-my-faults-paris-turns-metal-to-gold abhang. A bouquet of transmutation-images. The opening paris-image: āpulyā mahimānē — dhātu parisēm kēlē sōnēby hisown mahimā— theparis(= philosopher's-stone) — has made —dhātu(metal) —gold. The classical-Indian paris image: a touchstone-like-object that transmutes base-metal to gold. Paris doesn't ask 'is this metal noble enough?' — it just transmutes by its own mahimā. (Compare 1300's Gangā-na-dēkhē-viṭāḷa — Gangā doesn't see pollution; same theme.)

The application: taisēm na manī mājhē ātām — guṇa-dōṣa Paṇḍharī-nāthāso — don't count myguṇa-dōṣa(= merits-and-faults) now, Paṇḍharī-nāthā. (= the Paṇḍharī-king is the paris; let his mahimā transmute me without counting my faults.)

The Gangā-image: gāmvā-khālīla vāhāḷa — Gangā na manī amangaḷathevāhāḷa(drainage-stream) — below the village; —Gangā— does not consider itamangaḷa(= inauspicious / unclean). The village-drainage flowing into Gangā doesn't contaminate the Gangā; Gangā doesn't see it as amangaḷa. (= the Gangā purifies; — Gangā = Hari = Paṇḍharī-nātha.)

The musk-image: Tukā mhaṇē mātī — kēlī kastūrīnēm saratīTuka says —mātī(= clay / dirt); —kastūrī(musk) — hasmade(it) —saratī(= acceptable / valued / passing-as-currency). Musk — when added even to plain clay — makes it valuable. (= one drop of musk makes mud valuable; one drop of Hari-grace makes the bhakta valuable.)

These are all transmutation-images: paris (metal → gold), Gangā (drainage → pure), musk (mud → valuable). All three say: Hari, your touch transmutes the unworthy.

[T]

For someone today

For today: the philosopher's-stone turns metal to gold by its own greatness; so, Paṇḍharī-nātha, don't count my merits and faults; Gangā doesn't consider village-drainage unclean; musk makes even clay valuable.

Where this applies

Related verses