संत साहित्य
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संत साहित्य · Tukārām · Abhanga 1700 of 4582

Abhanga 1700

True adornment and identity come from belonging wholly to God, chanting his name, and wanting nothing else, not even liberation, only him.

When you're comparing your simple faith to others' worldly success and feel less-than.
When someone offers you an escape or reward that isn't the relationship itself.
When you're trying to figure out what actually makes you who you are.

The verse

आम्हां अळंकार मुद्रांचे शृंगार । तुळसीचे हार वाहों कंठीं ॥१॥ लाडिके डिंगर पंढरिरायाचे । निरंतर वाचे नामघोष ॥ध्रु.॥ आम्हां आणिकांची चाड चि नाहीं । सर्व सुखें पायीं विठोबाच्या ॥२॥ तुका म्हणे आम्ही नेघों या मुक्ती । एकविण चित्ती दुजें नाहीं ॥३॥

Literal translation

To us, the ornaments are mudrā-śṛngāra — tulasī-hāra we wear at the throat. The beloved ḍingaras of Paṇḍhari-rāya — constant nāma-ghoṣa in mouth. To us, of others, no longing — all sukhas at Viṭhobā's feet. Tuka says: we don't take this mukti — no second in chitta except the One.

Word-by-word gloss
Marathi Meaning
आम्हां अळंकार मुद्रांचे शृंगार "to usornamentsof mudrāsadornment"
तुळसीचे हार वाहों कंठीं "tulasī-hārawe wearat throat"
लाडिके डिंगर पंढरिरायाचे "belovedḍingarasof Paṇḍhari-rāya"
निरंतर वाचे नामघोष "constantin mouthnāma-ghōṣa"
आम्हां आणिकांची चाड चि नाहीं "to usof othersno longing"
सर्व सुखें पायीं विठोबाच्या "all sukhasat Viṭhobā's feet"
तुका म्हणे आम्ही नेघों या मुक्ती "Tuka says — wedon't takethis mukti"
एकविण चित्ती दुजें नाहीं "except the Onein chittano second"

What it means

Warkari-mudrā-tulasī-hāra-self-identification + ḍingara abhang.

The ornaments: āmhām aḷankāra mudrāñcē śṛngāra — tuḷasīcē hāra vāhōm kaṇṭhīmto us, the ornaments are mudrā-śṛngāra — tulasī-hāra we wear at throat. Mudrā = the warkari sectarian-marks (tilaka, conch-and-discus mudrā); tulasī-hāra = the necklace-of-tulasī-beads worn by warkaris. These very (not gold or jewelry) are our ornaments.

The ḍingara: lāḍikē ḍingara Paṇḍhari-rāyācē — nirantara vācē nāma-ghōṣabeloved ḍingaras of Paṇḍhari-rāya — constant nāma-ghoṣa in mouth. Ḍingara = a Marathi-warkari self-vocabulary term, roughly handsome-playful young attendants of the king (= the king's adoring-young-courtiers). Lāḍikē = beloved, fondled. We are the beloved-courtiers of Paṇḍhari-rāya — with constant nāma-ghoṣa in our mouths.

The closing: āmhām āṇikāñcī cāḍa chi nāhīm — sarva sukhē pāyīm Viṭhōbācyā / Tukā mhaṇē āmhī nēghōm yā muktī — ēka-vīṇa chittī dujē nāhīmno longing for others — all sukhas at Viṭhobā's feet; Tuka says — we don't take this mukti — no second in chitta except the One. The anti-mukti, single-focused-on-Viṭhobā warkari-touchstone (compare 1457, 1579, 1631).

This abhang is one of the most-direct warkari self-articulations — naming the visible-marks (mudrā, tulasī-hāra), the self-identity (ḍingara), the practice (nāma-ghoṣa), the focus (Viṭhobā's feet), and the anti-mukti rejection.

[T]

For someone today

For today: to us, the ornaments are the warkari mudrā-marks — and we wear tulasī-bead necklaces at the throat; we are the beloved-courtiers of the Paṇḍhari-king — with constant chant of his name in our mouths; we have no longing for others — all our happiness is at Viṭhobā's feet; Tuka says — we don't take this mukti — there is no second in our chitta except the One.

Where this applies

Related verses