संत साहित्य
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संत साहित्य · Tukārām · Abhanga 696 of 4582

Abhanga 696

When devotion is real and complete, it saturates every state of mind, waking and dreaming alike, until there is no divided feeling left.

When no-other Pāṇḍuranga only — committed from this citta onward — and you have to recognize this register
When the eyes have made recognition; the dhyāna is on the brick — and you receive this final image

The verse

आणीक दुसरें मज नाहीं आतां । नेमिलें या चित्तीपासुनियां ॥१॥ पांडुरंग मनीं पांडुरंग ध्यानीं । जाग्रतीं स्वप्नीं पांडुरंग ॥ध्रु.॥ पडिलें वळण इंद्रियां सकळां । भाव तो निराळा नाहीं दुजा ॥२॥ तुका म्हणे नेत्रीं केलें ओळखण । साजिरें तें ध्यान विटेवरी ॥३॥

Literal translation

No other for me now — committed from this citta onward. Pāṇḍuranga in mana; Pāṇḍuranga in dhyāna — in jāgṛti, in svapnaPāṇḍuranga. Vaḷaṇa has-fallen on all indriyasbhāva is not nirāḷā, no duja. Tuka says: in the eyes — ōḷakhaṇa has-been-made — auspicious — dhyāna — on the viṭa.

मराठी: दुजा कोणी आतां माझ्यासाठी नाही — ह्या-चित्ती-पासूनच नेमलं. Pāṇḍuranga मनीं, Pāṇḍuranga ध्यानीं — जाग्रती-स्वप्नीं Pāṇḍuranga. सकळ इंद्रियांना वळण पडलं — भाव निराळा नाही, दुजा नाही. Tuka म्हणे: नेत्रीं ओळखण केलं — साजिरं ध्यान विटेवरी.

Word-by-word gloss
Marathi Meaning
आणीक दुसरें मज नाहीं आतां "āṇīka duja — for-me — none — now"
नेमिलें या चित्तीपासुनियां "nēmilē — committed — from-this-citta-onward"
पांडुरंग मनीं पांडुरंग ध्यानीं "Pāṇḍuranga in mana; Pāṇḍuranga in dhyāna"
जाग्रतीं स्वप्नीं पांडुरंग "in jāgṛti, in svapna — Pāṇḍuranga"
पडिलें वळण इंद्रियां सकळां "vaḷaṇa has-fallen — on all indriyas"
भाव तो निराळा नाहीं दुजा "bhāva — not nirāḷā, no duja"
नेत्रीं केलें ओळखण "in eyes — ōḷakhaṇa (recognition) — made"
साजिरें तें ध्यान विटेवरी "auspicious — dhyāna — on the viṭa (brick)"

What it means

A no-other-Pāṇḍuranga-mana-dhyāna-jāgṛti-svapna-indriyas-vaḷaṇa-eyes-recognition-on-the-brick abhang. Total-saturation-with-Pāṇḍuranga register. Three claims:

  1. दुजा कोणी नाही आतां — चित्ती-पासून नेमलं — Pāṇḍuranga मनीं-ध्यानीं-जाग्रती-स्वप्नीं. Total-saturation-claim. No other for me now; committed (nēmilē) from thiscitta-onward; Pāṇḍuranga inmana (mind), in dhyāna (meditation), in jāgṛti (waking-state), in svapna (dream-state).Pāṇḍuranga-saturates-all-states-of-consciousness. (The four states named:manana(thinking),dhyāna(meditation),jāgṛti(waking),svapna (dreaming) — all-saturated.)

  2. इंद्रियांना वळण पडलं — भाव निराळा नाही — दुजा नाही. Indriyas-bent-towards-and-no-other-bhāva-claim. Thevaḷaṇa(bend-pattern, the habit-curve) has-fallen on all theindriyas(sense-organs); thebhāvais notnirāḷā(separate, distinct from this) — noduja(other) bhāva. All-senses-bent-toward-Pāṇḍuranga; no-other-bhāva. (The vaḷaṇa image: just as repeated-use bends a habit-pathway, the indriyas have all-been-bent toward Pāṇḍuranga.)

  3. Tuka: नेत्रीं ओळखण — साजिरं ध्यान विटेवरी. Closing-eyes-recognized-on-the-brick-claim. Tuka says: in the eyes —ōḷakhaṇa(recognition) has-been-made; the auspiciousdhyāna— on theviṭa (brick — the famous Pandharī-brick on which Viṭṭhal stands; Puṇḍalika's-brick).Eyes-have-recognized-the-brick-stance; dhyāna is the brick-Pandharī-form. (The closing places the saturation-content: thePāṇḍurangais specificallyViṭṭhal-on-the-brick — the Pandharī-form, hands-at-hip, feet-equal, on the brick that Puṇḍalika threw.)

[T]

For someone today

Tukaram declares that he has committed himself completely, with nothing else on his mind from now on. Vitthal fills his thoughts, his meditation, his waking hours, and even his dreams, so there is no part of his day left untouched. He says his very senses have bent themselves into this habit, the way a path gets worn into a shape from being walked again and again, so there is no longer a separate or divided feeling in him. And when he closes his eyes, what he sees clearly is the familiar, beloved image of Vitthal standing on the brick at Pandharpur. This is a picture of what single-minded devotion looks like when it has soaked all the way through a life, not just an occasional thought but the shape your whole mind has settled into.

मराठी: तुकाराम म्हणतात की त्यांनी स्वतःला पूर्णपणे वाहून घेतलं आहे, आतापासून मनात दुसरं काहीच नाही. पांडुरंग त्यांच्या विचारांत, ध्यानात, जागेपणी आणि अगदी स्वप्नातही भरलेला आहे, त्यामुळे दिवसाचा कोणताही भाग यापासून सुटलेला नाही. ते म्हणतात की त्यांच्या इंद्रियांनाच या सवयीचं वळण पडलं आहे, जसं वारंवार चालल्याने वाट तयार होते, त्यामुळे आता त्यांच्यात वेगळा किंवा दुभंगलेला भाव उरलेला नाही. आणि डोळे मिटले की त्यांना स्पष्ट दिसतं ते म्हणजे पंढरपुरातल्या विटेवर उभा असलेला प्रिय पांडुरंग. एकनिष्ठ भक्ती जेव्हा आयुष्यात पूर्णपणे भिनते तेव्हा ती कशी दिसते, याचं हे चित्र आहे — केवळ अधूनमधूनचा विचार नाही तर संपूर्ण मनाने घेतलेला आकार.

Where this applies

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