संत साहित्य
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संत साहित्य · Tukārām · Abhanga 1981 of 4582

Abhanga 1981

Once you truly know the divine's nature, devotee and God stop being separate, and self-discovery happens quietly within, ending the restless search elsewhere.

When you're endlessly seeking answers outside yourself instead of looking within.
When your usual categories of right and wrong feel less useful after a moment of insight.
When a quiet inner realization suddenly resolves a search you've been on for a long time.

The verse

आम्ही जाणों तुझा भाव । कैंचा भक्त कैंचा देव । बीजा नाहीं ठाव । कैंचें फळ शेवटीं ॥१॥ संपादिलें बहु रूप । कैंचें पुण्य कैंचें पाप । नव्हतों आम्ही आप । आपणासी देखिलें ॥ध्रु.॥ एके ठायीं घरिच्याघरीं । न कळतां जाली चोरी । तेथें तें चि दुरी । जाणें येणें खुंटलें ॥२॥ तुका म्हणे धरूनि हातीं । उर ठेविली मागुती । एकांतीं लोकांतीं । देवभक्तिसोहळा ॥३॥

Literal translation

We know your bhāva — what bhakta, what Deva? — no place for seed — what fruit at the end? You assumed many forms — what puṇya, what pāpa? — we weren't ourselves — we saw ourselves. At one place — within the home — unknowing, theft happened — there itself, that itself is far — coming-going stopped. Tuka says: holding the hand — placed chest backward — in solitude, in public — Deva-bhakti-celebration.

Word-by-word gloss
Marathi Meaning
आम्ही जाणों तुझा भाव "we know your bhāva"
कैंचा भक्त कैंचा देव "what bhakta — what Deva"
बीजा नाहीं ठाव "no place for seed"
कैंचें फळ शेवटीं "what fruit at the end"
संपादिलें बहु रूप "you assumed many forms"
कैंचें पुण्य कैंचें पाप "what puṇya — what pāpa"
नव्हतों आम्ही आप "we weren't ourselves"
आपणासी देखिलें "we saw ourselves"
एके ठायीं घरिच्याघरीं "at one place — within the home"
न कळतां जाली चोरी "unknowing — theft happened"
तेथें तें चि दुरी "there itself — that itself is far"
जाणें येणें खुंटलें "coming-going stopped"
तुका म्हणे धरूनि हातीं "Tuka says — holding the hand"
उर ठेविली मागुती "placed chest backward"
एकांतीं लोकांतीं "in solitude — in public"
देवभक्तिसोहळा "Deva-bhakti-celebration"

What it means

What-bhakta-what-Deva + theft-within-the-home abhang. ADVAITA-COLLAPSE.

The opening — the great-collapse: āmhī jāṇōm tujhā bhāva — kaiñchā bhakta kaiñchā Dēvawe know your bhāva — what bhakta, what Deva. The bhakta-Deva-distinction collapsesno-bhakta, no-Deva — once-bhāva-is-known.

The seed-and-fruit: bījā nāhīm ṭhāva — kaiñchē phaḷa śēvaṭīmno place for seed — what fruit at the end?. No-seed-place, no-final-fruitthe karma-causation collapses too.

The form-assumption: sampādilē bahu rūpa — kaiñchē puṇya kaiñchē pāpayou assumed many forms — what puṇya, what pāpa?. The Lord-takes-many-forms; puṇya-pāpa-distinctions also-collapse.

The self-seeing: navhatōm āmhī āpa — āpaṇāsī dēkhilēwe weren't ourselves — we saw ourselves. We-weren't-ourselves until-we-saw-ourselves (= sva-darśana = atma-darśana).

The brilliant theft-image: ēkē ṭhāyīm gharichyāgharī — na kaḷatām jālī chōrī — tēthē tē chi durī — jāṇē yēṇē khuṇṭalēat one place — within the home — unknowing, theft happened — there itself, that itself is far — coming-going stopped. The theft-happened within-the-very-home (= atma-realization happens within-the-self); coming-and-going stops (= ego-displacement happens unknowing — and once it does, the seeker doesn't seek elsewhere).

The closing: Tukā mhaṇē dharūni hātī — ura ṭhēvilī māgutī — ēkānti lōkānti — Dēva-bhakti-sōhaḷāTuka says: holding the hand — placed chest backward — in solitude, in public — Deva-bhakti-celebration. Holding-hand, embrace-from-behind; in-solitude-and-public, Deva-bhakti-celebration.

[T]

For someone today

For today: we know your bhāva — what bhakta, what Deva? — no place for seed — what fruit at the end?; you assumed many forms — what puṇya, what pāpa? — we weren't ourselves — saw ourselves; at one place within the home — unknowing, theft happened — there itself, that itself is far — coming-going stopped; Tuka says — holding the hand — chest backward — in solitude, in public — Deva-bhakti-celebration.

Where this applies

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