संत साहित्य
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संत साहित्य · Tukārām · Abhanga 1565 of 4582

Abhanga 1565

Free of puṇya-pāpa, lord of all — draṣṭā, yet alipta-gati like a naḷaṇī.

When you say a simple prayer for help instead of trying to argue your way to peace of mind
When you feel unworthy because of your past and need reassurance that calling out sincerely is enough
When you notice someone who claims to know it all stumble, while a humble plea for guidance quietly works

The verse

पुण्यपापविरहित सकळां अधिपति । दृष्टा परि नळणी अलिप्त गति ॥१॥ जय देव जय देव जय पंढरिनाथा । श्रीपंढरिनाथा । नुरे पाप विठ्ठल म्हणतां सर्वथा ॥ध्रु.॥ नेणतां विधियुक्त राते पूजेनी । न माये ब्रम्हांडीं संपुष्टशयनीं ॥२॥ भक्ता शरणागता चाले तो पुढें । दावी वाट जाऊ नेदी वांकडे ॥३॥ तेथें नरनारी कवण बाळकें । काय पापपुण्य कवण सुखदुःखें ॥४॥ जाणों म्हणतां तुज टकलीं बहुतेकें । तुका म्हणे शरण आलों मज राखें ॥५॥

Literal translation

Free of puṇya-pāpa, lord of all — draṣṭā, yet alipta-gati like a naḷaṇī. Jaya Deva! Pāṇḍharī-nāthā! No pāpa remains when one says Viṭhṭhala at all. Not knowing the vidhi-yukta night-pūjā — yet doesn't fit in Brahmāṇḍa on his coiled-couch. To the śaraṇāgata bhakta, he walks ahead — shows the path, doesn't let one go crookedly. There, what nara-nārī, what bāḷaka, what pāpa-puṇya, sukha-duḥkha? Many claiming to know you have been ṭakalīm — Tuka says: I have come in refuge, protect me.

मराठी: पुण्य-पाप-विरहित — सकळां — अधिपति; — दृष्टा — परि — नळणी — अलिप्त — गति. जय — देव — जय — देव — जय — पंढरि-नाथा; — श्री-पंढरि-नाथा; — नुरे — पाप — विठ्ठल — म्हणतां — सर्वथा. नेणतां — विधि-युक्त — राते — पूजेनी; — न — माये — ब्रम्हांडीं — संपुष्ट-शयनीं. भक्ता — शरणागता — चाले — तो — पुढें; — दावी — वाट — जाऊ — नेदी — वांकडे. तेथें — नर-नारी — कवण — बाळकें? — काय — पाप-पुण्य — कवण — सुख-दुःखें? जाणों — म्हणतां — तुज — टकलीं — बहुतेकें; — Tukā म्हणे — शरण — आलों — मज — राखें.

Word-by-word gloss
Marathi Meaning
पुण्यपापविरहित सकळां अधिपति "free of puṇya-pāpaadhipati (lord) of all"
दृष्टा परि नळणी अलिप्त गति "draṣṭā — yet — naḷaṇī (= quill / reed-tube — passes-through-without-touching) — alipta (unattached) — gati (gait)"
जय देव जय देव जय पंढरिनाथा "jaya Deva jaya Deva jaya Paṇḍharī-nātha!"
नुरे पाप विठ्ठल म्हणतां सर्वथा "no remainder (nurē) of pāpa — when (one) says Viṭhṭhalaat all"
नेणतां विधियुक्त राते पूजेनी "not knowingvidhi-yukta (prescribed) — by night-pūjā (= rāte-pūjā)"
न माये ब्रम्हांडीं संपुष्टशयनीं "doesn't fit (māyē) — in Brahmāṇḍa — on the sampuṣṭa-śayana (= coiled-couch / Śeṣa)"
भक्ता शरणागता चाले तो पुढें "bhaktaśaraṇāgatawalksthat oneahead"
दावी वाट जाऊ नेदी वांकडे "shows — path; — does not let — gocrookedly"
तेथें नरनारी कवण बाळकें "therewhat nara-nārī (men, women) — child?"
काय पापपुण्य कवण सुखदुःखें "what pāpa-puṇya, sukha-duḥkha?"
जाणों म्हणतां तुज टकलीं बहुतेकें "sayingthey know — you — thrown-down (ṭakalīm) — many"
तुका म्हणे शरण आलों मज राखें "Tuka says — I have come — in refugeprotect me"

What it means

Pāṇḍharī-nātha-ārtī. Āratī genre: a 5-verse invocational-hymn for the closing of pūjā / ārati-tray-circling. Classical-pattern: jaya-deva-jaya-deva-jaya-X-deity refrain after each verse.

The opening theological-formula: puṇya-pāpa-virahita sakaḷām adhipati — draṣṭā parī naḷaṇī alipta gatifree of puṇya-pāpa, lord of all; —draṣṭā(witness) — yet —naḷaṇī(= reed-tube)-like —alipta(unattached) gait. Naḷaṇī — the reed-tube through which something passes-without-touching — Hari witnesses-without-being-affected.

The refrain-line: jaya Deva jaya Deva jaya Paṇḍharī-nāthā — nurē pāpa Viṭhṭhala mhaṇatām sarvathāJaya Deva! Pāṇḍharī-nāthā! — No pāpa remains when (one) says Viṭhṭhala at all. (Compare 1483's uccārāvīm-vācē-nāma — same nāma-power, here as ārtī-acclaim.)

The middle: nēṇatām vidhi-yukta rātē pūjēnī — na māyē Brahmāṇḍī sampuṣṭa-śayanīwhether (one)knowsthevidhi-yukta(prescribed) —night-pūjā(rātē-pūjā / night-watch-pūjā); — (Hari) doesn'tfitin Brahmāṇḍa — on hissampuṣṭa-śayana(= coiled-couch = Śeṣa-couch). Whether the rātē-pūjā is properly-performed or not, Hari is in his cosmic-form, on Śeṣa-the-coiled-serpent.

The protective-promise: bhaktā śaraṇāgatā cālē tō puḍhēm — dāvī vāṭa jā'ū nēdī vānkaḍēfor theśaraṇāgata-bhakta, he walksahead; — shows thepath, doesn't let (one)go crookedly. Hari leads from-the-front; doesn't let the bhakta deviate.

The transcendence-claim: tēthēm nara-nārī kavaṇa bāḷakēm — kāya pāpa-puṇya kavaṇa sukha-duḥkhēthere —what man-woman-child? —what pāpa-puṇya, sukha-duḥkha?. In Hari's domain, no gendered-or-categorical distinctions remain.

The closing-prayer: jāṇōm mhaṇatām tuja ṭakalīm bahutēkēm — śaraṇa ālōm maja rākhēmany —saying"I know" — have beenthrown-down; — Tuka says —I have comein refugeprotect me. Many know-it-alls have been thrown-down; I just take refuge — protect me.

[T]

For someone today

For today: Hari is free of merit-and-sin, lord of all, witness yet unattached; saying Viṭhṭhala leaves no sin-remainder; he doesn't fit in the cosmos on his coiled-couch; he walks ahead of the refugee-bhakta and shows the path; in his domain, no man-woman-child distinction, no pāpa-puṇya-sukha-duḥkha; many claiming to know have been thrown-down — I take refuge; protect me.

Where this applies

Related verses