Abhanga 1476
Just as a touchstone turns metal to gold and the Gangā stays pure despite what flows into it, Hari's grace can transform an ordinary or flawed person into something precious without weighing their merits against their faults.
The verse
आपुल्या महिमानें । धातु परिसें केलें सोनें ॥१॥ तैसें न मनीं माझे आतां । गुणदोष पंढरिनाथा ॥ध्रु.॥ गांवाखालील वाहाळ । गंगा न मनी अमंगळ ॥२॥ तुका म्हणे माती । केली कस्तुरीनें सरती ॥३॥
Literal translation
By his own mahimā — the paris has made dhātu into gold. So, Paṇḍharī-nāthā, don't count my guṇa-dōṣa now. The drainage below the village — Gangā does not consider it amangaḷa. Tuka says: mātī — kastūrī has made saratī.
मराठी: आपुल्या — महिमानें; — धातु — परिसें — केलें — सोनें. तैसें — न — मनीं — माझे — आतां; — गुण-दोष — पंढरि-नाथा. गांवा-खालील — वाहाळ; — गंगा — न — मनी — अमंगळ. Tukā म्हणे — माती; — केली — कस्तुरीनें — सरती.
Word-by-word gloss
| Marathi | Meaning |
|---|---|
| आपुल्या महिमानें | "by his own (āpulyā) — mahimā" |
| धातु परिसें केलें सोनें | "dhātu (metal) — paris (= philosopher's-stone) — has made — sōnē (gold)" |
| तैसें न मनीं माझे आतां | "so (taisēm) — don't take to mind (na manī) — my (mājhē) — now (ātām)" |
| गुणदोष पंढरिनाथा | "guṇa-dōṣa — O Paṇḍharī-nāthā" |
| गांवाखालील वाहाळ | "below-the-village — vāhāḷa (= drainage / waste-stream)" |
| गंगा न मनी अमंगळ | "Gangā — does not consider (na manī) — (it) amangaḷa (= inauspicious / unclean)" |
| तुका म्हणे माती | "Tuka says — mātī (= clay / earth)" |
| केली कस्तुरीनें सरती | "kastūrī (musk) — has made (kēlī) — (it) saratī (= acceptable / current / passable)" |
What it means
Don't-count-my-faults-paris-turns-metal-to-gold abhang. A bouquet of transmutation-images. The opening paris-image: āpulyā mahimānē — dhātu parisēm kēlē sōnē — by hisown mahimā— theparis(= philosopher's-stone) — has made —dhātu(metal) —gold. The classical-Indian paris image: a touchstone-like-object that transmutes base-metal to gold. Paris doesn't ask 'is this metal noble enough?' — it just transmutes by its own mahimā. (Compare 1300's Gangā-na-dēkhē-viṭāḷa — Gangā doesn't see pollution; same theme.)
The application: taisēm na manī mājhē ātām — guṇa-dōṣa Paṇḍharī-nāthā — so — don't count myguṇa-dōṣa(= merits-and-faults) now, Paṇḍharī-nāthā. (= the Paṇḍharī-king is the paris; let his mahimā transmute me without counting my faults.)
The Gangā-image: gāmvā-khālīla vāhāḷa — Gangā na manī amangaḷa — thevāhāḷa(drainage-stream) — below the village; —Gangā— does not consider itamangaḷa(= inauspicious / unclean). The village-drainage flowing into Gangā doesn't contaminate the Gangā; Gangā doesn't see it as amangaḷa. (= the Gangā purifies; — Gangā = Hari = Paṇḍharī-nātha.)
The musk-image: Tukā mhaṇē mātī — kēlī kastūrīnēm saratī — Tuka says —mātī(= clay / dirt); —kastūrī(musk) — hasmade(it) —saratī(= acceptable / valued / passing-as-currency). Musk — when added even to plain clay — makes it valuable. (= one drop of musk makes mud valuable; one drop of Hari-grace makes the bhakta valuable.)
These are all transmutation-images: paris (metal → gold), Gangā (drainage → pure), musk (mud → valuable). All three say: Hari, your touch transmutes the unworthy.
[T]
For someone today
For today: the philosopher's-stone turns metal to gold by its own greatness; so, Paṇḍharī-nātha, don't count my merits and faults; Gangā doesn't consider village-drainage unclean; musk makes even clay valuable.
Where this applies
- When someone feels too flawed or unworthy to be loved or accepted as they are
- When a person keeps a mental tally of their own mistakes and fears it disqualifies them from grace or connection
- When someone worries that their past or their failings will permanently stain how others, or how God, sees them
- When a person doubts that a small act of grace or kindness could really change how valuable or worthy they feel