संत साहित्य
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संत साहित्य · Tukārām · Abhanga 403 of 4582

Abhanga 403

You can be furious at someone and demand they prove their words with real action while still recognizing, underneath it all, that they love you.

When Krishna's naṭa-nāṭya deceives the sumana — and you have to recognize this register
When He distinguishes neither own-other, nor mother-sister, nor sāsū-sunā — and you accept this anti-categorical register
When He is bhakta-vatsala despite the chiding — and you receive this closing

The verse

तरी कां वंचनुक सुमनासि वो । नट नाट्य बरें संपादूं जाणतोसि वो ॥१॥ जाणतें मी या शब्दाच्या कुसरी । ऐसें च करून ठकविलें आजिवरी ॥ध्रु.॥ तों तों केलें हें पाठमोरें जग । ऐसें काय जाणें हे तुझे रंग ॥२॥ नाहीं तरी कां नव्हती ठावीं वर्में । परद्वारीं ऐसा हाकलिती प्रसिद्ध नांवें ॥३॥ आप पर न म्हणसी माय बहीण । सासूसुनास लावुनि पाहासी भांडण ॥४॥ आतां न करीं तैसें करी क्रिया आणा । भक्तवत्सल म्हणे तुकयाबंधु कान्हा ॥५॥

Literal translation

Why vañcanuka of sumana? Naṭa-nāṭya — You know how. I know — Your śabda-kusarī — like this ṭhakavilē till now. Made the jaga pāṭha-mōrē — how would I know Your ranga? Else — how would varma not be known — para-dvāra — they call by name. No āpa-para, māya-bahīṇa — between sāsū-sunā You make bhāṇḍaṇa. Now — don't — kriyā āṇā. Bhakta-vatsala — Tukyā-bamdhu says — Kānhā.

मराठी: तरी कां वंचनुक सुमनासि — नट नाट्य बरें संपादूं जाणतोसि. जाणतें मी या शब्दाच्या कुसरी — ऐसें च करून ठकविलें आजिवरी. तों तों केलें हें पाठमोरें जग — ऐसें काय जाणें हे तुझे रंग. नाहीं तरी कां नव्हती ठावीं वर्में — परद्वारीं ऐसा हाकलिती प्रसिद्ध नांवें. आप पर न म्हणसी माय बहीण — सासूसुनास लावुनि पाहासी भांडण. तुकयाबंधु म्हणतां — आतां न करीं तैसें करी क्रिया आणा — भक्तवत्सल कान्हा.

Word-by-word gloss
Marathi Meaning
तरी कां वंचनुक सुमनासि "why vañcanuka (deception) of sumana?"
नट नाट्य बरें संपादूं जाणतोसि "naṭa-nāṭya — You know how to perform"
जाणतें मी या शब्दाच्या कुसरी "I know — Your śabda-kusarī"
ऐसें च करून ठकविलें आजिवरी "like this — ṭhakavilē — till now"
तों तों केलें हें पाठमोरें जग "made the jagapāṭha-mōrē"
ऐसें काय जाणें हे तुझे रंग "how would I know — Your ranga?"
नाहीं तरी कां नव्हती ठावीं वर्में "else — how would varma not be known?"
परद्वारीं ऐसा हाकलिती प्रसिद्ध नांवें "(at) para-dvāra — call by name (publicly)"
आप पर न म्हणसी माय बहीण "no āpa-para, no māya-bahīṇa"
सासूसुनास लावुनि पाहासी भांडण "between sāsū-sunā — make bhāṇḍaṇa"
आतां न करीं तैसें करी क्रिया आणा "now — don't (do) like that — kriyā āṇā"
भक्तवत्सल म्हणे तुकयाबंधु कान्हा "Bhakta-vatsala — says Tukyā-bamdhu — Kānhā"

What it means

A chiding-Krishna's-naṭa-nāṭya-deception abhang. Tukyā-bamdhu mudra (Kānhōbā). Six claims:

  1. तरी कां वंचनुक सुमनासि — नट नाट्य बरें संपादूं जाणतोसिwhy vañcanuka of sumana? — naṭa-nāṭya You know how. The opening-question: why thisvañcanuka(deception) of thesumana(good-mind / tulasī-flower)?You know how to performnaṭa-nāṭya(theatre). Krishna as theatrical-actor.

  2. जाणतें मी या शब्दाच्या कुसरी — ऐसें च करून ठकविलें आजिवरीI know Your śabda-kusarī — like this You've cheated me till now. The recognition-of-deception: I know your word-cleverness; like this You haveṭhakavilē(cheated) me till now.

  3. तों तों केलें हें पाठमोरें जग — ऐसें काय जाणें हे तुझे रंगmade the jaga pāṭha-mōrē — how would I know Your ranga? The jaga-back-turned claim: You have made the worldpāṭha-mōrē(back-turned); how would I know Your colors? The world's-turning-its-back is His doing.

  4. नाहीं तरी कां नव्हती ठावीं वर्में — परद्वारीं ऐसा हाकलिती प्रसिद्ध नांवेंelse how would varma not be known — para-dvāra — they call by name. The public-mark-claim: otherwise, thevarma(secret) wouldn't have been hidden; (but) at thepara-dvāra(other's-door, accusation-of-adultery), they call by name. His doings get the bhakta-publicly-named.

  5. आप पर न म्हणसी माय बहीण — सासूसुनास लावुनि पाहासी भांडणno āpa-para, no māya-bahīṇa — between sāsū-sunā You make bhāṇḍaṇa. The anti-categorical-claim: You don't sayown-other,mother-sister; betweensāsū-sunā(mother-and-daughter-in-law), You make a quarrel appear. The deva is not bound by relational-categories; even disrupts family-relations. (This is bold theology: the deva-as-disruptor of social-categories — compare 365 no diśā excluded from deva's khēḷa, varṇa-dharma is His khēḷa.)

  6. आतां न करीं तैसें करी क्रिया आणा — भक्तवत्सल म्हणे तुकयाबंधु कान्हाnow don't — kriyā āṇā — Tukyā-bamdhu says: bhakta-vatsala Kānhā. The closing-petition-and-naming: now don't (do) like that — make akriyā āṇā(vow-of-action, swear-on-conduct); Tukyā-bamdhu says:bhakta-vatsala(the bhakta-loving)Kānhā. The chiding-protest closes with the affectionate-recognition: despite the deception-chiding, He isbhakta-vatsala.

[T]

For someone today

Here the devotee openly scolds Krishna: his clever words and theatrics have deceived her, and his games have gotten her publicly blamed and gossiped about, as though it were her fault. She's frustrated that his presence upends her ordinary social world, blurring lines she counted on, like mother and sister or this house and that, and even stirring quarrels between people who should be close, like a mother-in-law and daughter-in-law. This time she wants more than sweet talk. She wants him to actually make good on his word, to prove it through action, not just promises. And yet, after all the complaining, she still calls him the one who loves his devotees, showing that anger and deep love can sit in the same sentence.

मराठी: इथे भक्त कृष्णाला स्पष्टपणे रागावते: त्याच्या चतुर शब्दांनी आणि नाट्यांनी तिला फसवलं आहे, आणि त्याच्या खेळांमुळे तिच्यावरच जणू दोष येऊन ती लोकांच्या तोंडी झाली आहे. त्याच्या असण्यामुळे तिचं रोजचं सामाजिक जग उलटंपालटं होतं, आई-बहीण, हे घर-ते घर अशा नात्यांच्या मर्यादा धूसर होतात, इतकंच नाही तर सासू-सुनेसारख्या जवळच्या माणसांमध्येही भांडणं लावली जातात, याचा तिला त्रास होतो. यावेळी तिला फक्त गोड बोलणं नको आहे. तिला हवं आहे की त्याने आपला शब्द कृतीने खरा करून दाखवावा, नुसती आश्वासनं नकोत. आणि तरीही, इतकं सगळं बोलून झाल्यावरही, ती त्याला भक्तवत्सल म्हणजे भक्तांवर प्रेम करणारा असंच संबोधते, यातून हे दिसतं की राग आणि खोल प्रेम एकाच वाक्यात नांदू शकतात.

Where this applies

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