संत साहित्य
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संत साहित्य · Tukārām · Abhanga 1876 of 4582

Abhanga 1876

Distance from someone who is supposed to be close to you hurts far more than distance from a stranger ever could.

When someone you're intimate with suddenly feels cold, distant, or unreachable.
When you feel unheard by someone even after you've spoken honestly to them.
When you realize your pain comes from how close you once were, not from mere indifference.

The verse

कवणांशीं भांडों कोण माझें साहे । कोण मज आहे तुजविण ॥१॥ धरिलें उदास दुरदुरांतरें । सांडी एकसरें केली माझी ॥ध्रु.॥ आइकोन माझे नाइकसी बोल । देखोनियां खोळ बुंथी घेसी ॥२॥ तुका म्हणे एके गांवींची वसती । म्हणऊनि खंती वाटे देवा ॥३॥

Literal translation

With whom shall I quarrel? — who is my support? — who is for me, except you? You held aloof at far-far-distances — abandoned me at once. Hearing my words you don't heed — seeing (me), you put on a cloak. Tuka says: the same-village residency — therefore I feel regret, deva.

Word-by-word gloss
Marathi Meaning
कवणांशीं भांडों कोण माझें साहे "with whom shall I quarrelwho is my support"
कोण मज आहे तुजविण "who is for meexcept you"
धरिलें उदास दुरदुरांतरें "you held aloof (udāsa) — at far-far-distances"
सांडी एकसरें केली माझी "(you) abandonedat-once(me)"
आइकोन माझे नाइकसी बोल "hearing my wordsyou don't heed"
देखोनियां खोळ बुंथी घेसी "seeing (me)you put on a kunthī (cloak / disguise)"
तुका म्हणे एके गांवींची वसती "Tuka says — the same-village residency"
म्हणऊनि खंती वाटे देवा "thereforeI feel khanti (regret) — deva"

What it means

Same-village-but-aloof + you-disguise-yourself abhang.

The opening: kavaṇāñśīm bhāṇḍōm kōṇa mājhē sāhē — kōṇa maja āhē tujavīṇawith whom shall I quarrel? — who is my support? — who is for me, except you?. The bhakta has-no-other-recourse.

The aloofness-line: dharilē udāsa dura-durāntarē — sāṇḍī ēka-sarē kēlī mājhīyou held aloof at far-far-distances — abandoned (me) at once. Udāsa = aloof, indifferent, withdrawn; sāṇḍī = abandonment. The Lord-has-pulled-back-to-far-distances and-abandoned the bhakta at-once.

The disguise-line: āikōn mājhē nā'ikasī bōla — dēkhōniyām khōḷa bunthī ghēsīhearing my words, you don't heed — seeing (me), you put on a cloak. Khōḷa bunthī = covering / cloak / disguise. You-pretend-not-to-hear, and-when-you-see-me-coming you-cover-yourself-up to-avoid-recognition.

The closing-regret: Tukā mhaṇē ēkē gāmvīñcī vasatī — mhaṇa'ūni khantī vāṭē devāTuka says: the same-village residency — therefore I feel khanti (regret), deva. Khanti = deep regret, sadness. The bhakta and the Lord live in-the-same-village (= Pandhari, or the bhakta's-heart) — that's-why-the-aloofness-causes-regret. (= if-they-were-strangers, the-aloofness-would-be-acceptable; but-as-village-mates, the-cold-shoulder is heart-breaking.)

This abhang's same-village-but-aloof image is one of the most-tender-painful in the gatha — the proximity-makes-the-distance-more-painful.

[T]

For someone today

For today: with whom shall I quarrel? — who is my support? — who is for me, except you?; you held aloof at far-far-distances — abandoned me at once; hearing my words, you don't heed — seeing me, you put on a cloak; Tuka says — same-village residency — therefore I feel khanti, deva.

Where this applies

Related verses