संत साहित्य
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संत साहित्य · Tukārām · Abhanga 196 of 4582

Abhanga 196

In a true shared practice, people stay distinct while moving as one, comparison falls away, and even those who don't fully understand can still be reached and moved to tears by grace.

When sorting out of those who don't meet the rhythm is part of the discipline — and you have to honor this without judgement
When even-unknowingly the Viṭṭhal-name-strength has given status — and you recognize the inclusive-grace claim

The verse

कुसरी अंगें मोडितील परी । मेळविति एका छंदें रे ॥१॥ सम विषम तेथें होऊं च नेदी । जाणऊनि आगळिया रे ॥ध्रु.॥ हात राखोन हाणिती टिपर्‍या । टिपरें मिळोनि जाय त्याची सोई रे ॥२॥ निवडूनि बाहेर काढिती निराळा । जो न मिळे संताचिया घाई रे ॥३॥ नेणतीं नेणतीं च एकें पावलीं मान । विठ्ठल नामाचिया बळें रे ॥४॥ तुका म्हणे कंठ सद्गदित दाटे । या विठोबाच्या अंगसंगें रे ॥५॥

Literal translation

The bodies twist with skill — but they meet in one chand. Sama-viṣama (even-and-odd) cannot form there — known as separate. Holding hand, they strike the ṭiparyā; the ṭipare meet, going their way. They sort and pull aside (whoever does) not meet the saints' ghāī. Even unknowing-unknowingly, one got status — by Viṭṭhal-name's strength. Tuka says: the throat chokes-up — by Viṭhobā's body-touch.

मराठी: कुसरी अंगें मोडितील परीएका छंदे मेळतात. सम-विषम तिथे होऊ देत नाहीआगळिया (वेगळा-वेगळा) म्हणून जाणतात. हात राखोनि टिपर्या हाणतात; टिपरे मिळोनि जाय त्याची सोई. सोडून बाहेर काढतात निराळाजो न मिळे संताचिया घाई. नेणतीं नेणतीं चएकें पावलीं मानविठ्ठल नामाचिया बळें. तुकाराम म्हणतात — कंठ सद्गदित दाटेया विठोबाच्या अंगसंगें.

Word-by-word gloss
Marathi Meaning
कुसरी अंगें मोडितील परी "the bodies twist with kusara (skill)"
मेळविति एका छंदें "(yet) they meet in one chand (rhythm-passion)"
सम विषम तेथें होऊं च नेदी "sama-viṣama (even-and-odd / asymmetry) cannot form there"
जाणऊनि आगळिया "(each is) known as āgaḷiyā (separate / set-apart)"
हात राखोन हाणिती टिपर्‍या "holding hand, (they) strike the ṭiparyā (small percussion-sticks)"
टिपरें मिळोनि जाय त्याची सोई "the ṭiparē meet, going the soya (way)"
निवडूनि बाहेर काढिती निराळा "they sort and pull aside separately"
जो न मिळे संताचिया घाई "whoever does not meet the saints' ghāī"
नेणतीं नेणतीं च एकें पावलीं मान "even unknowing-unknowing-ly, one got māna (status / honor)"
विठ्ठल नामाचिया बळें "by Viṭṭhal-name's strength"
कंठ सद्गदित दाटे "the throat sad-gadita chokes-up"
या विठोबाच्या अंगसंगें "by Viṭhobā's anga-sanga (body-touch)"

What it means

A kīrtana-rhythm-discipline abhang. Builds on 194's one-ghāī claim with structural elaboration:

  1. कुसरी अंगें मोडितील — मेळविति एका छंदेंbodies twist with skill, yet meet in one chand. Each body has its own kusara (individual skill / movement-style), yet the meeting-point is one chand. Plurality at the level of form, unity at the level of rhythm-passion.

  2. सम विषम तेथें होऊं च नेदी — जाणऊनि आगळियाsama-viṣama (even/odd, symmetric/asymmetric, equal/unequal) cannot form there; (each is) known as separate. The kīrtana's one-chand is not equality-of-uniformity. Each is āgaḷiyāseparate, distinct. The one-chand is not sameness-erasure; it is unity-in-distinctness. (Compare 193's one-sādhaka equality, here refined: equal in chand, distinct in body.)

  3. निवडूनि बाहेर काढिती निराळा — जो न मिळे संताचिया घाईsorted aside is whoever does not meet the saints' ghāī. The discipline includes sorting. Some are pulled aside — those who do not meet the rhythm. This is not punishment; it is protection of the chand. The non-meeting body would break the one-rhythm.

  4. नेणतीं नेणतीं च एकें पावलीं मान — विठ्ठल नामाचिया बळेंeven unknowingly-unknowingly, one got status — by Viṭṭhal-name's strength. The radical inclusivity claim. Even the bhakta who does not know what is happening — received status via the Viṭṭhal-name-strength. The name itself does the work; the bhakta's understanding is not required.

  5. कंठ सद्गदित दाटे — विठोबाच्या अंगसंगेंthe throat chokes-up — by Viṭhobā's body-touch. The sad-gadita (choked-up-with-emotion) is the diagnostic — when anga-sanga (body-touch) of Viṭhobā has happened, the throat chokes-up.

[T]

For someone today

This abhang refines the one-rhythm-collective claim of the vāḷavaṇṭa cluster:

  1. Distinctness preserved within unity. The bodies twist with skill differently; the one chand is the meeting-point, not the flattening-point. Don't confuse being in one rhythm with being the same.

  2. Sama-viṣama cannot form. Equal-and-unequal doesn't apply in the chand-zone. Stop comparing who is more devoted, who is less. The metric does not work in this register.

  3. Sorting-out is part of the practice. Some get pulled aside. This is not exclusion-by-prejudice; it is protection of the one-chand. If you find yourself pulled asidethat is the discipline working; either join the one-chand or accept the side-position.

  4. Even unknowing — Viṭṭhal-name-strength gives status. The radical inclusivity: you don't have to understand to receive. The name itself is the agent. Stop thinking your deficient understanding is the obstacle; the name-strength operates underneath understanding.

  5. The body-touch is the diagnostic. Anga-sanga. When the throat chokes-up, the body-touch has happened. Don't doubt the experience by checking against what the doctrine says should happen.

For today: when at a real-collective-practice — preserve your distinctness while meeting in one chand; stop the sama-viṣama comparison; if pulled-aside, accept; trust that the name-strength operates even in unknowing; receive the body-touch as the diagnostic.

मराठी: ही ओवी वाळवंट-उत्सवाच्या 'एकाच तालात असणं' या शिकवणीला अधिक बारकाईने उलगडते.

  1. एकतेतही वेगळेपण टिकतं — प्रत्येक शरीर आपापल्या कौशल्याने वेगळं हलतं; एक ताल हा मिळण्याचा बिंदू आहे, सगळ्यांना सारखं करण्याचा बिंदू नाही. एका तालात असणं म्हणजे सगळे सारखे होणं, असा गैरसमज करून घेऊ नका.

  2. समान-असमान असा भेद तिथे तयारच होत नाही — या तालाच्या क्षेत्रात कोण जास्त भक्त, कोण कमी, अशी तुलना चालत नाही. हे मोजमापच या अवस्थेत लागू पडत नाही.

  3. वेगळं करणं हाही साधनेचाच भाग आहे — काहींना बाजूला काढलं जातं. हा पूर्वग्रहातून केलेला बहिष्कार नाही, तर एका तालाचं रक्षण आहे. जर तुम्हाला बाजूला काढलं गेलं असेल, तर समजा — हीच शिस्त काम करते आहे; एकतर त्या एका तालात सामील व्हा, किंवा बाजूची जागा स्वीकारा.

  4. न कळताही विठ्ठलनामाच्या शक्तीने मान मिळतो — ही खरी सर्वसमावेशकता आहे. काही मिळवण्यासाठी समजून घेणं गरजेचं नाही. नाव स्वतःच काम करतं. तुमची अपुरी समज हाच अडथळा आहे असं समजू नका; नामाची शक्ती समजण्याच्या पलीकडे काम करते.

  5. शरीराचा स्पर्श हीच खूण आहे — जेव्हा कंठ भरून येतो, तेव्हा तो स्पर्श झालेला असतो. हा अनुभव 'शास्त्रात असं व्हायला हवं' या तपासणीवर पडताळून शंका घेऊ नका.

आज एवढंच — कोणत्याही खऱ्या सामूहिक साधनेत असाल, तर एका तालात मिळतानाही आपलं वेगळेपण जपा; समान-असमान अशी तुलना थांबवा; बाजूला काढलं गेलात तर स्वीकारा; न कळताही नामाची शक्ती काम करते यावर विश्वास ठेवा; आणि कंठ भरून येणं हीच खरी खूण म्हणून स्वीकारा.

Where this applies

Related verses