संत साहित्य
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संत साहित्य · Tukārām · Abhanga 1903 of 4582

Abhanga 1903

Love does not need eloquence or worthiness to reach God; even a small, stammering, unqualified voice can grow familiar at his feet.

When you want to speak honestly to God but feel you have no right or ability to do so well
When you compare your plain, halting words to someone else's polished ones and feel discouraged
When you choose to bow your head in simple surrender instead of trying to say something grand

The verse

विनवीजे ऐसें भाग्य नाहीं देवा । पायांशीं केशवा सलगी केली ॥१॥ धीटपणें पत्र लिहिलें आवडी । पार नेणे थोडी मति माझी ॥ध्रु.॥ जेथें देवा तुझा न कळे चि पार । तेथें मी पामर काय वाणूं ॥२॥ जैसे तैसे माझे बोल अंगीकारीं । बोबड्या उत्तरीं गौरवितों ॥३॥ तुका म्हणे विटेवरि जी पाउलें । तेथें म्यां ठेविलें मस्तक हें ॥४॥

Literal translation

No fortune to be pleaded-to, deva — at the feet, Kēśava — (yet) I have made familiarity. With boldness, I wrote the letter, with love — my mati doesn't know the limit. Where, deva, your limit isn't known — there, what shall I, the pāmara, celebrate? As-they-are, accept my words — with childish-stammered words I praise. Tuka says: those feet on the brick — there I have placed my head.

Word-by-word gloss
Marathi Meaning
विनवीजे ऐसें भाग्य नाहीं देवा "no fortune to be pleaded-to — deva"
पायांशीं केशवा सलगी केली "at the feet, Kēśava — (yet) I have made familiarity"
धीटपणें पत्र लिहिलें आवडी "with boldness — I wrote the letter, with love"
पार नेणे थोडी मति माझी "my mati — doesn't know — the (small) limit"
जेथें देवा तुझा न कळे चि पार "where, deva, your limit isn't known"
तेथें मी पामर काय वाणूं "there, what shall I, the pāmara, celebrate"
जैसे तैसे माझे बोल अंगीकारीं "as-they-are — accept my words"
बोबड्या उत्तरीं गौरवितों "with childish-stammered words I praise"
तुका म्हणे विटेवरि जी पाउलें "Tuka says — those feet on the brick"
तेथें म्यां ठेविलें मस्तक हें "there I have placed my head"

What it means

The-letter-itself-opens + viṭā-mastaka abhang. The meta-textual letter-opening of the cluster — Tuka explicitly identifies this as the letter.

The opening: vinavījē aisē bhāgya nāhīm devā — pāyāñśīm Kēśavā salagī kēlīno fortune to be-pleaded-to — yet at the feet, Kēśava, I have made familiarity. The bhakta-acknowledges his-low-status, but-claims-familiarity-at-the-feet.

The letter-self-identification: dhīṭa-paṇē patra lihilē āvaḍī — pāra nēṇē thōḍī mati mājhīwith boldness, I wrote the letter, with love — my mati doesn't know the (small) limit. Tuka explicitly says "I have written this letter with boldness and love". This is the meta-textual marker that confirms the cluster is a letter.

The pāra-line: jēthē devā tujhā na kaḷē chi pāra — tēthē mī pāmara kāya vāṇūmwhere, deva, your limit isn't known — what shall I, pāmara, celebrate?. Where-the-Vedas-can't-fathom-your-limit, what-can-this-pāmara say? (Echoes 1828.)

The childish-stammer: jaisē taisē mājhē bōla angīkārī — bōbaḍyā uttarī gauravitōmaccept my words as-they-are — with childish-stammered words I praise. (Echoes 1785's bōbaḍā uttarī.)

The closing — viṭā-mastaka image: Tukā mhaṇē viṭēvari jī pā'ulē — tēthē myām ṭhēvilē mastaka hēTuka says: those feet on the brick — there I have placed my head. Viṭēvari = on the brick (= Viṭhṭhal stands on the brick at Pandhari — the iconic standing-pose on-the-brick). The bhakta places-his-head on the feet-standing-on-the-brickthe classic Pandhari-pranāma.

This is the letter's-formal-opening abhang in the cluster. The bhakta meta-textually-acknowledges this is the letter; places his head on Viṭhṭhal's-feet-on-the-brick.

[T]

For someone today

For today: no fortune to plead with, deva — yet at the feet, Kēśava, I have made familiarity; with boldness, I wrote the letter, with love — my mati doesn't know the limit; where your limit isn't known — what shall I, the pāmara, celebrate?; accept my words as-they-are — with childish-stammered words I praise; Tuka says — those feet on the brick — there I have placed my head.

Where this applies

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