संत साहित्य
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संत साहित्य · Tukārām · Abhanga 405 of 4582

Abhanga 405

When devotion pulls at you and family duty holds you back, you are allowed to name the pull honestly and claim your right to follow it.

When the daughter protests her mother's keeping her from going to Krishna — and you have to recognize this register
When speaks gently, holds the mind, eyelids can't close — and you accept this absorption
When Gokula-nāyaka is Tuka's dhanī and the daughter must go — and you receive this petition

The verse

क्याला मज आयो वारितेसी घरा । खेळतों सोकरा नंदाचा मी ॥१॥ बहु दिसीं जाली यासीं मज भेटी । आतां वाटे तुटी न परावी ॥ध्रु.॥ कोवळें बोलतो मना आवरतें । डोळियाचें पातें ढापवेना ॥२॥ आजि सकळांसी आलें चोलुनियां । कां गो पाठी वांयां पुलविली ॥३॥ तुमचें तें काय खोळंबलें काज । बल्या कां गो मज कोंडा घरीं ॥४॥ तुकयाचा धनी गोकुळनायक । सरा कांहीं एक बोलतों मी ॥५॥

Literal translation

Why, mother — stopping me at home? — I play (with) Sōkarā Nanda's. Many days since bhēṭi with him — now tuṭī feels — won't part. Speaks gently — holds mana — eyelids can't close. Today to all — come cōlūnīyām — why on (my) back — uselessly pulavīlī? What kāj-kāma delayed for you? Why, bālyā — cooped at home? Tuka's dhanīGokula-nāyaka — pass aside — I'm saying something.

मराठी: क्याला मज आयो वारितेसी घरा — खेळतों सोकरा नंदाचा मी. बहु दिसीं जाली यासीं मज भेटी — आतां वाटे तुटी न परावी. कोवळें बोलतो मना आवरतें — डोळियाचें पातें ढापवेना. आजि सकळांसी आलें चोलुनियां — कां गो पाठी वांयां पुलविली. तुमचें तें काय खोळंबलें काज — बल्या कां गो मज कोंडा घरीं. तुकाराम म्हणतां — तुकयाचा धनी गोकुळनायक — सरा कांहीं एक बोलतों मी.

Word-by-word gloss
Marathi Meaning
क्याला मज आयो वारितेसी घरा "why, mother — stopping me at home?"
खेळतों सोकरा नंदाचा मी "I play (with) SōkarāNanda's"
बहु दिसीं जाली यासीं मज भेटी "many days since bhēṭi with him"
आतां वाटे तुटी न परावी "now feels — tuṭī won't part"
कोवळें बोलतो मना आवरतें "speaks gently — holds the mana"
डोळियाचें पातें ढापवेना "ḍoḷyāñcē pātē — cannot close"
आजि सकळांसी आलें चोलुनियां "today — to all — come cōlūnīyām"
कां गो पाठी वांयां पुलविली "why — on back — uselessly pulavīlī?"
तुमचें तें काय खोळंबलें काज "what kāj-kāma — delayed for you?"
बल्या कां गो मज कोंडा घरीं "why, bālyā — cooped at home?"
तुकयाचा धनी गोकुळनायक "Tuka's dhanīGokula-nāyaka"
सरा कांहीं एक बोलतों मी "pass aside — I'm saying something"

What it means

A daughter-protests-mother-keeping-her-home abhang. Six claims:

  1. क्याला मज आयो वारितेसी घरा — खेळतों सोकरा नंदाचा मीwhy, mother, stopping me at home? — I play with Sōkarā, Nanda's. The opening-protest: why are you stopping me, mother? — I play withSōkarā(a name / playmate) —Nanda's child (= Krishna). The daughter declares her playmate.

  2. बहु दिसीं जाली यासीं मज भेटी — आतां वाटे तुटी न परावीmany days since meeting — now tuṭī feels — won't part. The long-separation claim: (it has been) many days since I met him; now feels — thetuṭī(break) cannot be made. Long-separation-fed longing.

  3. कोवळें बोलतो मना आवरतें — डोळियाचें पातें ढापवेनाspeaks gently, holds the mana — eyelids can't close. The Krishna-effect: He speaks gently — holds the mind; cannot close the eyelids (= cannot stop seeing-Him-in-imagination). Continuous mental-vision.

  4. आजि सकळांसी आलें चोलुनियां — कां गो पाठी वांयां पुलविलीtoday, to all came cōlūnīyām — why on back uselessly pulavīlī? The complaint-of-being-piled-on: today everyone has come bustling out (cōlūnīyām); why have you uselessly piled (work / restraint) on my back? Others-going, daughter-piled-on.

  5. तुमचें तें काय खोळंबलें काज — बल्या कां गो मज कोंडा घरींwhat kāj-kāma delayed for you? — why, bālyā, cooped at home? The escalating-protest: what work is delayed for your sake?why,bālyā(mother / older-woman), are you keeping me cooped at home?

  6. तुकयाचा धनी गोकुळनायक — सरा कांहीं एक बोलतों मीTuka's dhanī — Gokula-nāyaka — pass aside, I'm saying something. The closing-petition-and-naming: Tuka'sdhanī(master) —Gokula-nāyaka(the leader of Gokula); pass aside (mother), I'm saying something. The daughter has the deva-Gokula-master and asserts her right to go.

[T]

For someone today

This verse is a daughter's frank protest to her mother: why are you keeping me home when my playmate is waiting? She insists that too many days have already passed without seeing him, that his gentle voice will not let her mind rest or her eyes close, and that everyone else has been allowed to go out while she alone is held back for no real reason. She refuses to accept vague excuses, and finally she names her true bond: her real master is the Lord of Gokul himself, and that bond outranks any household restriction. It is a reminder that when devotion pulls at you, you are allowed to say so plainly and ask to be let go toward it.

मराठी: ही ओवी एका मुलीचं आईला थेट सांगणं आहे. मला घरात का अडवत आहेस, माझा सवंगडी माझी वाट पाहतोय, असं ती विचारते. ती म्हणते, खूप दिवस झाले त्याची भेट होऊन, आता ताटातूट सहन होत नाही; त्याचं मृदू बोलणं मन धरून ठेवतं, डोळे मिटतच नाहीत. सगळे बाहेर पडले असताना तिलाच उगाच घरात कोंडून ठेवलं जातंय, आणि हे अन्यायकारक वाटतं. शेवटी ती स्पष्टपणे सांगते, माझा खरा धनी गोकुळनायक आहे, आणि हे नातं घरच्या बंधनांपेक्षा मोठं आहे. भक्तीची ओढ मनात असेल, तर ती स्पष्टपणे मांडून वाट मोकळी मागण्याचा हा धडा आहे.

Where this applies

Related verses