संत साहित्य
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संत साहित्य · Tukārām · Abhanga 203 of 4582

Abhanga 203

This abhang names three precise mechanics:

When you have leftovers and the loved-one is eating them — and you have to recognize the inversion of formal-purity
When nāma-cintana is the comrades' constant — and you have to recognize the parallel-meditation register
When eka-ṭhāyī kālā (the kālā at one place) is for the faith-having one — and you recognize the access-condition

The verse

पाहातां गोवळी । खाय त्यांची उष्टावळी ॥१॥ करिती नामाचें चिंतन । गडी कान्होबाचें ध्यान ॥ध्रु.॥ आली द्यावी डाई । धांवे वळत्या मागें गाई ॥२॥ एके ठायीं काला । तुका म्हणे भाविकाला ॥३॥

Literal translation

The cowherd looking — (Krishna) eats their uṣṭāvaḷī (leftovers). They do name-meditation — the comrades, meditation on Kānhobā. Coming — gives the kabaddi-tag — runs after the homing cows. At one place — kālā — Tuka says — for the faith-having one.

मराठी: पाहातां गोवळीखाय त्यांची उष्टावळी. करिती नामाचें चिंतन — गडी, कान्होबाचें ध्यान. आली द्यावी डाई — धावे वळत्या मागें गाई. एके ठायीं कालां — तुकाराम म्हणतात — भाविकाला.

Word-by-word gloss
Marathi Meaning
पाहातां गोवळी "the cowherd looking"
खाय त्यांची उष्टावळी "(Krishna) eats their uṣṭāvaḷī (leftovers)"
करिती नामाचें चिंतन "(they) do nāma-cintana (meditation on the name)"
गडी कान्होबाचें ध्यान "the comrades — Kānhobā's dhyāna (meditation)"
आली द्यावी डाई "coming — give ḍāī (kabaddi-tag)"
धांवे वळत्या मागें गाई "runs after the vaḷatā (homing) cows"
एके ठायीं काला "at one place — kālā"
तुका म्हणे भाविकाला "Tuka says — for the bhāvika (faith-having one)"

What it means

A gopa-kālā-intimate abhang. Four concrete moves:

  1. खाय त्यांची उष्टावळी(Krishna) eats their leftovers. The ucchiṣṭa-inversion (200) made specific. Krishna eats the cowherds' uṣṭāvaḷī (the leftovers from their own plates). The inversion of formal purity — the forbidden uṣṭa is what the deity prefers. (Ritual-purity says: uṣṭa cannot be offered to the deity. Bhakti-register says: the deity eats the uṣṭa with affection.)

  2. करिती नामाचें चिंतन — गडी कान्होबाचें ध्यान(they) do name-meditation; the comrades, Kānhobā's dhyāna. The cowherds' constant-meditation. The form is nāma-cintana (recitation/contemplation of the name); the content is Kānhobā's dhyāna (visualization of Kānhobā). The two are parallel — form and content together.

  3. आली द्यावी डाई — धांवे वळत्या मागें गाईcoming — gives ḍāī (kabaddi-tag); runs after homing-cows. The cow comes and gives a ḍāī (kabaddi-touch / playful-tag); Krishna runs after the homing-cows. Even the cows participate in the ḍāī-game. (Compare 174's hutuhutu.)

  4. एके ठायीं काला — तुका म्हणे भाविकालाat one place — kālā — Tuka says — for the faith-having one. The closing claim. The kālā (the curd-rice communal feast) happens at one placeeka-ṭhāyī. The access-condition is bhāvikathe faith-having one. Without bhāva, no entry. (Compare 167's take-Hari's-feet, when else? — the access is gated by readiness, but here it is gated by bhāva specifically.)

[T]

For someone today

This abhang names three precise mechanics:

  1. Your leftovers are what the deity wants. Khāya tyāñchī uṣṭāvaḷī. The formal-frame says offer the best, the unsullied, the perfect. The bhakti-frame says offer your leftovers, your half-eaten plate, your everyday-residue. The deity eats it. Don't clean-up before offering; the uṣṭa is the access.

  2. Form and content of meditation are parallel. Nāma-cintana + Kānhobā-dhyāna. The vocal-form (name-recitation) and the visual-content (image-visualization) are together, not one instead of the other. If you have one without the other, the meditation is incomplete.

  3. Eka-ṭhāyī — at one place. The kālā happens somewhere specific, not everywhere — a place within a place, as in abhang 173. The bhāvika finds it; the non-bhāvika does not.

  4. Bhāva is the access-key. Bhāvikālā. Not understanding, not qualification, not long-disciplinebhāva (faith-feeling, devotional-feeling). Cultivate the bhāva; the access opens.

For today: stop cleaning-up before offering; offer the uṣṭa. Hold nāma + dhyāna together. Look for the eka-ṭhāyī kālā in your specific-place. And cultivate bhāva — the access-key is not understanding.

मराठी: ही ओवी तीन नेमक्या गोष्टी सांगते.

  1. तुमचं उष्टं हेच देवाला हवं असतं — औपचारिक चौकट सांगते, सर्वोत्तम, निर्मळ, परिपूर्ण असं अर्पण करा. भक्तीची चौकट सांगते, तुमचं उष्टं, अर्धवट खाल्लेलं ताट, रोजचा शिल्लक भाग अर्पण करा. देव तेच खातो. अर्पण करण्याआधी साफसफाई करू नका; उष्टं हाच प्रवेशाचा मार्ग आहे.

  2. ध्यानाचं स्वरूप आणि आशय समांतर असतात — नामचिंतन आणि कान्होबाचं ध्यान. वाणीतून येणारं नाम आणि डोळ्यांसमोर उभं राहणारं रूप, हे दोन्ही एकत्रच असतात, एकाऐवजी दुसरं असं नाही. यातलं एक असून दुसरं नसेल, तर ध्यान अपूर्ण राहतं.

  3. एके ठायीं — एका विशिष्ट जागी. काला सर्वत्र होत नाही, एका ठराविक जागी होतो — जागेतली जागा, जशी अभंग १७३ मध्ये सांगितली आहे. भाविकाला ती सापडते; अभाविकाला सापडत नाही.

  4. भाव हीच प्रवेशाची किल्ली आहे — भाविकाला. समज नाही, पात्रता नाही, दीर्घ साधना नाही — फक्त भाव, श्रद्धेची भावना. भाव जपा; प्रवेश आपोआप उघडतो.

आज एवढंच — अर्पण करण्याआधीची साफसफाई थांबवा; उष्टं अर्पण करा. नाम आणि ध्यान एकत्र ठेवा. तुमच्या विशिष्ट जागी तो एके ठायींचा काला शोधा. आणि भाव जपा — प्रवेशाची किल्ली समज नाही, भाव आहे.

Where this applies

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